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Jimi Hendrix: Voodoo Child
A unique tribute to Jimi Hendrix on the 50th anniversary of his untimely death, featuring contributions by those who knew and worked with him, enhanced with images by the most renowned rock photographers of the era. In September 1970, the legendary Jimi Hendrix died at only 27 years of age. On the 50th anniversary of this tragic event, acclaimed r
A Perfect Haze
The first major rock music festival and the precursor to Woodstock, the Monterey International Pop Festival was an unprecedented gathering of pop, soul, jazz, and folk artists who took the stage one luminous weekend during the “Summer of Love.” On the 16th, 17th, and 18th of June, 1967, the sleepy California coastal community of Monterey played host to the now-legendary concert. In its aftermath, the world of popular culture was transformed forever. The ’60s were now upon us with a soundtrack, a style, and a political and social sensibility all its own. A Perfect Haze is the official history of this glorious festival. With the endorsement and support of producer Lou Adler and the Monte...
The Story of the Band
The Story of The Band pays tribute to the seminal group on the 50th anniversary of their first album, Music from Big Pink, and the 40th anniversary of Martin Scorsese's film The Last Waltz. This lushly illustrated volume covers everything from their collaborations with Dylan through that farewell show, and features rare and previously unpublished interviews with members of The Band and their colleagues.
The Funk Movement
Rabaka explores funk as a distinct multiform of music, aesthetics, politics, social vision, and cultural rebellion that has been remixed and continues to influence contemporary Black popular music and Black popular culture, especially rap music and the Hip Hop Movement. The Funk Movement was a sub-movement within the larger Black Power Movement and its artistic arm, the Black Arts Movement. Moreover, the Funk Movement was also a sub-movement within the Black Women’s Liberation Movement between the late 1960s and late 1970s, where women’s funk, especially Chaka Khan and Betty Davis’s funk, was understood to be a form of “Black musical feminism” that was as integral to the movement a...
This is Rebel Music
Veteran record producer and journalist Harvey Kubernik is a Los Angeles insider with ties to some of the most influential performers and producers in the music business. In this examination of the music and pop culture of the 1960s, we read Kubernik's conversations with famous people who speak very freely: Ray Manzarek, Berry Gordy, Grace Slick, Andrew Loog Oldham, Jim Keltner, Jack Nitzsche, Chrissy Hynde, Ravi Shankar, and Keith Richards. There is also an epilogue on Roger Steffens, a renowned scholar of reggae music. No matter how much you think you know about the pop culture of the 1960s, you will find new information here. Certain predictable topics -- the Rolling Stones, Bob Dylan -- come up in almost every interview. Other names prominent in the interviews are Phil Spector and Sonny Bono. Reading Kubernik's interview with Marianne Faithfull, we learn that she and Mick Jagger often listened to Vivaldi and Marvin Gaye in the mornings; Steven Van Zandt reveals that he is the son of a Goldwater Republican; Allen Ginsberg discloses that Bob Dylan tried, unsuccessfully, to get Phil Spector to produce a recording by Ginsberg.
Time Has Come Today
People who take up a life of rock and roll either make music, collect it, write about it, sell it or get into the record business. Harold Bronson has done all of those things. In Time Has Come Today: Rock and Roll Diaries 1967 – 2007, he recounts the fascinating adventure of his musical life. Before he co-founded Rhino Records – America’s leading reissue label -- and put decades of rock and roll history back into musical circulation, Bronson was just another devoted fan growing up in Southern California in the 1960s. But with boundless enthusiasm, a discerning ear and a near-photographic memory, he channeled his passion into writing for the UCLA Daily Bruin and then Rolling Stone and o...
Guitar King
A Rolling Stone Best Music Book of 2019, this biography of blues-rock legend Mike Bloomfield “draws you in the way a novel does” (The Wall Street Journal). Named one of the world’s great blues-rock guitarists by Rolling Stone, Mike Bloomfield remains beloved by fans forty years after his untimely death. Taking readers backstage, onstage, and into the recording studio with this legendary virtuoso, David Dann tells the riveting stories behind Bloomfield’s work in the seminal Paul Butterfield Blues Band and the mesmerizing Electric Flag, as well as on the Super Session album with Al Kooper and Stephen Stills, Bob Dylan’s Highway 61 Revisited, and soundtrack work with Peter Fonda and J...
The Music of Counterculture Cinema
Films produced in late 1960s and early 1970s America--along with later films focusing on that period--continue to frame our understanding of the counterculture era. The popular and experimental music of the day is central to the counterculture narrative on film, from the utopian Monterey Pop (1968) to the disenchantment of Gimme Shelter (1970). But the musical side of the movement was not monolithic, and a study of contemporary film soundtracks reveals a great deal of complexity. The coinciding struggles to define collective and individual identities based on race, class, gender and generation are well documented in the music of counterculture cinema.
All the Leaves Are Brown
Few songs have captured the contradictions and ambiguities of the 1960s as memorably as “California Dreamin’,” the iconic folk music single that catapulted the Mamas & the Papas into rock and roll history. In All the Leaves Are Brown, author Scott Shea details how John Phillips, Denny Doherty, Michelle Phillips, and “Mama Cass” Elliot became standard-bearers for California counterculture, following their transformation from folk music wannabes to rock sensations and chronicling the tumultuous events that followed their unexpected success. Shea gives a definitive account of the group’s short time together, from their hitmaking approach with legendary producer Lou Adler to John’s...
The Republic of Rock
In his 1967 megahit "San Francisco," Scott McKenzie sang of "people in motion" coming from all across the country to San Francisco, the white-hot center of rock music and anti-war protests. At the same time, another large group of young Americans was also in motion, less eagerly, heading for the jungles of Vietnam. Now, in The Republic of Rock, Michael Kramer draws on new archival sources and interviews to explore sixties music and politics through the lens of these two generation-changing places--San Francisco and Vietnam. From the Acid Tests of Ken Kesey and the Merry Pranksters to hippie disc jockeys on strike, the military's use of rock music to "boost morale" in Vietnam, and the forgott...
