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The Pulse
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Türk sağı kronolojisi
Sağ görüşlü ya da Sağcı kuruluşlar denilince akla, muhafazakarlığı, milliyetçiliği ve maneviyatı savunan ve siyasi zemine taşıyan partiler ve kurumlar gelir. Toplum tarafından Sağcı olarak adlandırılan partiler ve kuruluşlar arasında benzerlikler olduğu gibi farklılıklarda mevcuttur. Hemen hepsi milli ve manevi konulara bağlı olduğunu belirtir ancak ekonomide olsun diğer faaliyet alanlarında olsun farklı politikalar izlerler. Türk Sağı geniş bir çerçeve çizse de ortak nokta milli olmaktır. Kimi parti kendisini muhafazakar-demokrat olarak adlandırır, kimi milliyetçi olduğunu ve Türk-İslâm Ülküsü’ne bağlı olduğunu belirtir bir diğeri Mill...
The Sultan of Vezirs
Mahmud Pasha Angelovic served as Grand Vezir under Sultan Mehmed II, in the years following the Ottoman conquest of Constantinople, which were marked by an extensive imperial project, transforming the Ottoman principality into an empire. This book attempts to piece together the available evidence on Mahmud Pasha's Byzantine descent and family network, as well as his multi-faceted contribution to the founding of the new empire, through military leadership, diplomatic practices and architectural and literary patronage, considering also his execution and the creation of a posthumous legend presenting him as a martyr. Using Ottoman, Greek and Western sources, as well as archival material, this study focuses on the period of transition from Byzantine to Ottoman Empire and would be of interest to historians and other specialists studying that period.
Theatre and Modernity
This study aims to disclose the inner dynamics of the rich and diverse milieu within the Ottoman-Turkish society that created its unique hybrid forms through the scenic arts against an understanding of modernity in terms of a simple import or imitation of Western cultural forms. In the 19th century Armenians pioneered this process with melodramas, necessitating the presence of female performers on the stage; Armenian women thus went onstage with patriotic motives. Among the two leading figures of the Turkish Republic period are Nazim Hikmet, the most prolific but severely censured Turkish dramatist and Muhsin Ertugrul, who founded the subsidised theatres of Ankara and Istanbul. A later phase of modernisation arrives in the sixties with a social awakening towards the conditions of the rural society: Ankara becomes the seat of "popular" theatre after the founding of Ankara Art Theatre, in 1961. Mehmet Ulusoy's work in France in the 1970–1980s crowns the final synthesis.
Dergâh
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Türk Edebiyatı
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Publication
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