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Three men are caught in a triangle of politics. Memidik, a young hunter, is obsessed by an urge to kill the tyrannous headman, Sefer, who has caused him so much pain and humiliation. Yet, each time he treis, he is overcome by fear. Then the accidental death of another man in the community fires him with renewed determination. Sefer, meanwhile, is sentenced to solitude and the local champion, Tashbash, is invested with mythical powers. The web of fantasy and intrigue spun around the villagers enmeshes them in plots of bravery and illusion in this extraordinary story of survival.
The role of the military in a society raises a number of issues: How much separation should there be between a civil government and its army? Should the military be totally subordinate to the polity? Or should the armed forces be allowed autonomy in order to provide national security? Recently, the dangers of military dictatorships-as have existed in countries like Panama, Chile, and Argentina-have become evident. However, developing countries often lack the administrative ability and societal unity to keep the state functioning in an orderly and economically feasible manner without military intervention.Societies, of course, have dealt with the realities of these problems throughout their h...
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From her cell in a women's prison, Aziza decides to create a golden chariot to take her to heaven, where her wishes and dreams can be fulfilled. As she muses on who to take with her, she tells the life stories of her fellow prisoners and decides in her heart which ones deserve a free ride to paradise. Aziza's cruelly frank comments about her friends and their various crimes including murder, theft, and drug-dealing weave these tales together into a contemporary Arabian Nights. Salwa Bakr takes a wry and cynical look at how women from widely differing backgrounds, some innocent and some guilty, come together in a single prison ward. Salwa Bakr's writing depicts life at the grassroots of Egypt's culture, admiring its resilience in the face of poverty and inequality. With a strong distrust of imported kitsch, western consumerism is contrasted with the indigenous culture. In The Golden Chariot, Salwa Bakr opens a magical door, through which we are able to see the injustices of a society in transition. Beyond these stories of crime, we glimpse the yearning and longing for a better life, and the problems of not being able to realize these dreams by honest means.