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Dropping out of Socialism
The essays in this collection make up the first study of “dropping out” of late state socialism in Eastern Europe and the Soviet Union. From Leningrad intellectuals and Berlin squatters to Bosnian Muslim madrassa students and Romanian yogis, groups and individuals across the Eastern Bloc rejected mainstream socialist culture. In the process, multiple drop-out cultures were created, with their own spaces, music, values, style, slang, ideology and networks. Under socialism, this phenomenon was little-known outside the socialist sphere. Only very recently has it been possible to reconstruct it through archival work, oral histories and memoirs. Such a diverse set of subcultures demands a multi-disciplinary approach: the essays in this volume are written by historians, anthropologists and scholars of literature, cultural and gender studies. The history of these movements not only shows us a side of state socialist life that was barely known in the west. It also sheds new light on the demise and eventual collapse of late socialism, and raises important questions about the similarities and differences between Eastern and Western subcultures.
If Only You Could See what I've Seen with Your Eyes
Today almost all aspects of human--and increasingly nonhuman--lives are being modeled by software. Transcending the limits of our planet, data collection has become a fundamental tool with which to map the earth and beyond. Katja Novitskova's catalogue If Only You Could See What I've Seen with Your Eyes, published for the Estonian Pavilion at the 57th Venice Biennale, addresses emerging potentialities between visual culture, big-data-driven processes, and ecology. Rather than commenting on the observable moment, Novitskova transforms these visual manifestations of data into immersive environments that serve as glimpses of a world yet to come. Copublished with the Center for Contemporary Arts, Estonia Texts by Kati Ilves, Nora Khan, Jaak Tomberg, Toke Lykkeberg, Venus Lau
Performance art in Eastern Europe since 1960
This volume presents the first comprehensive academic study of the history and development of performance art in the former communist countries of Central, Eastern and South Eastern Europe since the 1960s. Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists. The discussions are based on primary source material-interviews with the artists themselves. It offers a comparative study of the genre of performance art in countries and cities across the region, examining the manner in which artists addressed issues such as the body, gender, politics and identity, and institutional critique.
Dear I'm a painting
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Between the Archive and Architecture
Neeme Külm, Krista Mölder and Taavi Talve work mainly in Tallinn, and they all use different media in their art. All three artists share a common focus on space, on the various ways of experiencing it and the possible ways of approaching it.0Neeme Külm (1974) is an installation artist whose art is characterised by site-specific works that manipulate space.0Krista Mölder (1972) is an artist whose works are mainly camera-based. Her highly sensitive and detailed approach brings out the cognitive and poetic qualities of the environments she captures.0Taavi Talve (1970) has been active in the media-critical art group Johnson ja Johnson, and has made use of archival and referential source material in his solo works before.00Exhibition: Kumu Art Museum, Tallinn, Estonia (17.09.2016?19.02.2017).
Aurinkometsässä tapahtuu
Aurinkometsässä tapahtuu -kirja sisältää Ähtärin varhaiskasvatuksen ja alkuopetuksen lasten tarinoita, runoja ja kuvia.
The Modern Fairy Tale
This book provides a unique and intriguing insight into current debates concerning the relationship between nation and state as well as the political management of international image in today's Europe through an examination of debates on nation branding and the Eurovision Song Contest. Europe is a contested construct and its boundaries are subject to redefinition. This work aims to advance critical thinking about contemporary nation branding and its relationship to, and influence on, nation building. In particular it focusses on key identity debates that the Eurovision Song Contest engendered in Estonia in the run-up to EU accession. The Eurovision Song Contest is an event which is often dismissed as musically and culturally inferior. However, this work demonstrates that it has the capacity to shed light on key identity debates and illuminate wider socio-political issues. Using a series of in-depth interviews with political elites, media professionals and opinion leaders, this book is a valuable contribution to the growing field of research on nation branding and the Eurovision Song Contest.
Eurasian Disunion
Eurasian Disunion: Russia's Vulnerable Flanks examines the impact of Moscow's neo-imperial project on the security of several regions bordering the Russian Federation, analyses the geopolitical aspects of Kremlin ambitions, and makes recommendations for the future role of NATO, the EU, and the United States in the Wider Europe. Russia's attack on Ukraine and the dismemberment of its territory is not an isolated operation. It constitutes one component of a broader strategic agenda to rebuild a Moscow-centered bloc designed to compete with the West. The acceleration of President Vladimir Putin's neo-imperial project has challenged the security of several regions that border the Russian Federat...
The National and Beyond
The films of Aki and Mika Kaurismäki are part of a globalising Finnish cinema, challenging conventional parameters at every turn. This work examines the films that the Kaurismäkis produced, individually and in collaboration, between 1981 and 1995 - films which mobilise various methods to reflect, criticise, counteract and contribute to the globalisation of Finnish society in the era of late capitalist development. This work provides an in-depth analysis of these films, exploring the aesthetic and narrative content of the films as well as their production and reception in Finland. The theoretical scope of the work situates the films not only in the field of transnational cinema, but also that of 'post-national' cinema. Exploring the Kaurismäkis' films in a post-national framework points to new, emergent understandings of both the fragility and the persistence of national culture and identity in a globalising world.
Diagnosis of Acute Abdominal Pain
This revised and expanded edition deals with the diagnosis of acute abdominal pain. Topics covered include perforated peptic ulcer and acute pancreatitus, a revision of the physical examination, acute abdominal pain in children, and urinary tract problems.
