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Case Studies in Music Therapy
Forty-two case histories, each describing the process of music therapy from beginning to end. The cases include children, adolescents, and adults receiving individual and group therapy in psychiatric, medical, educational or community settings. With authors from nine countries, the book details a broad spectrum of approaches and techniques in music therapy. The essence of music therapy is captured by telling the moving stories of people who have been helped through carefully crafted music experiences and the relationships developed with these exceptional music therapists. The book can be used as a reference, a textbook for training students, or as an introduction to the field.
The Dynamics of Music Psychotherapy
An examination of how transference and countertransference are manifested and worked through when improvisation, songs, and music imaging are used in psychotherapy.
Defining Music Therapy
The third edition of this book is the culmination of a 25 year project aimed at conceptualizing music therapy in a critically inclusive and integrative way. To be critically inclusive, the definition must provide an umbrella that embraces all professional practices and concepts that have been deemed viable in the refereed literature, while also excluding those concepts and practices: that do not rely on music; that occur outside of a professional therapist-client relationship; and that are not concerned with addressing the client's health. To be integrative, the definition must offer myriad options for using music to address the client's health concerns--as indicated by client need rather than therapist orientation.The resulting definition is a working and provisional one, based on over 100 existing definitions. It has been co-constructed by the author (who is situated in American music therapy), experienced colleagues, and authors and associations around the world who have crafted their own definition of music therapy. Its relevance is clearly situated with Western cultures that use the English language for scholarly purposes.
Defining Music Therapy
Music and therapy are both difficult to define, and when fused together into a single discipline, many complications arise. This book takes an in-depth look at the unique problems of defining music within a therapeutic context, and defining therapy within a musical context. Over 40 definitions of music therapy am examined and compared. A new definition is offered to address the myriad issues raised, and to embrace the diversity of clinical practice. Each segment of the definition is discussed, and in the process, boundaries are suggested for what music therapy is and what it is not. In the final chapters, eleven areas of clinical practice are identified, and each area is further differentiated by four levels of treatment. Specific examples are given of each area and level, and implications are drawn.
Music Therapy in Turkey
The use of music in therapeutic practice in Turkey and the surrounding geographical regions is not a new phenomenon. Until recently, however, the music therapy profession, as it is known in the modern world, had not been institutionalized as a scientific discipline in Turkey. However in recent years, encouraging developments have started to occur in this regard. In this book, readers will find articles about the perceptions of music therapy in Turkey, the evaluation of the dichotomy of postmodernism and modernism in music therapy, an evaluation of Edward William Elgar’s compositions for patients at Powick Mental Hospital, and music educators’ role and place in music therapy, among others. The book represents essential reading for those interested in the field of music therapy studies in Turkey, and also highlights the importance of interdisciplinary studies.
Guided Imagery and Music
A comprehensive textbook detailing theory, practice, and research on the Bonny Method of GIM, and the many variations that have evolved since its inception. Part one provides an overview of Bonny's method and an overview of her music programs. Part two describes the many applications of GIM with children, adolescents, medical conditions, and psychological problems. Part three explains how GIM can be practiced within Jungian, psychodynamic, Gestalt, and transpersonal orientations. Part four covers advancements to Bonny's method, including an approach to client assessment, a new method of group work, new music programs, and various methods of analyzing music programs. Part five deals with theory and research on GIM. Part six deals with ethics, training, supervision, and international advances in GIM. The Appendix provides the professional code of ethics for GIM and a comprehensive list all music programs developed by Bonny and her followers.
Children with Autism
This completely revised and substantially expanded new edition embraces new developments in this rapidly developing field. Every chapter has been rewritten with the addition of new material, and a new final chapter on `Putting the Pieces Together' reflects the authors' conviction that the complexity of autism means that many kinds of information are valuable and need to be taken into account in providing therapy or teaching for children with autism. Other chapters, updated from the first edition, include a description of the latest information on the findings of brain research (put into the context of the development of the human brain and its effect on communication in early childhood), and...
CLINICAL IMPROVISATION TECHNIQUES IN MUSIC THERAPY: A GUIDE FOR STUDENTS, CLINICIANS AND EDUCATORS
Clinical Improvisation Techniques in Music Therapy: A Guide for Students, Clinicians and Educators provides a clear and systematic approach to understanding and applying improvisational techniques. It is inspired by the taxonomy of clinical improvisation techniques as described by Kenneth Bruscia in his book, Improvisational Models of Music Therapy. Based on years of their own experimenting with the teaching of improvisation, the authors have evolved a particular developmental sequence for introducing basic techniques of improvising and applying them through role-play exercises that have been sensitively designed to bring out one’s innate musicality and one’s empathic regard. Part One pr...
