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"The first American celebrity fashion designer of the twentieth century, Valentina lived on equal social footing with the high society and movie star clients she dressed a formidable claim when one considers that Norma Shearer, Marlene Dietrich, Katharine Hepburn, Gloria Swanson, as well as generations of Vanderbilts and Whitneys were all loyal Valentina customers. Presciently aware of the power of the media, Valentina s meteoric rise to fame and fortune in the 1940s helped to elevate the social status of the American fashion designer." "The first book fully dedicated to this fascinating woman s life and career, this volume includes many never-before-seen masterworks of photography, including platinum prints by Horst P. Horst, George Hoyningen-Huene, and Cecil Beaton, as well as original sketches, letters, snapshots, and ephemera from private collections around the world and the estate of Valentina Schlee." --Book Jacket.
But at a time when every American designer of note was sent to Paris to copy the latest styles, McCardell shrugged off the Paris couture industry, refusing, after 1940, to visit the collections or even to look at Paris design for fear it might influence her. In Claire McCardell: Redefining Modernism, coauthors Kohle Yohannan and Nancy Nolf have told a story that is as much biography as it is fashion history.
"[Book] examines the relationship between high fashion and the evolving ideals of beauty through the careers and personifications of iconic models who posed in the salons, walked the runways, and exploded onto the pages of Vogue, Harper's Bazaar, and even Life and Time. High-profile models enlivened the designs of the world's most celebrated couturiers and, on occasion, even inspired them." --Book jacket.
Yohannan offers a long-overdue tribute to John Rawlings (1921-1970), one of America's most distinguished and talented fashion photographers. This retrospective of his work features photos of stage, screen, and society stars of the 1940s and 1950s, including Marlene Dietrich, Salvador Dali, Veronica Lake, Lena Horne, and Montgomery Clift. 125 color photos, 25 duotones.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
"Published in conjunction with the exhibition 'Katharine Hepburn: Dressed for Stage and Screen, ' held at Kent State University Museum, OH (October 2, 2010-September 4, 2011) and the Lincoln Center Library for the Performing Arts, NY (October 18, 2012-January 20, 2013)."
The Art of the Steal tells the story of several larger-than-life figures - the billionaire tycoon Alfred Taubman; the most powerful woman in the art world, Dede Brooks; and the wily British executive Christopher Davidge - who conspired to cheat their clients out of millions of dollars. It offers an unprecedented look inside this secretive, glamorous, gold-plated industry, describing just how Sotheby's and Christie's grew from clubby, aristocratic businesses into slick international corporations. And it shows how the groundwork for the most recent illegal activities was laid decades before the perpetrators were caught by federal prosecutors.
First published in 1956, What Shall I Wear? is revolutionary fashion designer Claire McCardell’s collection of fashion wisdom and philosophy, and a vivacious guide to looking effortlessly stylish. This new edition of the sought-after classic features a foreword by iconic designer Tory Burch and a color insert of photos from McCardell’s collections. “The testament to great design, Claire McCardell’s dresses look fresh, contemporary, and desirable eight decades after they were made, as the Costume Institute’s 2022 exhibit In America: An Anthology of Fashion demonstrated.” —Nicole Phelps, global director, Vogue Runway and Vogue Business “Among the many surprises and insights I d...
Over the last four decades, the fashion modeling industry has become a lightning rod for debates about Western beauty ideals, the sexual objectification of women, and consumer desire. Yet, fashion models still captivate, embodying all that is cool, glam, hip, and desirable. They are a fixture in tabloids, magazines, fashion blogs, and television. Why exactly are models so appealing? And how do these women succeed in so soundly holding our attention? In This Year’s Model, Elizabeth Wissinger weaves together in-depth interviews and research at model castings, photo shoots, and runway shows to offer a glimpse into the life of the model throughout the 20th and 21st centuries. Once an ad hoc oc...
This book examines the emergence of modern working-class youth culture through the perspective of an urban history of post-war Britain, with a particular focus on the influence of young people and their culture on Britain’s self-image as a country emerging from the constraints of its post-Victorian, imperial past. Each section of the book – Society, City, Pop, and Space – considers in detail the ways in which working-class youth culture corresponded with a fast-changing metropolitan and urban society in the years following the decline of the British Empire. Was teenage culture rooted in the urban experience and the transformation of working-class neighbourhoods? Did youth subcultures emerge simply as a reaction to Britain's changing racial demographic? To what extent did leisure venues and institutions function as laboratories for a developing British pop culture, which ultimately helped Britain re-establish its prominence on the world stage? These questions and more are answered in this book.