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Ken Price: Drawings
Though Los Angeles artist Ken Price (1935-2012) is best known as a sculptor in ceramic, drawing was always a central component of his art: "For me drawing is really flexible," he once stated, "and I use it in different ways. It's my way of developing ideas." Ken Price: Drawings brings out this facet of Price's work fully for the first time. Featuring 78 of Price's works on paper--all reproduced for the first time, many at actual size--this book is the most comprehensive ever published on the subject. Technical innovations like five-color printing capture Price's drawings in all their wayward vitality. From preparatory works, like Price's early 1960s drawings exploring forms and colors for his abstract sculptures, to his 2000s landscapes featuring wild scenes of erupting volcanoes, cyclonic skies and turbulent seas, Ken Price: Drawings offers a long-overdue survey of Price's work on paper.
Ken Price Sculpture
This book was published on the occasion of the exhibition Ken Price Sculpture: A Retrospective, which was organized by the Los Angeles County Museum of Art. Exhibition itinerary: Los Angeles County Museum of Art, September 16, 2012-January 6, 2013, Nasher Sculpture Center, February 9, 2013-May 12, 2013, Metropolitan Museum of Art, June 18-September 22, 2013.
Ken Price
Résumé en 4ème de couverture: "This monograph devoted to the American artist Ken Price (1935-2012) is the first publication to fully integrate the artist's acclaimed sculptures with his works on paper. Emerging from a cadre of innovative artists in postwar Los Angeles, Price transformed the art of ceramics, finding inspiration in a diverse array of sources: the Bauhaus, traditional Southwestern pottery, Japanese ceramics, and 1960s American counterculture. Through his masterful manipulation of clay, innovative glazing, and magnificent handling of color, Price created, over the course of his career, a set of highly original forms. His works on paper echo his sculptures in their brilliant c...
Ken Price
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Ken Price Drawings
Drawing was essential to the art of Ken Price (1935-2012): "For me drawing is really flexible, and I use it in different ways. It's my way of developing ideas." This volume provides the most substantial overview of Price's widely lauded drawing practice. Price's earliest drawings, from the 1960s, explore forms and colors for his abstract sculptures, but he also drew bizarre objects, like cups with a leaping frog or a cavorting nude for a handle. By the end of the 1960s the imaginary spaces they inhabited were fully realized in high-key colors and precise detail. Around 2002, when Price and his family moved permanently to Taos, New Mexico, the landscape of his drawings grew wilder. In their erupting volcanoes, cyclonic skies and turbulent seas, nature is a dominant force. By 2005 Price had begun incorporating his sculptural forms into this same primordial world, reimagining them as monumental figures.
Ken Price
This publication accompanies the first survey of drawings by Los Angeles artist Ken Price (1935-2013), best known for his abstract, brightly colored ceramic sculptures. Price's work was only widely exhibited later in his life, but scholars have long admired his highly original forms. As early as 1966, Lucy Lippard commented: "No one else on the East or West Coast is working like Kenneth Price." Like his better-known sculptures, these drawings feature an idiosyncratic array of amorphous shapes. The book includes an in-depth 44-page illustrated essay by exhibition curator Douglas Dreishpoon, a 20-page section detailing a rarely seen large-scale scroll drawing from 1962, and color plates of all of the nearly 70 works in the exhibition, tracking the evolution of Price's drawings over 48 years and demonstrating a wide range of characters and techniques.
Ken Price
For over five decades, Ken Price (1935-2012) produced small-scale ceramic sculptures with brightly colored finishes that achieved a balance between form and surface. Then, in the last years of his life, he initiated a dramatic shift in scale and finish. Ken Price: The Large Sculptures unveils this final body of work in its entirety. With dimensions that echo those of the human body, these sculptures speak directly to the viewer's corporeality. Cast in bronze composite and painted with color-shifting automotive paint, the large sculptures are in one sense the culmination of Price's long career and in another the beginning of a new path cut tragically short. This large-format book includes a detailed essay by Alex Kitnick that situates these works in the history of modern sculpture. The plates section features multiple views of the works' seemingly ever-shifting forms. Completing the book are numerous unpublished photographs of the fabrication process at Price's studio.
Ken Price
"Ken Price was born in West Hollywood, Los Angeles, California, in 1935. He enrolled in his first ceramics course at Santa Monica City College in 1953, a year after he took classes in life drawing and cartooning at the Chouinard Art Institute (now the California Institute of the Arts). His notion of ceramic sculpture evolved significantly during his studies with Peter Voulkos (American, 1924-2002), from 1955 to 1957, at the Los Angeles County Art Institute (later the Otis Art Institute). In 1959, he earned an MFA from the New York State College of Ceramics at Alfred University. He had his first solo exhibition in 1960 at the now legendary Ferus Gallery. Since then, Price's work has been extensively published and exhibited nationally and internationally. In 1992, Walter Hopps, founding director of The Menil Collection, Houston, Texas, organized a prescient survey of Price's sculptures that our book commemorates. In 2004, the Chinati Foundation, Marfa, Texas, mounted an exhibition of sculptures and works on paper dated from 1994 to 2004." -- Publisher's website
Clay's Tectonic Shift, 1956-1968
Clay's Tectonic Shift focuses on artists John Mason (b. 1927), Kenneth Price (1935-2012), and Peter Voulkos (1924–2002) and their radical early work in postwar Los Angeles where they formed the vanguard of a new California ceramics movement. The three artists broke from the craft tradition that emphasized the function of a piece. Experimenting with scale, surface, color, and volume, their work was instrumental in elevating ceramics from a craft to a fine art. Earlier exhibitions and publications stated that key innovations in this new ceramics movement were made at the Otis Art institute and that its direction was defined by a group of students surrounding the charismatic leader Voulkos. T...
Against the Grain
Accompanies an exhibition of paintings, sculptures, drawings and prints from Edward R Broida's gift to the Museum of 175 works from his collection. Dating from the 1960s, the works represent a total of thirty-eight European and American artists, whose work is reproduced here.
