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Koichiro Kokubun focuses on Deleuze's method of 'free indirect discourse' to locate and explicate Deleuze's philosophy of transcendental empiricism and its constitutive limits. He works through Deleuze's confrontations with Hume, Kant, Bergson, Freud, Lacan, Foucault and Guattari, and the influence of structuralism and psychoanalysis.
Koichiro Kokubun focuses on Deleuze's method of 'free indirect discourse' to locate and explicate Deleuze's philosophy of transcendental empiricism and its constitutive limits. He works through Deleuze's confrontations with Hume, Kant, Bergson, Freud, Lacan, Foucault and Guattari, and the influence of structuralism and psychoanalysis.
What gives us the right to speak of a Deleuzian philosophy, a philosophy at first sight concerned solely with interpreting other philosophers and writers? Koichiro Kokubun focuses on Deleuze's method of 'free indirect discourse' to locate and explicate Deleuze's philosophy of transcendental empiricism and its constitutive limits. Working through Deleuze's confrontations with Hume, Kant, Bergson, Freud, Lacan, Foucault and Guattari, Kokubun uncovers a philosophy strongly influenced by structuralism and psychoanalysis, which had to overtake these movements because of its practical ambitions. Kokubun concludes with a radical revitalisation of the political potential of this philosophy.
Holding queer theory to its promise to revolutionise our ways of thinking, Nir Kedem offers a forceful encounter between Deleuze's work and contemporary queer thought to provide both critical and practical means to re-evaluate and rework key concepts and methods, especially sexuality. Kedem provides a new pragmatic approach to working with Deleuze across multiple disciplines, a rigorous demonstration of its critical and creative power, as well as extensive analysis of the relations between Deleuze and queer thought. All of which exemplify that despite - if not owing to - the unassuming role of sexuality in his thought, Deleuze proves to be queer thought's true ally.
One feature of Gilles Deleuze's philosophy is its effort to establish connections with other disciplines and to appeal to non-philosophers. However, Deleuze never establishes these connections without a constant and unconditional reaffirmation of the uniqueness of philosophy. How does he conceive of philosophy? What are its elements? What are its methods? How is philosophy connected to other fields of knowledge and other activities? Axel Cherniavsky provides an answer to these questions by analysing the definition of philosophy Deleuze gives throughout his entire oeuvre: creation of concepts. Through this analysis, you will discover a reconstruction of a creative methodology, a detailed theory of the philosophical concept, a reflection on interdisciplinarity and altogether one of the most precise and systematic conceptions that philosophy has ever given of itself.
This book is an update, extension and radicalization of Guattari’s philosophy of the postmedia. It is the first of its kind to comprehensively apply Guattari’s thought on postmedia to post-millennium technological developments. Given the considerable interest in Félix Guattari and Gilles Deleuze’s work and its influence in Asia and South-East Asia and beyond, the book is a timely contribution and update of Guattari’s essential concepts. It offers a fresh approach to applying Guattari and Deleuze to local contexts. Both Félix Guattari’s schizoanalysis and Gilles Deleuze’s philosophy remain excellent tools to decode the politics of postmedia. The book centres around the influence of Guattari’s work on the Japanese archipelago and how Japan itself impacted on the work of Guattari in the 1980s. The book updates Guattari’s work and apply it to the problems which are affecting societies in Asia and beyond. It highlights current research on postmedia by scholars who are working to understand how Japanese society is functioning post-Fukushima and how the country continues to toil from the “geo-trauma” of the real.
This volume brings together scholars based predominantly in Asia to contribute provocative and experimental essays on the dynamic relationship between animation and philosophy. In an inventive and playful philosophical way, they address not only the mainstay of Japanese animation, but also Korean film, picture books and Mickey Mouse to understand what we might call film-philosophy in Asia. In thinking animation with concepts from the technicolour philosophies of Deleuze, Guattari, Stiegler, Benjamin, Kristeva and Heidegger, the book sees animation not as a representation of a philosophical idea per se, but conceptualizes it as a philosophical thinking-device. In the images themselves, what is at work is not just the thinking of a particular director or manga artist, but, rather, thinking as such, through and by the images themselves. The scholars in this collection are committed to thinking images themselves as thought-experiments and thinking machines.
Crossing continents and traveling through the centuries, Key Concepts in World Philosophies brings together 45 of the core ideas associated with the major Indian, Chinese, Japanese, Islamic, African, Ancient Greek, Indigenous and modern European philosophers. What connects these foundational ideas is the universal theme of transformation: how has each concept sought to change our way of understanding the world we live in or the life we are living? From Chinese xin and karma in Buddhist traditions to okwu in African philosophy and equity in Islamic thought, an international team of experts cover a diverse set of ideas and theories originating from thinkers such as Confucius, Buddha, Dogen, Ni...
Drawing on a wide range of texts - from philosophical ethology to classical texts, and from continental philosophy to literature - Cimatti creates a dialogue with Flaubert, Derrida, Temple Grandin, Heidegger as well as Malaparte and Landolfi explores what human animality looks like, with a particular focus on the work of Gilles Deleuze.
Deleuze dramatises the story of ancient philosophy as a rivalry of four types of thinkers: the subverting pre-Socratics, the ascending Plato, the interiorising Aristotle and the perverting Stoics. Deleuze assigns the Stoics a privileged place because they introduced a new orientation for thinking and living that turns the whole story of philosophy inside out. Ryan Johnson reveals Deleuze's provocative reading of ancient Stoicism produced many of his most singular and powerful ideas. For Deleuze, the Stoics were innovators of an entire system of philosophy which they structured like an egg. Johnson structures his book in this way: Part I looks at physics (the yolk), Part II is logic (the shell) and Part III covers ethics (the albumen). Including previously untranslated French Stoic scholarship, Johnson unearths new possibilities for bridging contemporary and ancient philosophy.