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Antisemitism in the North
Is research on antisemitism even necessary in countries with a relatively small Jewish population? Absolutely, as this volume shows. Compared to other countries, research on antisemitism in the Nordic countries (Denmark, the Faroe Islands, Finland, Greenland, Iceland, Norway, and Sweden) is marginalized at an institutional and staffing level, especially as far as antisemitism beyond German fascism, the Second World War, and the Holocaust is concerned. Furthermore, compared to scholarship on other prejudices and minority groups, issues concerning Jews and anti-Jewish stereotypes remain relatively underresearched in Scandinavia – even though antisemitic stereotypes have been present and flourishing in the North ever since the arrival of Christianity, and long before the arrival of the first Jewish communities. This volume aims to help bring the study of antisemitism to the fore, from the medieval period to the present day. Contributors from all the Nordic countries describe the status of as well as the challenges and desiderata for the study of antisemitism in their respective countries.
Culture and Conflict
Cultural differences are often the trigger for conflict – whether politically motivated or arising from dissonant understandings of national culture. But what we regard as distinctive today in our cultural heritage or day-to-day cultural experience is deeply rooted in the rich diversity of the national currents of the nineteenth century. Culture and Conflict: Nation-Building in Denmark and Scandinavia, 1800–1930 explores the many strands of Danish and Scandinavian culture that helped to shape these cultural identities. The sixteen contributions in this volume analyse how competing national agendas influenced the development of political life as well as literature, the visual arts, and mu...
Postlude to the Kreutzer Sonata
In his study of The Kreutzer Sonata, Peter Ulf Moeller examines the actual literary process in all its stages, from the genesis and structure of the tale to its publication, reception and effect. He describes how Tolstoj shaped his ascetic message in a provocative artistic form, how it was received by the censors, the critics, the clergy, by the general public, by other writers and - last but not least - by the author's wife. Moeller goes on to show how Tolstoj's tale immediately gave rise to a counter-literature and, in the long term, led to the eulogies to the body and the senses, characteristic of Russian decadence. By shedding light on the sexual debate, Moeller's book adds a new dimension to our understanding of the interaction between literature and society in a crucial decade of Russian history. His account of the censorship, publication and reception history of The Kreutzer Sonata corrects and supplements existing information by making use of hitherto unpublished materials in Soviet archives. These materials include Countess Sof'ja Andreevna Tolstaja's counter-story Who is To Blame?, which affords valuable new insights into the Tolstoj's dramatic marriage.
Old Norse-Icelandic Literature
The current revival of interest in the rich and varied literature of early Scandinavia has prompted a corresponding interest in its background: its origins, social and historical context, and relationship to other medieval literatures. Even readers with a knowledge of Old Norse and Icelandic have found these subjects difficult to pursue, however, for up-to-date reference works in any language are few and none exist in English. To fill the gap, six distinguished scholars have contributed ambitious new essays to this volume. The contributors summarize and comment on scholarly work in the major branches of the field: Eddie and skaldic poetry, family and kings' sagas, courtly writing, and mythology. Taken together, their judicious and attractively written essays-each with a full bibliography-make up the first book-length survey of Old Norse literature in English and a basic reference work that will stimulate research in these areas and help to open up the field to a wider academic readership.
In Search of the Culprit
Despite various poststructuralist rejections of the idea of a singular author-genius, the question of a textual archetype that can be assigned to a named author is still a common scholarly phantasm. The Romantic idea that an author created a text or even a work autonomously is transferred even to pre-modern literature today. This ignores the fact that the transmission of medieval and early modern literature creates variances that could not be justified by means of singular authorships. The present volume offers new theoretical approaches from English, German, and Scandinavian studies to provide a historically more adequate approach to the question of authorship in premodern literary cultures. Authorship is no longer equated with an extra-textual entity, but is instead considered a narratological, inner- and intertextual function that can be recognized in the retrospectively established beginnings of literature as well as in the medial transformation of texts during the early days of printing. The volume is aimed at interested scholars of all philologies, especially those dealing with the Middle Ages or Early Modern Period.
The Golden Horns
As an introduction to modern myth, The Golden Horns masterfully encompasses a wide circle of historical and literary materials. John Greenway first establishes the theoretical base of his discussion by examining the nature of time in Norse mythic consciousness. After suggesting several ways in which the mythic apprehension of reality conditioned medieval Icelandic narrative, he then elaborates on the dialectical relationship between myth and reason. Maintaining that myth is neither true nor false but always either expressive or not, the author then traces the origin, rise, and fall of two great modern myths of northern birth: seventeenth century Swedish Gothicism and the Ossianic craze of th...
Iceland’s Relationship with Norway c.870 – c.1100
In Iceland’s Relationship with Norway c.870 – c.1100: Memory, History and Identity, Ann-Marie Long reassesses the development of Icelandic society from the earliest settlements to the twelfth century. Through a series of thematic studies, the book discusses the place of Norway in Icelandic cultural memory and how Icelandic authors envisioned and reconstructed their past. It examines in particular how these authors instrumentalized Norway to explain the changing parameters of Icelandic autonomy. Over time this strategy evolved to meet the needs of thirteenth-century Icelandic politics as well as the demands posed by the transition from autonomous island to Norwegian dependency.
A History of Icelandic Literature
As complete a history as possible of the literature of Iceland.
Remembering England: Cultural Memory in the Sagas of Icelanders
This book provides an in-depth study of depictions of England in the Saga of Icelanders (Íslendingasögur), examining their utility as sources for the history of Viking Age Anglo-Scandinavian cultural contact. The Íslendingasögur resent themselves as histories, but they are difficult historical sources. Their setting is the Saga Age, a period that begins with the settlement of Iceland in the late ninth century and ends along with the Viking Age in the late eleventh century–however, the saga texts are disconnected from this setting, having first been written down in the thirteenth and fourteenth centuries. This book traces the transmission and development of Icelandic cultural memory of Saga Age England across this distance of centuries. It offers case study analyses of how historical time, place, cultures, and events are adapted and conceptualised in the Íslendingasögur and suggests methodological approaches to their study as historical literature. Remembering England is an interdisciplinary book that will appeal to scholars and students of the history of pre-Norman England, the Icelandic sagas, medieval literature, and cultural memory.
A Danish Jew in West Africa
Wulff's life history is of considerable interest in itself. In her biographical essay (Part I) Selena Axelrod Winsnes portrays him as a 'marginal man': being a Jew in Denmark at the beginning of the 19th century was to some extent an uphill struggle for those who sought public recognition, and Wulff did not escape discrimination in his administrative career at Christiansborg either, although special circumstances allowed him to hold important positions, and yet, only for the short term. Paradoxically, on his arrival to the Gold Coast Wulff - as a Jew - was placed in a middle position in the racial hierarchy dominating the mind-set of his superiors in Copenhagen ñ between Africans and Europe...
