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Nothing can match the horrors found within the human mind. Jeremy Heston’s future was once bright with possibility. As a psychology major at a prestigious university, he was planning for a future full of promise and love. Until a series of unfortunate circumstances plunge him into a downward spiral. In that moment of emotional vulnerability, his professor convinces him to undertake an intensive study into the depths of mental illness. There, in the midst of his dark research, demented thoughts begin to twist Jeremy’s mind. He can feel his control slipping—the life he once knew crumbling around him—yet fears he’s come too far to give up on his potentially lethal experiment. Can Jeremy find the answers he seeks in time to save the ill? Or will the only legacy he leaves be that of a mad man? Fans of psychological thrillers and gripping page-turners will be swept up by Insanity, book one in the Insanity Trilogy.
Playing junior high football and basketball, Ken Pucket realized that sports were more than just physical ability. It was also a mental challenge. But when he decided to take on the sport of amateur boxing, he also realized that hard work and determination, along with mental strength, was what would help him to eventually succeed. It was a journey of discontent filled with doubts and fears, lessons learned from teammates, coaches and opponents. Lessons he had to learn in order to be successful in his chosen sport. Follow Ken on his ups and downs, self doubts, and fears in order to see how he overcomes his obstacles to become a champion amateur fighter.
Reprints the syndicated newspaper comic strip Dark shadows, based on the television series of the same name, which ran from March 14, 1971 to March 11, 1972.
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
CONTRIBUTIONS TO THE SOCIOLOGY OF LANGUAGE brings to students, researchers and practitioners in all of the social and language-related sciences carefully selected book-length publications dealing with sociolinguistic theory, methods, findings and applications. It approaches the study of language in society in its broadest sense, as a truly international and interdisciplinary field in which various approaches, theoretical and empirical, supplement and complement each other. The series invites the attention of linguists, language teachers of all interests, sociologists, political scientists, anthropologists, historians etc. to the development of the sociology of language.
From the prizewinning Jewish Lives series, a meditation on the deeply Jewish and surprisingly spiritual roots of Stan Lee and Marvel Comics Few artists have had as much of an impact on American popular culture as Stan Lee. The characters he created--Spider-Man and Iron Man, the X-Men and the Fantastic Four--occupy Hollywood's imagination and production schedules, generate billions at the box office, and come as close as anything we have to a shared American mythology. This illuminating biography focuses as much on Lee's ideas as it does on his unlikely rise to stardom. It surveys his cultural and religious upbringing and draws surprising connections between celebrated comic book heroes and t...
Reprint of the original, first published in 1869.
This long-standing series provides the guild of religion scholars a venue for publishing aimed primarily at colleagues. It includes scholarly monographs, revised dissertations, Festschriften, conference papers, and translations of ancient and medieval documents. Works cover the sub-disciplines of biblical studies, history of Christianity, history of religion, theology, and ethics. Festschriften for Karl Barth, Donald W. Dayton, James Luther Mays, Margaret R. Miles, and Walter Wink are among the seventy-five volumes that have been published. Contributors include: C. K. Barrett, Francois Bovon, Paul S. Chung, Marie-Helene Davies, Frederick Herzog, Ben F. Meyer, Pamela Ann Moeller, Rudolf Pesch, D. Z. Phillips, Rudolf Schnackenburgm Eduard Schweizer, John Vissers
For 21st-century young adults struggling for personal autonomy in a society that often demands compliance, the bestselling trilogy, The Hunger Games remains palpably relevant despite its futuristic setting. For Suzanne Collins' characters, personal agency involves not only the physical battle of controlling one's body but also one's response to such influences as morality, trauma, power and hope. The author explores personal agency through in-depth examinations of the lives of Katniss, Peeta, Gale, Haymitch, Cinna, Primrose, and others, and through an analysis of themes like the overabundance of bodily imagery, social expectations in the Capitol, and problem parental figures. Readers will discover their own "dandelion of hope" through the examples set out by Collins' characters, who prove over and over that human agency is always attainable.