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The Epic of Sumanguru Kante
The Epic of Sumanguru Kante contains the Bamana text and English translation of griot Abdoulaye Sako’s oral narrative of the life of Sumanguru, recorded in 1997 in Koulikoro (Mali), together with explanatory notes, a scholarly introduction, and sections on the Bamana language and musical accompaniment. Sumanguru is a familiar figure within Manding epic oral traditions about ancient Mali. But while these narratives generally focus on Sunjata Keita, Sako’s oral poem is rare in according Sumanguru the central role. In so doing he includes hitherto undocumented episodes relating to Sumanguru’s life and role as the ruler of Soso, the little known state said to have flourished in the western Sudan between the fall of ancient Ghana and rise of ancient Mali.
Pan-African Chronology II
This continuation volume of the Pan-African Chronology set covers the most significant events in the African diaspora from the end of the American Civil War through the pre-World War I years. This was a time of great change for black Americans--Reconstruction, the founding of the NAACP, the formation of the separate but equal doctrine, and the migration of blacks from the rural South to Northern cities. The eradication of slavery as a legalized institution was finally realized in the Americas, while the struggle to end it in Asia was also taking place. European colonialism in Africa was accelerated, ironically coinciding with humanitarian efforts to end the slave trade on the African continent. These events and many others are covered here.
Dictionary of African Historical Biography
The acclaimed Dictionary of African Historical Biography, the only single-volume biographical work on Sub-Saharan African history, has been expanded and updated to include entries on over eight hundred people important in Sub-Saharan African history up to 1980.
Dierk Schmidt
In 1884 - 85, the European powers and the USA met in Berlin to prepare the division of the entire African continent through an 'international' act of law. The series of pictures by Dierk Schmidt that was shown at documenta XII serves as a starting point in exploring the urgent question: Is it possible to respond to the brutality, with which colonial borders were forced upon existing societies, with a representation that makes legal abstractions tangible as a historic product of political and aesthetic modernism in Europe? The Division of the Earth is based on years of research and tackles, both visually and textually, the aesthetic-political, art historical and current legal facets of the growing international, post-colonial discussion.
Guilt and Debts
The artist Dierk Schmidt (Unna, 1965) makes use of the aesthetic and the visual to disrupt positivist and liner concepts of history with respect to the omissions and violence in colonial narratives -- one of the core themes running through his work, along with a need for the restitution of plundered objects and the related international law -- the manipulation of museum discourses and the contrived and dramatic state of televised politics. 0The retrospective held by the Museo Reina Sofía assembles some of Schmidt?s most ambitious projects as 'The Division of the Earth' or 'Broken Windows' and concludes with a site-specific project related to the role of the Palacio de Velázquez -- where the show is displayed -- directly after it was built in 1883 and in view of its housing, in 1887, part of the monographic exhibition of the Philippines, Mariana and Caroline Islands, before becoming the 'Biblioteca y Museo de Ultramar' (the Museum-Library of the Overseas).00Exhibition: Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain (09.10.2018-10.03.2019).
The Fortnightly
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Conflicts of Colonialism
Using the life of an African clerk who became a king under French colonial rule, this book illuminates conflicts over colonial policies and the application of competing rules of law.
States of Marriage
States of Marriage shows how throughout the colonial period in French Sudan (present-day Mali) the institution of marriage played a central role in how the empire defined its colonial subjects as gendered persons with certain attendant rights and privileges. The book is a modern history of the ideological debates surrounding the meaning of marriage, as well as the associated legal and sociopolitical practices in colonial and postcolonial Mali. It is also the first to use declassified court records regarding colonialist attempts to classify and categorize traditional marriage conventions in the southern region of the country. In French Sudan, as elsewhere in colonial Africa, the first stage o...
Fortnightly Review
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