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The Dynamiters
A transnational history of the first urban bombing campaign, when Irish nationalists targeted symbolic British public buildings in the 1880s.
We Are Many
The topics of Edward Shapiro's book span the gamut of the American Jewish experience: from the politics of American Jews, the nature of American Jewish identity, relations between Jews and blacks, and Jews and American capitalism. He discusses writer Herman Wouk; Patrick Buchanan and the Jews; John Higham's interpretation of American anti-Semitism, Nathan Glazer's view of American Orthodoxy, and the Jewishness of Sidney Hook. Of particular interest is the author's exploration of how American Jews have reconciled their dual identities as Americans and as Jews. These solutions has shaped the way Jews have voted, prayed, earned a living, married, and chosen a profession. America, Shapiro argues, has truly been different for Jews, but this difference has shaped the history of America's Jews in unexpected and ironic ways. The fact that Jews have risen rapidly up the economic and social ladder and have become politically influential has not eliminated their insecurity and the sense they have of themselves as a marginal group.
Historical Dictionary of Holocaust Cinema
Some 80 years after the end of World War two and Nazi Germany’s attempt to annihilate European Jews and the Jewish culture, the story of the Holocaust continues to be told in novels, paintings, music, sculpture and film. Over the past eight decades, close to a thousand documentaries, narrative shorts and features, television miniseries and filmed statements from survivors, have confronted the horrors of the past, creating a recognizable iconography of persecution, suffering, and genocide. While arguably, movies and television have a tendency to overly simply, if not trivialize, historical events, popular culture artists also keep the past from being forgotten. Historical Dictionary of Holocaust Cinema, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 175 cross-referenced entries on films, directors, and historical figures. Foreign-language, experimental, and canonical films are included. This book is an excellent resource for students, researchers, and anyone wanting to know more about holocaust cinema.
History on Film/Film on History
History on Film/Film on History has established itself as a classic treatise on the historical film and its role in bringing the past to life. In the fourth edition of this widely acclaimed text, Robert A. Rosenstone argues that to leave history films out of the discussion of the meaning of the past is to ignore a major means of understanding historical events. This book examines what history films convey about the past and how they convey it, demonstrating the need to learn how to read and understand this new visual world and integrating detailed analysis of films such as Schindler’s List, Glory, October, and Reds. Advocating for the dramatic feature as a legitimate way of doing history, this edition includes a new Preface and a new chapter that focuses on films produced in Latin America, Africa, the Middle East, India, and East Asia. Examining the codes and conventions of how these films tell us about the past and providing guidance on how to effectively analyse films as historical interpretations, this book is an essential introduction to the field for students of history and film.
Ellis Island Nation
Though debates over immigration have waxed and waned in the course of American history, the importance of immigrants to the nation's identity is imparted in civics classes, political discourse, and television and film. We are told that the United States is a "nation of immigrants," built by people who came from many lands to make an even better nation. But this belief was relatively new in the twentieth century, a period that saw the establishment of immigrant quotas that endured until the Immigrant and Nationality Act of 1965. What changed over the course of the century, according to historian Robert L. Fleegler, is the rise of "contributionism," the belief that the newcomers from eastern a...
Why Didn't the Press Shout?
This book brings together contributions by thirty scholars of journalism and history who look at what was reported about the Holocaust in the press of more than a dozen countries and languages. The studies examine the news media in America, England, and the Soviet Union, in Nazi Germany and Fascist Italy, in the Vatican, in occupied countries like Romania, Hungary, Greece, and Poland, and in Palestine under the British Mandate. By and large, the news media in the Allied countries neglected the story, while those in Nazi-dominated countries treated news related to the Holocaust in a wholly tendentious way. Thus the press, for a variety of reasons, did not cover the Holocaust, one of the central events of the twentieth century. As this book thoroughly demonstrates, it was perhaps the greatest ethical, professional, and political failure of the news media during World War II. If the press had been more responsible, and had informed the public in the West early enough and thoroughly enough, the history of the Holocaust might have been different and millions of victims might have survived. Published in association with Yeshiva University Press.
Terrorism: The first or anarchist wave
Takes a chronological approach to provide a history of modern rebel or non-state terror. In addition to articles in academic journals the collection includes discussions, statements and government documents.
The Sirens of Wartime Radio and How the American Print Media Presented Them
The Sirens of Wartime Radio and How the American Print Media Presented Them: The Stories, the Intrigue, and the Evolving Coverage of Their Legacies analyzes press coverage from the American print media that helped construct popular images of Tokyo Rose, Axis Sally, Seoul City Sue, and Hanoi Hannah. Coverage of these “radio sirens” essentially constructed and defined these women’s legacies for an American audience. Scott A. Morton examines newspaper and magazine coverage from the periods of each broadcaster, and in doing so, analyzes four primary research inquires. Morton discusses how American newspapers and magazines portrayed each woman to American readers, how the American mass medi...
Hollywood's War with Poland, 1939–1945
“This passionate, carefully researched, richly detailed, well-written study” reveals the political motives behind WWII Hollywood’s portrayal of Poles (Choice). During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. Often the characterizations were as black and white as the movies themselves: Americans and their allies were heroes, while everyone else was a villain. The peoples of Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Yet Poland—the first country to be invaded by the Third Reich—was repeatedly represented in a negative light. In ...
Reframing the Past
Reframing the Past traces what historians have written about film and television from 1898 until the early 2000s. Mia Treacey argues that historical engagement with film and television should be reconceptualised as Screened History: an interdisciplinary, international field of research to incorporate and replace what has been known as ‘History and Film’. It draws from the fields of Film, Television and Cultural Studies to critically analyse key works and connect past scholarship with contemporary research. Reconsidered as Screened History, the works of Pierre Sorlin, Marc Ferro, John O’Connor, Robert Rosenstone and Robert Toplin are explored alongside lesser known but equally important...
