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Black Futures
“A literary experience unlike any I’ve had in recent memory . . . a blueprint for this moment and the next, for where Black folks have been and where they might be going.”—The New York Times Book Review (Editors’ Choice) What does it mean to be Black and alive right now? Kimberly Drew and Jenna Wortham have brought together this collection of work—images, photos, essays, memes, dialogues, recipes, tweets, poetry, and more—to tell the story of the radical, imaginative, provocative, and gorgeous world that Black creators are bringing forth today. The book presents a succession of startling and beautiful pieces that generate an entrancing rhythm: Readers will go from conversations with activists and academics to memes and Instagram posts, from powerful essays to dazzling paintings and insightful infographics. In answering the question of what it means to be Black and alive, Black Futures opens a prismatic vision of possibility for every reader.
Little Black Dress
Every woman's secret weapon is her little black dress, but for fashion model-turned covert agent, Evan Tyler, her weaponized wardrobe makes her absolutely deadly. Infiltrating the Paris couture scene, Tyler and her team level their sights on Anton Hrevic, a rising star designer who, along with his muse-models, seems intent on espionage and world manipulation. Wearing the high-tech and top-secret Little Black Dress, Tyler uses both her God-given and government-granted assets to learn the truth behind Hrevic's celebrity parties and uncover secrets that could unravel the global economy.
black girl, no magic: reflections on race and respectability
'This book is a glowing achievement by one of the best essayists of her generation' Charlie Brinkhurst-Cuff ‘Witty, fresh and full of life’ Liv Little ‘I can’t recommend more highly... it’s one of those books that I just want to press in the hands of everybody’ Damian Barr, Literary Salon Podcast
Black Litigants in the Antebellum American South
In the antebellum Natchez district, in the heart of slave country, black people sued white people in all-white courtrooms. They sued to enforce the terms of their contracts, recover unpaid debts, recuperate back wages, and claim damages for assault. They sued in conflicts over property and personal status. And they often won. Based on new research conducted in courthouse basements and storage sheds in rural Mississippi and Louisiana, Kimberly Welch draws on over 1,000 examples of free and enslaved black litigants who used the courts to protect their interests and reconfigure their place in a tense society. To understand their success, Welch argues that we must understand the language that they used--the language of property, in particular--to make their claims recognizable and persuasive to others and to link their status as owner to the ideal of a free, autonomous citizen. In telling their stories, Welch reveals a previously unknown world of black legal activity, one that is consequential for understanding the long history of race, rights, and civic inclusion in America.
Pockets
Pockets is a sweet story about a young child who receives a pair of overalls from her mother. She fills her many pockets with her toys and treasures, and wisely discovers that her pockets can't hold the most valuable things in life, like smiles, hugs, sunshine, and love. Pockets won First Place in the Juvenile Short Story category in the Frontiers in Writing 2010 contest. Pockets is a mother-and-son collaboration, with story by Kimberly Black and beautiful illustrations by Sean Black.
Bare Essentials, The LBD Project Book 3
Evan Tyler and Hedge Parker are the last InDIGO agents left in the field on the LBD mission. The stakes rise as they close in on whoever is influencing world markets through extortion and terrorism. The job takes a wild turn as friends become enemies and enemies become friends. Can Evan sort out who's who in time to save the world and the people she loves most?
Black Women Undergraduates, Cultural Capital, and College Success
This book documents the academic and social success of Black women undergraduates as they negotiate dominant educational and social discourses about their schooling lives. Starting with the premise that Black women undergraduates are not a homogenous group and that they are being successful in college in greater numbers than Black men, this book examines the ways they navigate being traditionally underprepared academically for college, the discourse of «acting white», and oppressive classroom settings and practices. This work expands the theoretical concept of cultural capital by identifying the abundant and varied forms of cultural capital that Black women undergraduates provide, develop, and utilize as they make their way through college. The discussion of their raced, classed, and gendered experiences challenges the academy to make use of this understanding in its work towards educational equity. This movement has wide-reaching implications for ethos, policy, and practice in higher education.
Black Wave
'Blistering' Sunday Times 'Indispensable' Observer 'Fascinating' The Times 'Brilliant' Peter Frankopan 'Revelatory' Lindsey Hilsum A timely and unprecedented examination of how the modern Middle East unravelled, and why it started with the pivotal year of 1979. Shortlisted for the Cundhill History Prize 2020 'What happened to us?' For decades, the question has haunted the Arab and Muslim world, heard across Iran and Syria, Saudi Arabia and Pakistan, and in the author's home country of Lebanon. Was it always so? When did the extremism, intolerance and bloodletting of today displace the region's cultural promise and diversity? In Black Wave, award-winning journalist and author Kim Ghattas argu...
Black on Earth
American environmental literature has relied heavily on the perspectives of European Americans, often ignoring other groups. In Black on Earth, Kimberly Ruffin expands the reach of ecocriticism by analyzing the ecological experiences, conceptions, and desires seen in African American writing. Ruffin identifies a theory of "ecological burden and beauty" in which African American authors underscore the ecological burdens of living within human hierarchies in the social order just as they explore the ecological beauty of being a part of the natural order. Blacks were ecological agents before the emergence of American nature writing, argues Ruffin, and their perspectives are critical to understa...
A Fiction Writer's Character Workbook
A Fiction Writer's Character Workbook is a great tool for any writer wanting to easily manage the details of his/her cast of characters. Plenty of room for sketches, photos, and descriptions for up to fifteen characters. Keep track of eye color, age, aliases, family members, as well as secrets, goals, and motivations. Maintain all of your characters' specifics between chapters, or develop an ensemble of players that will last through a whole series of books. Easy to use with any genre of fiction.
