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Johannes Brahms was a consummate professional musician, and a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explores Brahms' public and private musical identities from various angles: the original works he wrote with amateurs in mind; his approach to creating piano arrangements of not only his own, but also other composers' works; his relationships with his arrangers; the deeper symbolism and lasting legacy of private music-making in his day; and a hitherto unpublished memoir which evokes his Viennese social world. Using Brahms as their focus point, the contributors trace the overlapping worlds of public and private music-making in the nineteenth century, discussing the boundaries between the composer's professional identity and his lifelong engagement with amateur music-making.
Brahms in Context offers a fresh perspective on the much-admired nineteenth-century German composer. Including thirty-nine chapters on historical, social and cultural contexts, the book brings together internationally renowned experts in music, law, science, art history and other areas, including many figures whose work is appearing in English for the first time. The essays are accessibly written, with short reading lists aimed at music students and educators. The book opens with personal topics including Brahms's Hamburg childhood, his move to Vienna, and his rich social life. It considers professional matters from finance to publishing and copyright; the musicians who shaped and transmitted his works; and the larger musical styles which influenced him. Casting the net wider, other essays embrace politics, religion, literature, philosophy, art, and science. The book closes with chapters on reception, including recordings, historical performance, his compositional legacy, and a reflection on the power of composer myths.
“Wise, vulnerable, and surprisingly relatable . . . funny in all the right places and enormously helpful throughout. It will change how you think about death.” —Rachel Held Evans, New York Times–bestselling author of Searching for Sunday We are a people who deeply fear death. While humans are biologically wired to evade death for as long as possible, we have become too adept at hiding from it, vilifying it, and—when it can be avoided no longer—letting the professionals take over. Sixth-generation funeral director Caleb Wilde understands this reticence and fear. He had planned to get as far away from the family business as possible. He wanted to make a difference in the world, and...
'You almost feel you are taking that trek with the party as Robert Macklin cites the obstacles - torrential river crossings, dense bush, the Snowy Mountains and more. Macklin covers Hume's public and private life, emphasising his affinity with the country and rapport with the Indigenous people, as well as providing a portrait of the evolving colony.' SYDNEY MORNING HERALD The stirring untold story of a true Australian hero who opened up the nation. While English-born soldiers, sailors and surveyors have claimed pride of place among the explorers of the young New South Wales colony, the real pathfinder was a genuine native-born Australian. Hamilton Hume, a man with a profound understanding of...
Who are the 'men in the garden'? Was Chipping Norton really once the centre of the universe? What part do dodgy knees have to play? Just who are Johnny Norfolk and Johnny Stevens? What is W.A.S.T.E.? What connects the Cotswolds, Venice, East Molesey and Lyme Regis? Why would anyone pay to see 'Ophelia get Your Gun'? And just what is the appropriate response to virtually everything? Some of these questions may be answered...some may not in this comic tale of family life in this, David Ruffle's first foray into contemporary fiction.
“One of the most joyous and clear-eyed approaches to playing a character that I have ever read...I was already in awe of his performance; now I’m in awe of his humanity and attention to detail, and willingness to share the hard work and magic that goes into it.” —Lin-Manuel Miranda, from his Foreword Hamilton and Me is a unique, behind-the-scenes account of preparing for, rehearsing and performing in one of the most important cultural phenomena of our time. When Lin-Manuel Miranda’s groundbreaking musical Hamilton opened in London’s West End in December 2017, it was as huge a hit as it had been in its original production off and on Broadway. Lauded by critics and audiences alike,...
From New York Times and USA Today bestselling author Katy Evans, get the bestselling White House books together in one volume.Book 1* Mr. President:He's won the hearts of millions. But is he willing to lose his?I met the president's son when we were both young. Matthew Hamilton was handsome, polished, and intelligent. I'd never met a guy like him.He promised me that he'd never run for president. I promised that if he did, I'd be by his side.Three terms later, an invitation to join Matthew Hamilton's campaign is the most exhilarating opportunity I've ever experienced. I'm determined to make a difference; he is determined to win. Focused on his goal, Matt is steadfast, ruthless, and disarming....
A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more pri...
This, the final book in the Twist of Lyme series, takes another comic look at the Hamilton family's life in Lyme Regis. Michael attempts to get to grips with local politics and the fact his daughters have grown up too quickly in his view, Judy gets to grips with bringing the curtain down on her writing career. Katy and Annabelle get to grips with Jake and Stefan? Will it be for keeps though? Is progressive rock really progressive? Are croquet matches really that much fun? How will Michael and Judy cope with growing old?
This Companion explores the historical and theoretical contexts of the singer-songwriter tradition, and includes case studies of singer-songwriters from Thomas d'Urfey through to Kanye West.