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On Stony Ground presents a historical ethnographic account of a generation of Mennonites from the Soviet Union who, following Russia’s revolution and civil war, immigrated to Manitoba during the 1920s. James Urry examines how they came to terms with a new land and with their new neighbours, including other Mennonites, Ukrainians, French Canadians, and Indigenous Peoples. The book discusses the impact of the Great Depression and how the immigrants struggled with their identity in Canada as Hitler and Stalin rose to power in Germany and the USSR. It reveals the immigrants’ desire to maintain their faith, language, and culture while encouraging their children to take advantage of an education conducted mainly in English. On Stony Ground explores how prosperity following the Second World War helped the immigrants to build a community in conjunction with others, including Mennonites and non-Mennonites, and to accept their new home in Canada.
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Patterns and layers of sport history emerge as almost-forgotten stories of Alberta’s marginalized populations surface.
Klassen looks at the role businesses have played in the economic, political, and social development of the province since the earliest European traders. Relying heavily on analysis and case studies, he considers the birth of business firms and the subsequent effects they have had on broader political and cultural matters. Canadian card order number: C99-910550-7. Annotation copyrighted by Book News, Inc., Portland, OR.
A New York Times Best Illustrated Children's Book of 2011! A picture-book delight by a rising talent tells a cumulative tale with a mischievous twist. Features an audio read-along! The bear’s hat is gone, and he wants it back. Patiently and politely, he asks the animals he comes across, one by one, whether they have seen it. Each animal says no, some more elaborately than others. But just as the bear begins to despond, a deer comes by and asks a simple question that sparks the bear’s memory and renews his search with a vengeance. Told completely in dialogue, this delicious take on the classic repetitive tale plays out in sly illustrations laced with visual humor-- and winks at the reader with a wry irreverence that will have kids of all ages thrilled to be in on the joke.
In this original, provocative, well-reasoned, and thoroughly documented book, Frank Klaassen proposes that two principal genres of illicit learned magic occur in late medieval manuscripts: image magic, which could be interpreted and justified in scholastic terms, and ritual magic (in its extreme form, overt necromancy), which could not. Image magic tended to be recopied faithfully; ritual magic tended to be adapted and reworked. These two forms of magic did not usually become intermingled in the manuscripts, but were presented separately. While image magic was often copied in the fourteenth and fifteenth centuries, The Transformations of Magic demonstrates that interest in it as an independent genre declined precipitously around 1500. Instead, what persisted was the other, more problematic form of magic: ritual magic. Klaassen shows that texts of medieval ritual magic were cherished in the sixteenth century, and writers of new magical treatises, such as Agrippa von Nettesheim and John Dee, were far more deeply indebted to medieval tradition—and specifically to the medieval tradition of ritual magic—than previous scholars have thought them to be.
Studies of Alberta's newspapers have generally concentrated on better-known newspapers published in major centres and the organs of significant political parties. Gloria H. Strathern's exhaustive historical directory makes it possible to review the role of the press on a more comprehensive basis.
Make the Night Hideous explores mysterious transformation of the charivari using four detailed case studies from different time periods and locations across English Canada, as well as first-person accounts of more recent charivari participants.
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