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Poetry. Fiction. Philosophy. Katy Bohinc's DEAR ALAIN is a headlong, investigative imagined conversation between Poet and Philosopher, a long love poem of letters addressed to French Platonist philosopher, Alain Badiou. At once "a romance novel of a sort," a metaphor of the relationship between poetry & philosophy, and a representation of the work of Alain Badiou. Includes a short response by Badiou himself. A place where, "We meet at infinity." "She's terrific, and I don't even think very often about Alain Badiou--I'm just enjoying her exclamations, and her explanations of how poetry, for her, embodies intuition and provides evidence for embodied experience. It's a very good book and I'm go...
The rich, multitudinous voices in this anthology variously call for-having embarked on-the hard work of sobriety, sanity. Nathaniel Mackey
These pieces give me more to think about than most of the long theory books I read. ~Craig Dworkin, author of No MediumIn a 1917 letter to Gershom Scholem, Walter Benjamin writes, "Theory is like a surging sea." This small book takes more than its title from that line-it takes that line as a point of departure in Erich Auerbach's sense, an Ansatzpunkt, as a compositional principle so that what follows can be read in its entirety as a gloss on the remainder of Benjamin's sentence: "Theory is like a surging sea, but the only thing that matters to the wave [...] is to surrender itself to its motion in such a way that it crests and breaks." That motion, in the pages to follow, takes up in its sw...
At a time when wars, acts of terrorism, and ecological degradation have intensified and isolationism, misogyny, and ethnic divisiveness have been given distinctively more powerful voice in public discourse, language itself often seems to have failed. The poets and critics in this book argue that language has the potential to address this increasing level of discord and precarity, and they negotiate ways to understand poetics, or the role of the poetic, in relation to language, the body politic, the human body, breath, the bodies of the natural environment, and the body of form. Poetry makes urgent issues audible and poetics helps to theorize those issues into critical consciousness. Poetry a...
Combining literary, cultural, and political history, and based on extensive archival research, Archives of Authority argues that cultural politics - specifically America's often covert patronage of the arts - played a highly important role in the transfer of imperial authority from Britain to the USA during a critical period after WWII.
A book-length selection from Kevin Killian's legendary corpus of more than two thousand product reviews posted on Amazon.com. An enchanting roll of duct tape. Love Actually on Blu-ray Disc. The Toaster Oven Cookbook, The Biography of Stevie Nicks, and an anthology of poets who died of AIDS. In this only book-length selection from his legendary corpus of more than two thousand product reviews posted on Amazon.com, sagacious shopper Kevin Killian holds forth on these household essentials and many, many, many others. The beloved author of more than a dozen volumes of innovative poetry, fiction, drama, and scholarship, Killian was for decades a charismatic participant in San Francisco’s New Na...
A new collection of essays from Dodie Bellamy on disenfranchisement, vulgarity, American working-class life, aesthetic values, and profound embarrassment. So. Much. Information. When does one expand? Cut back? Stop researching? When is enough enough? Like Colette's aging courtesan Lea in the Chéri books, I straddle two centuries that are drifting further and further apart. --Dodie Bellamy, "Hoarding as Ecriture" This new collection of essays, selected by Dodie Bellamy after the death of Kevin Killian, her companion and husband of thirty-three years, circles around loss and abandonment large and small. Bellamy's highly focused selection comprises pieces written over three decades, in which t...
Poetry. Prose. "CUNT-UPS is an explosion of textual sexuality that resists principles of formal ordering, is polyvalent in its voice and range, and as perverse in its sentence construction as its content. Its 'setting' is the mediated exchange itself, the fractured articulation of 'a female body who has sex writing about sex.' While the title might imply a gendered site of production, it also suggests a sexual/textual violence that is more than a mere 'disorganization of the senses' but a dismemberment of the gendered body as well. The text becomes a (feminist) desiring machine, its writing a prosthetic device mediating the traces of physicality, imagination, abjection, and pleasure. "Throw on the switch, plug into the mediating machine, the flesh-object writes back, becomes subject, suspect, the gaze cut-up and fed back into vibrating loops of unobtainable desire."--David Buuck
• Explores the author’s extensive connections with infamous occultists and organizations, including Genesis P-Orridge and Thee Temple Ov Psychick Youth, Anton LaVey and the Church of Satan, and the Ordo Templi Orientis • Details the underlying occult impulses and magical experiences guiding the author’s artistic journey, his experiences in psychedelic culture and the punk subculture, and his experimentation with sex magic, occulture, and sigil magic What does it mean to live a life as an occultist? There may be no single answer, but for Carl Abrahamsson, it has entailed work in music, art, and film as well as deep engagement with renowned occult figures and organizations for more tha...
“An extraordinary collection . . . Like the work of Emily Dickinson and W. B. Yeats, Spicer’s poems still seem to come from somewhere else.” —Publishers Weekly (starred review) Winner of the Northern California Independent Booksellers Award for Poetry (2009) Winner of the American Book Award (2009) In 1965, when the poet Jack Spicer died at the age of forty, he left behind a trunkful of papers and manuscripts and a few copies of the seven small books he had seen to press. A West Coast poet, his influence spanned the national literary scene of the 1950s and ’60s, though in many ways Spicer’s innovative writing ran counter to that of his contemporaries in the New York School and th...