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Plays 1
Each of these three plays takes as its kernel a news story from the past that captured the imagination of New Zealanders. In Horseplay novelist Ronald Hugh Morrieson and poet James K. Baxter meet and share the stage with the rear end of a horse, while in Flipside four sailors confront the elements for 119 days, adrift on the overturned boat Rose-Noëlle. Finally, Trick of the Light revisits the infamous Crewe murders when a brother and sister bring their mother's ashes to a motel room that hasn't been opened in three decades.
Performing Aotearoa
"This ... volume comprises a wide range of chapters focusing on key figures in the development of New Zealand theatre and drama, such as, among others, Robert Lord, Ken Duncum, Gary Henderson, Stephen Sinclair, Hone Kouka, Briar-Grace Smith, Jacob Rajan, Lynda Chanwai-Earle, Nathaniel Lees, and Victor Rodger."--Publisher description.
Plays 2: London Calling
Music hits the shores of New Zealand and reverberates through three different eras in these plays by award-winning playwright Ken Duncum.
Cherish
The interpersonal conflicts waged between two struggling gay couples and the children they share are charted in this tragic play about the sobering incompatibility of good intentions and the cold reality of human needs.
For the Gay Stage
Previous surveys of the gay theatrical repertoire have concentrated on plays produced on Broadway or in London's West End. This comprehensive guide goes well beyond these earlier studies by introducing productions from Off Broadway, from regional theaters in the U.S. and U.K., and from Ireland, Canada, Australia, New Zealand and South Africa. Also included are Puerto Rican, Indian and Filipino plays written in English, as well as translations from other languages. Well over half of the works discussed here appear for the first time in such a study.
Shuriken
"The Japanese Military Code was explicit: 'Japanese forces do not surrender to the enemy under any circumstances.' How then would the eight hundred or so prisoners who found themselves in the first Japanese prisoner-of-war camp anywhere in the world behave? They had been brought from the Solomon Islands to Featherston in 1942. Six months later an incident occurred in which forty-nine prisoners and one New Zealand guard were killed. Vincent O'Sullivan explores the implications of this event in a play which immediately rises above mere documentation to consider what happens when people in two cultures are brought togetrher in such extreme circumstances, and when even the best intentions of those who try to offer sympathy and understanding fail in the face of ignorance and prejudice."--Back cover.
Best
In this delightful book, famous New Zealanders write with style and panache about the things they love best, answering such questions as, Where is the best place in New Zealand to see a movie, watch a horse race, or catch a wave? What's the country's best Pinot Noir, and who makes the best ice cream?
Bats Plays
Six seminal plays from Ken Duncum and Rebecca Rodden, whose playwriting partnership powered the vibrant theatre scene round Wellington's BATS Theatre in the 1980s and 90s. Boldly inventive, darkly comic and ceaselessly imaginative, the plays collected here present a chilling one-woman vision of alienation (Polythene Pam); the comic and tragic impossibility of human connection (Truelove); an irresponsible punk couple horrified to find they've become parents to the Messiah (Flybaby); conjoined twins plunged into an off-kilter world of rampant advertising, animal terrorism and a perfume made from monkey semen (cult-classic JISM); a real-life 20th-century martyr tested to his limits in the afterlife by a vengeful gang of defrocked saints (The Temptations of St Max); and the not-so-quiet desperation of a fearful hoarder fighting to survive the night hours (Panic!). Supporting the plays are introductions and selected images from the writers and other BATS practitioners which vividly recapture a crucial time and place in New Zealand's theatre history.
Mutes & Earthquakes
An anthology of writing from 70 writers who have been involved with the editor's writing course. Contributions are included from many of the most well-known contemporary writers, along with essays on creative writing, and Manhire's own introduction, exercises, and notes. Brief biographical notes are given for most of the writers.
Engaging Spaces
All performances - whether music, theater, visual arts, or even street protests or games — have this in common: they happen somewhere, within a space. This anthology explores the complicated relationship between performance and the space in which it is hosted. Examining both well-known spaces — such as concert halls or stages — as well as unconventional ones, such as the street, the contributors investigate different conceptions of space, how space is experienced, how different spaces are unique from one another, and, ultimately, the ways space enables the performing arts to deeply engage audiences.
