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Nowhere
A book of wild imagination and linguistic play, Nowhere begins by chronicling the pain that the speaker and her absent father endure during the years they are separated while he is in prison. The alternative universe the speaker builds in order to survive this complex loss and its aftermath sees her experimenting with her body to try to build connection, giving it away to careless and indifferent lovers as she dreams of consuming them in the search for a coherent self. But can the speaker voice her trauma and disjunction? Can anyone, or is suffering something that cannot be said, but only hinted at? Ultimately the book argues that the barest hour of suffering can be the source of immense creative power and energy, which is the speaker's highest form of consolation. This brilliant debut collection offers cohesive trauma narratives and essential counter-narratives to addiction stories, and it consistently complicates the stories told by the world about so-called fatherless girls and the bodies of women.
Forget Me Hit Me Let Me Drink Great Quantities of Clear, Evil Liquor
Katie Schmid's forget me/hit me/let me drink great quantities of clear, evil liquor was the winner of Split Lip Press's 2015 Turnbuckle Chapbook contest. A collection of poems that is a stunning, longing/love/loss letter to the Midwest.
Alla Prima
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Federal Register
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Nowhere
A book of wild imagination and linguistic play, Nowhere begins by chronicling the pain that the speaker and her absent father endure during the years they are separated while he is in prison. The alternative universe the speaker builds in order to survive this complex loss and its aftermath sees her experimenting with her body to try to build connection, giving it away to careless and indifferent lovers as she dreams of consuming them in the search for a coherent self. But can the speaker voice her trauma and disjunction? Can anyone, or is suffering something that cannot be said, but only hinted at? Ultimately the book argues that the barest hour of suffering can be the source of immense creative power and energy, which is the speaker's highest form of consolation. This brilliant debut collection offers cohesive trauma narratives and essential counter-narratives to addiction stories, and it consistently complicates the stories told by the world about so-called fatherless girls and the bodies of women.
More in Time
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Alla Prima II Companion
Alla Prima II Companion is a comprehensive guide outlining Richard Schmid's material, tool and techniques written from the perspective of his student Katie Swatland. The book offers full explanations of all painting preparations, with step-by-step images illustrating each process. Both Katie Swatland and Richard Schmid offer painting demonstrations with sequential images showing the developmental stages of Richard's paintings.
