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Six Ensemble Plays for Young Actors is an anthology of work written for actors aged 11-25. Ideal for youth theatre groups, schools and amateur dramatic companies, it contains a diverse selection of plays suited to large casts and ensemble performance. Varying in style and subject matter, the plays offer performers, directors and designers a range of exciting challenges: from recreating the mythological world of The Odyssey to a dramatisation of two hundred years of slavery that will take the audience on a journey from eighteenth century Africa to 1990s London in Sweetpeter. Contemporary urban living is confronted in plays ranging from the starkly realistic to the playful, lyrical and surrealistic. From the innocent and imaginative world of a school playground to issues of racism, peer pressure, crime and communication in a mobile phone obsessed culture, this is a wide-ranging anthology that will enrich the repertoire of youth theatre groups and the curriculum in schools. The volume is introduced by Paul Roseby, artistic director of the National Youth Theatre.
By Sue Thomas www.suethomas.net In the early 1990s there were very few creative writing degrees in the UK but lots of creative writing workshops in the community. Many writers, including me, taught creative writing in libraries, prisons, hospitals, schools, even living rooms. The students were hugely varied, from enthusiastic poets to prospective autobiographers and hopeful screenwriters and everything in between. I’m no longer involved in that way but such groups are still very popular, and they often provide a valuable income for self-employed writers. The idea for ‘Creative Writing: A Handbook for Workshop Leaders’ came from a collaboration between East Midlands Arts and the Univers...
Alex Alexandrowicz spent 22 years in custody protesting his innocence. This book explains how something which began with a plea bargain in the belief that he would serve a 'short' sentence turned into a Kafkaesque nightmare. His 'Prison Chronicles' are placed in perspective by Professor David Wilson. The Longest Injustice contains the full story of Anthony Alexandrovich - known universally as 'Alex'. Principally, the book is about his 29-year fight against his conviction as a seventeen-year-old for aggravated burglary, wounding with intent, and assault occasioning actual bodily harm. Twenty-two of these years were spent in prison where Alex was a discretionary life sentenced prisoner, and wh...
Carolyn Farb is the quintessential fundraiser who truly knows how to put together amazing events that raise money for good causes. She believes you don't have to spend money to raise money: practicing her zero-budget philosophy.
An explanation of the way in which the study of art can act as a trigger for change in prisoners. This stimulating work is based on conversations with artists - including people in prison or who were once imprisoned. It charts the importance of creative activity as an instrument of personal change. As the author is compelled to say: Individuals can, and do, change. If there is a message in these stories, this is it: we need to listen, understand and act upon it. The physical walls around prisons must not become mental walls keeping us from understanding the worlds of those within. We are all members of the society that builds the prison walls.
First published in 2004. Civility might appear the last and least likely term to mobilise attention in the non- adjacent fields to performance. This issue recognises an expanded political vocabulary in concept of ‘sly civility’ located at the heart of the recent work drawing on a set of previously dis-colonising imagination.
BLACK ENTERPRISE is the ultimate source for wealth creation for African American professionals, entrepreneurs and corporate executives. Every month, BLACK ENTERPRISE delivers timely, useful information on careers, small business and personal finance.
The profession of directing is barely a century old. On Directing considers the position of the director in theater and performance today. What is a director? How do they begin work on a play or performance? What methods are used in rehearsal? Is the director an enabler, a collaborator or dictator? As we enter the new millennium, is the very concept of directing under increasing threat from changes in thinking and practice? The full diversity of today's approaches to directing are explored through a series of interviews with leading contemporary practitioners. On Directing is a landmark book about the director's craft.
This book traces the history of the Queensland Irish Association, one of the most successful ethnic organisations in Australia. Founded in 1898, it reacted against the divisive religious history of Ireland, enshrining denominational tolerance as a foundational principle. It was an engine of integration, melding evolving Irishness with primary loyalty to Australia. Remarkably resilient, it navigated wars, rebellion in Ireland, economic upheavals, and internal disruptions. The QIA celebrates its 125th anniversary in 2023, continuing as the chief custodian of Irish heritage and culture in Queensland. The makers of this history were past and present QIA members and officials. Sources included Association records and a rich heritage collection, photographs, and reminiscences.