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Music Genres and Corporate Cultures
Music Genres and Corporate Cultures explores the seemingly haphazard workings of the music industry, tracing the uneasy relationship between economics and culture; `entertainment corporations' and the artists they sign. Keith Negus examines the contrasting strategies of major labels like Sony and Polygram in managing different genres, artists and staff. How do takeovers affect the treatment of artists? Why has Polygram been perceived as too European to attract US artists? And how did Warner's wooden floors help them sign Green Day? Through in-depth case studies of three major genres; rap, country, and salsa, Negus explores the way in which the music industry recognises and rewards certain so...
Creativity, Communication and Cultural Value
′There have been few critical engagements with the concept of creativity in recent years, so the authors provide an important contribution in drawing attention to what is arguably at the heart of much of what we most value in culture′ - Douglas Kellner, University of California, Los Angeles ′In this important book, Keith Negus and Michael Pickering challenge commonplace assumptions about creativity and casual invocations of genius. They give comfort neither to popular wisdom nor to academic convention. Drawing on the work of philosophers, sociologists, political theorists and economists, as well as artists, musicians and novelists, they raise profound questions about the very ideas whi...
Producing Pop
Producing Pop provides a fascinating behind-the-scenes analysis of one of the world's major entertainment industries. Focusing on the contribution of recording industry personnel, it challenges the simplistic assumption that pop music is merely determined by corporate financial interests, and argues against writers who portray the music business as a cultural assembly line.
Popular Music in Theory
A lively contribution to the debates that are central to popular music studies.
Bob Dylan
First music-driven analysis of one of America's most important musical icons
Doing Cultural Studies
What does the Walkman have to do with the 21st century? The long-awaited second edition of this classic textbook takes students on a journey to the past and back again, giving them to skills do to cultural analysis along the way. Through the 'circuit of culture', this book teaches students to critically examine what culture means, and how and why it is enmeshed with the media texts and objects in their lives. Students will: • gain practical experience with the historical comparative method • learn to think about some of the cultural conundrums of the present • unpack the key concepts of contemporary culture, such as mobility and materiality • look with fresh eyes at the media world and their practice within it • practice their critical skills with up-to-date exercises and activities. This book remains the perfect 'how to' for cultural studies. It is an essential classic, reworked for today's students in cultural studies, media studies and sociology.
Doing Cultural Studies
In recent years `culture' has become a central concern in a wide range of fields and disciplines. This book introduces the main substantive and theoretical strands of this `turn to culture' through the medium of a particular case study: that of the Sony Walkman. Using the example of the Walkman, the book indicates how and why cultural practices and institutions have come to play such a crucial part in our lives, and introduces some of the central ideas, concepts and methods of analysis involved in conducting cultural studies.
Bob Dylan
In this concise profile Keith Negus presents Bob Dylan primarily as musician, focusing on the qualities of his songs that have received little attention, such as melody, rhythm, instrumental texture, and his performing voice.
Popular Music Studies
The study of popular music has reached an exciting and important moment in its development. Popular Music Studies introduces students to the most significant debates in the field, offering fresh perspectives and suggesting new directions. Genuinely interdisciplinary on scope, the book outlines the history and development of popular music studies while offering and unprecedentedly international perspective on popular music, featuring writers from North and South America, Europe, Japan, Australia, New Zealand, and South Africa. Combining insights from media and cultural studies, sociology, music analysis, ethnomusicology, and performance studies, the essays cover textual analysis, place and space, production, consumption, and everyday life.
