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This is a complete revision of the author's 1993 McFarland book Television Specials that not only updates entries contained within that edition, but adds numerous programs not previously covered, including beauty pageants, parades, awards programs, Broadway and opera adaptations, musicals produced especially for television, holiday specials (e.g., Christmas and New Year's Eve), the early 1936-1947 experimental specials, honors specials. In short, this is a reference work to 5,336 programs--the most complete source for television specials ever published.
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Few vocations share more in common with preaching than stand-up comedy. Each profession demands attention to the speaker’s bodily and facial gestures, tone and inflection, timing, and thoughtful engagement with contemporary contexts. Furthermore, both preaching and stand-up arise out of creative tension with homiletic or comedic traditions, respectively. Every time the preacher steps into the pulpit or the comedian steps onto the stage, they must measure their words and gestures against their audience’s expectations and assumptions. They participate in a kind of dance that is at once choreographed and open to improvisation. It is these and similar commonalities between preaching and stan...
Embodying Black Experience is an interdisciplinary work of cultural history and theory that looks at present-day effects of past experiences of the black body through the performances of various artists and athletes, including boxer Muhammad Ali, playwright Suzan-Lori Parks, and choreographer Bill T. Jones, as well as artists and photographers. Harvey Young does close readings of these performances and offers what he calls a "third space between racial essentialism and racial pluralism" by engaging with a number of critical and theoretical debates, expanding on the writings of Stuart Hall, Henry Louis Gates, and Homi Bhabha. In so doing, he also challenges the work of Paul Gilroy, while inco...
Musicologists and performance studies scholars reach across their disciplines to examine the role of performance in musical culture
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African American Women’s Language: Discourse, Education, and Identity is a groundbreaking collection of research on African American Women’s Language that is long overdue. It brings together a range of research including variationist, autoethnography, phenomenological, ethnographic, and critical. The authors come from a variety of disciplines (e.g., Sociology, African American Studies, Africana Studies, Linguistics, Sociophonetics, Sociolinguistics, Anthropology, Literacy, Education, English, Ecological Literature, Film, Hip Hop, Language Variation), scientific paradigms (e.g., critical race theory, narrative, interaction, discursive, variationist, post-structural, and post-positive pers...