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Big Bear, Little Bear and Dementia
Little Bear feels confused, because Big Bear can no longer always do the things that Big Bears do. Doctor Bear understands why a little bear would feel this way, and helps Little Bear discover that the loves, laughs and memories they share will always be safe in Big Bears heart. The bears understand that dementia can affect anyone and so would really like for all readers to feel welcomed with open paws, regardless of age, race, gender identity or religion. As allies to the LGBTQIA+ community and to ensure they are relatable to all, the bears use they/them pronouns. **Special Edition, only available on Amazon** Within this book you will find 'Little Bear's Little Guide to Dementia', a short guide to dementia along with how a little bear can support someone living with the diagnosis.
McLean
McLean was a farming community in 1910, when Henry Alonzo Storm established a general store that included the McLean Post Office; the opening of Storm's Store is considered McLean's unofficial beginning. The store was located on Chain Bridge Road beside a stop on the Great Falls and Old Dominion Railroad, an electrified trolley that ran from Rosslyn to Great Falls Park. The stop was named after John R. McLean, a founder of the trolley and owner of the Washington Post newspaper. A village and vibrant community gradually developed around Storm's Store. The Franklin Sherman School, the first consolidated public school in Fairfax County, opened near the store in October 1914; McLean Day, the first event of its kind in the county, started in 1915 to raise money for the school; and the McLean Volunteer Fire Department incorporated in 1923 as Station 1 in Fairfax County.
Tracing Belfast’s Water: new materialist interventions in infrastructure and design
In this book, Tracing Belfast's Water, we seek to make visible the buried histories, geographies, infrastructures, and architectures of water in Belfast by tracing the water network, unearthing its contents, mapping its history, allowing it to reflect back our cultures and built environments. Water, and the infrastructure that delivers and disposes of it, is a taken-for-granted resource: it is infra (meaning invisible)- structure. Employing New Materialism theories, including more-than-human geographies, to architectural design and co-production we explore climate change related future flooding, lead exposure via lead water pipes, the history of water plumbing in Belfast, water scarcity, oral histories of the docks, and filmic reflections of the Lagan River.
The Women Who Changed Architecture
A visual and global chronicle of the triumphs, challenges, and impact of over 100 women in architecture, from early practitioners to contemporary leaders. Marion Mahony Griffin passed the architectural licensure exam in 1898 and created exquisite drawings that buoyed the reputation of Frank Lloyd Wright. Her story is one of the many told in The Women Who Changed Architecture, which sets the record straight on the transformative impact women have made on architecture. With in-depth profiles and stunning images, this is the most comprehensive look at women in architecture around the world, from the nineteenth century to today. Discover contemporary leaders, like MacArthur Fellow Jeanne Gang, spearheading sustainable design initiatives, reimagining cities as equitable spaces, and directing architecture schools. An essential read for architecture students, architects, and anyone interested in how buildings are created and the history behind them.
The Bodies of Others
The Bodies of Others explores the politics of gender in motion. From drag ballerinas to faux queens, and from butoh divas to the club mothers of modern dance, the book delves into four decades of drag dances on American stages. Drag dances take us beyond glittery one-liners and into the spaces between gender norms. In these backstage histories, dancers give their bodies over to other selves, opening up the category of realness. The book maps out a drag politics of embodiment, connecting drag dances to queer hope, memory, and mourning. There are aging étoiles, midnight shows, mystical séances, and all of the dust and velvet of divas in their dressing-rooms. But these forty years of drag dances are also a cultural history, including Mark Morris dancing the death of Dido in the shadow of AIDS, and the swans of Les Ballets Trockadero de Monte Carlo sketching an antiracist vision for ballet. Drawing on queer theory, dance history, and the embodied practices of dancers themselves, The Bodies of Others examines the ways in which drag dances undertake the work of a shared queer and trans politics.
Theology and the Arts
This book brings the emerging fields of practical theology and theology of the arts into a dialogue beyond the bias of modern systematic and constructive theology. The authors draw upon postmodern, post-secular, feminist, liberation, and dialogical/dialectical philosophy and theology, and their critiques of the narrow modern emphases on reason and the scientific method, as the model for all knowledge. Such a practical theology of the arts focuses the work of theology on the actual practices that engage the arts in their various forms as the means of interpreting and understanding the nature of the communities and their members, as well as the mechanisms through which these communities engage...
Bearing Witness
The first edition of Bearing Witness brought together for the first time 176 slave narratives from the state of Arkansas. Now, this new edition adds ten previously undiscovered accounts. No one knew the truths of slavery better than the slaves themselves, but no one consulted them until the 1930s. Then, recognizing that this generation of unique witnesses would soon be lost to history, the Works Progress Administration's Federal Writers' Project acted to interview as many former slaves as possible. In a continuation of the project's interest in the life histories of ordinary people, writers interviewed over two thousand former slaves, more than a third of them in Arkansas. These oral histori...
Art and Masculinity in Post-War Britain
In this book, Gregory Salter traces how artists represented home and masculinities in the period of social and personal reconstruction after the Second World War in Britain. Salter considers home as an unstable entity at this historical moment, imbued with the optimism and hopes of post-war recovery while continuing to resonate with the memories and traumas of wartime. Artists examined in the book include John Bratby, Francis Bacon, Keith Vaughan, Francis Newton Souza and Victor Pasmore. Case studies featured range from the nuclear family and the body, to the nation. Combined, they present an argument that art enables an understanding of post-war reconstruction as a temporally unstable, long-term phenomenon which placed conceptions of home and masculinity at the heart of its aims. Art and Masculinity in Post-War Britain sheds new light on how the fluid concepts of society, nation, masculinity and home interacted and influenced each other at this critical period in history and will be of interest to anyone studying art history, anthropology, sociology, history and cultural and heritage studies.
Love Dances
Love Dances: Loss and Mourning in Intercultural Collaboration explores global relationality within the realm of intercultural collaboration in contemporary dance. Author SanSan Kwan looks specifically at duets, focusing on East West pairings, and how dance artists from different cultural and movement backgrounds -Asia, the Asian diaspora, Europe, and the United States; trained in contemporary dance, hip hop, flamenco, Thai classical dance, kabuki, and butoh - find ways to collaborate. Kwan acknowledges the forces of dissension, prejudice, and violence present in any contact zone, but ultimately asserts that choreographic invention across difference can be an act of love in the face of loss and serve as a model for difficult, imaginative, compassionate global affiliation. Love Dances contends that the practice and performance of dance serves as a revelatory site for working across culture. Body-to-body interaction on the stage carries the potential to model everyday encounters across difference in the world.
Scented Visions
Smell loomed large in cultural discourse in the late nineteenth century, thanks to the midcentury fear of miasma, the drive for sanitation reform, and the rise in artificial perfumery. Meanwhile, the science of olfaction remained largely mysterious, prompting an impulse to “see smell” and inspiring some artists to picture scent in order to better know and control it. This book recovers the substantive role of the olfactory in Pre-Raphaelite art and Aestheticism. Christina Bradstreet examines the iconography and symbolism of scent in nineteenth-century art and visual culture. Fragrant imagery in the work of John Everett Millais, Dante Gabriel Rossetti, Simeon Solomon, George Frederic Watt...
