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Cultural Writing. Published through Muske, whose purpose is to research, recover, document and conserve the world's ethnomusicological heritage and to disseminate it across a wide audience, the papers in MUSIC AND RITUAL "were first prepared for a panel...at the 2005 annual conference of the British Forum for Ethnomusicology....At the conference, it seemed timely to return to how performance informs, illustrates and interpenetrates ritual, without setting a clear, narrow, agenda in our call for papers...[These papers] explore questions raised by the performance of music and movement, and their interrelationships, in artistic practice beyond the European art and popular music canons"--from the Introduction by Keith Howard.
The first book-length account of North Korean music and dance in any language other than Korean, Songs for "Great Leaders" pulls back the curtain for the first time on this famously reclusive and secretive regime.
The third edition of this popular book has been extensively revised to reflect the changes that have affected student research in higher education in recent years. The ability to carry out research successfully has come to be seen as a 'key transferable skill' required of all higher education students - and The Management of a Student Research Project addresses directly the skill element of this. Furthermore the research process, at all levels, is far more systematized than in the past. The single largest change since the second edition came out in 1996 has been the impact of the World Wide Web on student research. The third edition has been thoroughly rewritten and developed in response to this. In particular, Chapter 4, 'Literature Searching', has been structured around a sample online search. Throughout, the comments and thoughts of readers of previous editions have been taken into account in framing this third edition. Its aims remain the same - to provide a clear, comprehensive and useful guide to students undertaking research projects in order to improve their chances of a successful outcome.
Focussing on music traditions, these essays explore the policy, ideology and practice of preservation and promotion of East Asian intangible cultural heritage. For the first time, Japan, Korea, China and Taiwan - states that were amongst the first to establish legislation and systems for indigenous traditions - are considered together. Calls to preserve the intangible heritage have recently become louder, not least with increasing UNESCO attention. The imperative to preserve is, throughout the region, cast as a way to counter the perceived loss of cultural diversity caused by globalization, modernization, urbanization and the spread of the mass media. Four chapters - one each on China, Korea...
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Korean popular music has in the last decade become a significant model for youth culture throughout Asia. Yet, although the Korean music industry is both vibrant and massive, this is the first book-length work devoted to the subject to appear in English.
For nearly 70 years, the United Nations Educational, Scientific and Cultural Organization (UNESCO) has played a crucial role in developing policies and recommendations for dealing with intangible cultural heritage. What has been the effect of such sweeping global policies on those actually affected by them? How connected is UNESCO with what is happening every day, on the ground, in local communities? Drawing upon six communities ranging across three continents—from India, South Korea, Malawi, Japan, Macedonia and China—and focusing on festival, ritual, and dance, this volume illuminates the complexities and challenges faced by those who find themselves drawn, in different ways, into UNES...
Today, the Kyrgyz Manas is one of the most celebrated epic heroic poems in the world. At the turn of the new millennium it was appointed a UNESCO ‘Masterpiece in the Oral and Intangible Heritage of Mankind’, signalling its global significance. It sits alongside Homer’s Iliad and Odyssey, or the South Asian Mahābhārata and Rāmāyana, although politics and language have during the twentieth century conspired against allowing it to become as well known. In contrast to previously published material, this book focuses on one septegenarian contemporary performer, Saparbek Kasmambetov who inherited the oral tradition of his culture, adding details and other elements to his storytelling, as...