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Brahms in the Home and the Concert Hall
This collection explores the boundaries between Brahms' professional identity and his lifelong engagement with private and amateur music-making.
Brahms in Context
Brahms in Context offers a fresh perspective on the much-admired nineteenth-century German composer. Including thirty-nine chapters on historical, social and cultural contexts, the book brings together internationally renowned experts in music, law, science, art history and other areas, including many figures whose work is appearing in English for the first time. The essays are accessibly written, with short reading lists aimed at music students and educators. The book opens with personal topics including Brahms's Hamburg childhood, his move to Vienna, and his rich social life. It considers professional matters from finance to publishing and copyright; the musicians who shaped and transmitted his works; and the larger musical styles which influenced him. Casting the net wider, other essays embrace politics, religion, literature, philosophy, art, and science. The book closes with chapters on reception, including recordings, historical performance, his compositional legacy, and a reflection on the power of composer myths.
Confessions of a Funeral Director
“Wise, vulnerable, and surprisingly relatable . . . funny in all the right places and enormously helpful throughout. It will change how you think about death.” —Rachel Held Evans, New York Times–bestselling author of Searching for Sunday We are a people who deeply fear death. While humans are biologically wired to evade death for as long as possible, we have become too adept at hiding from it, vilifying it, and—when it can be avoided no longer—letting the professionals take over. Sixth-generation funeral director Caleb Wilde understands this reticence and fear. He had planned to get as far away from the family business as possible. He wanted to make a difference in the world, and...
A Further Twist of Lyme
This, the final book in the Twist of Lyme series, takes another comic look at the Hamilton family's life in Lyme Regis. Michael attempts to get to grips with local politics and the fact his daughters have grown up too quickly in his view, Judy gets to grips with bringing the curtain down on her writing career. Katy and Annabelle get to grips with Jake and Stefan? Will it be for keeps though? Is progressive rock really progressive? Are croquet matches really that much fun? How will Michael and Judy cope with growing old?
A Twist of Lyme
Who are the 'men in the garden'? Was Chipping Norton really once the centre of the universe? What part do dodgy knees have to play? Just who are Johnny Norfolk and Johnny Stevens? What is W.A.S.T.E.? What connects the Cotswolds, Venice, East Molesey and Lyme Regis? Why would anyone pay to see 'Ophelia get Your Gun'? And just what is the appropriate response to virtually everything? Some of these questions may be answered...some may not in this comic tale of family life in this, David Ruffle's first foray into contemporary fiction.
Mr. President
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Hamilton and Me
“One of the most joyous and clear-eyed approaches to playing a character that I have ever read...I was already in awe of his performance; now I’m in awe of his humanity and attention to detail, and willingness to share the hard work and magic that goes into it.” —Lin-Manuel Miranda, from his Foreword Hamilton and Me is a unique, behind-the-scenes account of preparing for, rehearsing and performing in one of the most important cultural phenomena of our time. When Lin-Manuel Miranda’s groundbreaking musical Hamilton opened in London’s West End in December 2017, it was as huge a hit as it had been in its original production off and on Broadway. Lauded by critics and audiences alike,...
Another Twist of Lyme
Has Katy inherited Johnny Norfolk's unerring left foot skills? Will Annabelle's shins ever recover? Just what do you wear to a Basque Night? Why doesn't Michael find anything easy? Why doesn't Judy enlist the aid of Johnny Stevens in writing her tennis/espionage novels? Why is life unfair for Katy? All these questions will be answered as we meet the Hamiltons once more, along with a few laugh and the odd recipe or two!
German Song Onstage
A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more pri...
Rethinking Brahms
As one of the most significant and widely performed composers of the nineteenth century, Brahms continues to command our attention. Rethinking Brahms counterbalances prevailing scholarly assumptions that position him as a conservative composer (whether musically or politically) with a wide-ranging exploration and re-evaluation of his significance today. Drawing on German- and English-language scholarship, it deploys original approaches to his music and pursues innovative methodologies to interrogate the historical, cultural, and artistic contexts of his creativity. Empowered by recent theoretical work on form and tonality, it offers fresh analytical insights into his music, including a numbe...
