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This debut mystery from a fresh voice in Southwestern fiction stakes out the common ground between Tony Hillerman, Elmore Leonard, and Cormac McCarthy. In a remote corner of the Chickasaw Nation, tribal Lighthorse policeman Bill Maytubby and county deputy Hannah Bond discover the buzzard-ravaged body of Majesty Tate, a young drifter with a blank past. They comb Oklahoma’s rock prairie, river bottoms, and hard-bitten small towns for traces of her last days. Tate was seen dancing with Austin Love, a violent local meth dealer fresh out of prison. An Oklahoma City motel clerk connects her with an aspiring politician. An oil-patch roustabout and a shady itinerant preacher provide dubious leads. Ne’er-do-wells start dying off. A fluke lead propels Maytubby deep into Louisiana’s bayou country, where a Cajun shrimper puts him on the scent of a bizarre conspiracy. He and Bond reunite in the Chickasaw Nation for the eventual face-off at Nail’s Crossing.
On Oklahoma’s Big Rock Prairie, a deaf boy finds a body in Pennington Creek. Johnston County Deputy Hannah Bond and Chickasaw Lighthorse Police Sergeant Bill Maytubby find a crime scene where nothing seems to fit—from the dead angler’s oversize waders to the kind of fish in his creel. They scour the creekside brush, then hit the road for Texas in a widening search for the killer. On the Big Rock, a towering bearded man is building a limestone replica of Roman Jerusalem for a Christian passion play. His cronies, who are in league with an interstate fraud ring, want the boy to disappear now. Flying an ancient rented Cessna, Maytubby takes fire from a suspect he is tailing, while Bond combs river trails for traces of the killer. While Maytubby and Bond try to protect the deaf boy and his mother from the crime ring, an improbable ally materializes from the prairie oak thickets, wielding a monstrous shotgun.
RoadFrames surveys America's fascination with highway travel. In a lively discussion of books written as early as 1903 and as recently as 1994, Kris Lackey reveals the crucial roles that highway and automobile travel have played through generations of American writing. RoadFrames illuminates many of the grandiose myths and unsentimental realities that have shaped modern American life. Lackey examines - and debunks - the theme of rediscovering America, with drivers seeking to escape industrialized America and recover a mythic innocence and independence. He also traces the influence of Thoreau, Emerson, and Whitman in such automobile travelers as John Steinbeck, Tom Wolfe, and Jack Kerouac. There is an insightful discussion of road books by African American writers who reverse the romantic assumptions of many white travelers, creating highway narratives in which escape and nostalgia are not possible. The book concludes with a discussion of seven novels, extending from Sinclair Lewis's Free Air to Stephen Wright's Going Native.
Rising gas prices, sprawl and congestion, global warming, even obesity—driving is a factor in many of the most contentious issues of our time. So how did we get here? How did automobile use become so vital to the identity of Americans? Republic of Drivers looks back at the period between 1895 and 1961—from the founding of the first automobile factory in America to the creation of the Interstate Highway System—to find out how driving evolved into a crucial symbol of freedom and agency. Cotten Seiler combs through a vast number of historical, social scientific, philosophical, and literary sources to illustrate the importance of driving to modern American conceptions of the self and the s...
In a lively discussion of books written as early as 1903 and as recently as 1994, Kris Lackey reveals the crucial roles the highway and automobile travel have played through generations of American writing.
Tribal policeman Bill Maytubby and Deputy Hannah Bond team up again to solve two gruesome murders in this follow-up to Nail’s Crossing In a driving sleet storm, a farmer has discovered a body snagged on cottonwood roots in the Washita River. Johnston County deputy Hannah Bond realizes it’s her elderly friend, Alice. Meanwhile, at the Golden Play Casino, robbers posing as armored-car guards kill a local stickball hero and friend of Chickasaw Lighthorse Police detective Bill Maytubby. The trail leads through the quarry-scarred Oklahoma badlands to a remote airstrip and a planeload of drugs and untraceable automatic weapons. Also somehow connected are a shady coin-op vending company; a neo-Nazi compound outside Paris, Texas; and a headless janitor in a train-mangled van. As the net tightens, the smugglers get wind of their pursuers and converge on Maytubby and Bond at Greasy Bend Bridge.
Follows the adventures of Talia as she travels the land as a Herald of Valdemar in the second book in the classic epic fantasy Arrows trilogy Talia could scarcely believe that she had finally earned the rank of full Herald. Yet though this seemed like the fulfillment of all her dreams, it also meant she would face trials far greater than those she had previously survived. For now Talia must ride forth to patrol the kingdom of Valdemar, dispending Herald's justice throughout the land. But in this realm beset by dangerous unrest, enforcing her rulings would require all the courage and skill Talia could command—for if she misused her own special powers, both she and Valdemar would pay the price!
"Like Jakle and Sculle's earlier works on car culture, Lots of Parking will fascinate professional planners, landscape designers, geographers, environmental historians, and interested citizens alike."--BOOK JACKET.
Follows the adventures of Talia as she travels the land as a Herald of Valdemar in the third book in the classic epic fantasy Arrows trilogy With Elspeth, the heir to the throne of Valdemar, come of marriageable age, Talia, the Queen’s Own Herald returns to court to find Queen and heir beset by diplomatic intrigue as various forces vie for control of Elspeth’s future. But just as Talia is about to uncover the traitor behind all these intrigues, she is sent off on a mission to the neighboring kingdom, chosen by the Queento investigate the worth of a marriage proposal from Prince Ancar. And, to her horror, Talia soon discovers there is far more going on at Prince Ancar’s court than just preparation for a hoped-for royal wedding. For a different magic than that of the Heralds is loose in Ancar’s realm—an evil and ancient sorcery that may destroy all of Valdemar unless Talia can send warning to her Queen in time!
Reading Jack Kerouac’s classic On the Road through Virginia Woolf’s canonical A Room of One’s Own, the author of this book examines a genre in North American literature which, despite its popularity, has received little attention in literary and cultural criticism: women’s road narratives. The study shows how women’s literature has inscribed itself into the American discourse of the Whitmanesque “open road”, or, more generally, the “freedom of the road”. Women writers have participated in this powerful American myth, yet at the same time also have rejected that myth as fundamentally based on gendered and racial/ethnic hierarchies and power structures, and modified it in the...