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Midnight. Some call it the witching hour. Others call it the devil's hour. Here in the graveyard, midnight is a very special time. It is a time when ghostly spirits are at their strongest, when the veil between our world and theirs is at its thinnest. Legend has it, that while most of the world is asleep, the lack of prayers allow the spirits to communicate under the cover of darkness, among the headstones, their whispers rustling in the leaves of the old oak trees. But if you're here in the graveyard, you can tell yourself it's just the wind, that the moonlight is playing tricks on your eyes, that it's only the swirling mist you see. But when you hear the graveyard gate clang shut, the dead have something to say. Here are their stories...
There's life out there? and it's coming for you!It starts as a mild rattling of the windows disturbing your pleasant dreams. Then the trees outside your bedroom rustle from a mysterious celestial wind. When the neighborhood dogs erupt in a cacophony of terrified barking, you're jerked from your peaceful slumber. Through bleary eyes you look at the display on the nightstand. Midnight. A roar cracks the obsidian night sky as a ball of blinding light streaks out of the heavens, crashing with an earthshaking explosion on the other side of the hill. Racing to the open window, you smell the electric scent of charred ozone in the night air. The pulsing glow in the distance mesmerizes your senses. There's something pulling you from its rhythmic humming. Something too enticing to resist. Something's out there, and it has a story to tell. Lots of stories. You slip on your shoes and make your way for the door?
What it’s really like on the frontline of humanitarian aid It's the early 1990s and three young people are looking to change their lives, and perhaps also the world. Attracted to the ambitious global peacekeeping work of the UN, Andrew, Ken and Heidi's paths cross in Cambodia, from where their fates are to become inextricably bound. Over the coming years, their stories interweave through countries such as Rwanda, Bosnia, Somalia and Haiti - war-torn, lawless places where the intervention of the UN is needed like nowhere else. Driven by idealism, the three struggle to do the best they can, caught up in an increasingly tangled web of bureaucracy and ineffectual leadership. As disillusionment...
Cain made the first blackface turn, blackface minstrels liked to say of the first man forced to wander the world acting out his low place in life. It wasn't the "approved" reading, but then, blackface wasn't the "approved" culture either--yet somehow we're still dancing to its renegade tune. The story of an insubordinate, rebellious, truly popular culture stretching from Jim Crow to hip hop is told for the first time in Raising Cain, a provocative look at how the outcasts of official culture have made their own place in the world. Unearthing a wealth of long-buried plays and songs, rethinking materials often deemed too troubling or lowly to handle, and overturning cherished ideas about class...
This is the journal of Joe Necchi, a junkie living on a barge that plies the rivers and bays of New York. Joe's world is the half-world of drugs and addicts -- the world of furtive fixes in sordid Harlem apartments, of police pursuits down deserted subway stations. Junk for Necchi, however, is a tool, freely chosen and fully justified; he is Cain, the malcontent, the profligate, the rebel who lives by no one's rules but his own. Like DeQuincey and Baudelaire before him, Trocchi's muse was drugs. But unlike his literary predecessors, in his roman a clef, Trocchi never romanticizes the source of his inspiration. If the experience of heroin, of the "fix," is central to Cain's Book, both its destructive force and the possibilities for creativity it creates are recognized and accepted without apology. "Cain's Book is the classic late-1950s account of heroin addiction. . . . An un-self-forgiving existentialism, rendered with writerly exactness and muscularity, set this novel apart from all others of the genre." -- William S. Burroughs
"THE MOST DEFINITIVE GUIDE INTO THE TRIALS AND TRIBULATIONS OF BEING A HORROR WRITER SINCE STEPHEN KING'S 'ON WRITING'..." We have assembled some of the very best in the business from whom you can learn so much about the craft of horror writing: Bram Stoker Award(c) winners, bestselling authors, a President of the Horror Writers' Association, and myriad contemporary horror authors of distinction. The Horror Writer covers how to connect with your market and carve out a sustainable niche in the independent horror genre, how to tackle the writer's ever-lurking nemesis of productivity, writing good horror stories with powerful, effective scenes, realistic, flowing dialogue and relatable characte...
What sort of trouble could four very different zombies get into? Check out the ongoing tales of Bruiser, Glutton, Varmint, and Prim. Their story includes humor with special little twists and turns. See how their personalities clash in the post-apocalyptic world.RE: Animated is a new take on friendships and is targeted at both children and adults, who might like their illustrated books to come with a little more bite. The sentences are relatively easy with illustrated pictures to help tell the story.
Famous author Olive Wellwood writes a special private book, bound in different colours, for each of her children. In their rambling house near Romney Marsh they play in a story-book world - but their lives, and those of their rich cousins and their friends, the son and daughter of a curator at the new Victoria and Albert Museum, are already inscribed with mystery. Each family carries its own secrets. They grow up in the golden summers of Edwardian times, but as the sons rebel against their parents and the girls dream of independent futures, they are unaware that in the darkness ahead they will be betrayed unintentionally by the adults who love them. This is the children's book.
From the author of Flowers in a Dumpster comes a new collection of stories to terrify you, to move you, to make you think. In the title novella, readers are introduced to a future where all literature has been lost, but a group of government agents are on the hunt for the mythological Book Haven, a vast secret library.
n life, sometimes the only thing that can save you is death.Ariana Molina is a high school senior living in secret in Chicago, in hopes her father's enemies do not find her. One day her father Reynaldo Molina, the lead federal investigator in Mexico targeting criminal organizations, arrives unexpectedly at her doorstep. After he is involved in a strange car accident that leaves one person dead, Ari begins to have visions of a veiled skeletal figure trying to lure her.Struggling with visions of gruesome ghosts in the day and night, Ari is soon stalked by Chicago street gang members suspicious of her real identity. When Ari discovers they are indeed members of Mexico's most ruthless drug cartel who want her and her father dead, she has to make a choice to save their life and only Santa Muerte, the saint of death, can help her.