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Tadeusz Kantor
Tadeusz Kantor – a theoretician, director, innovator and painter famed for his very visual theatre style – was a key figure in European avant-garde theatre. He was also known for his challenging theatrical innovations, such as extending stages and the combination of mannequins with living actors. The book combines: a detailed study of the historical context of Kantor’s work an exploration of Kantor’s own writings on his theatrical craft a stylistic analysis of the key works, including The Dead Class and Let the Artists Die, and their critical reception an examination of the practical exercises devised by Kantor. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
A Journey Through Other Spaces
A critical study of the work of Polish theatre director Tadeusz Kantor, which includes an analysis of the corpus of Kantor's work plus a collection of the director's essays. These essays comment on work then in progress, describing how Kantor challenged traditional theatrical forms.
Galeria Wschodnia
The book "Galeria Wschodnia. Dokumenty 1984-2017 / Documents 1984-2017" is a monumental presentation of the history of one of oldest artist-run spaces in Poland. Galeria Wschodnia is an important example of a successful self-organisation type initiative of artists and a centre whose history is symptomatic of the evolution in the movement of independent galleries. This crucial spot on the map of Polish art also confirms how many shades of meaning are hidden under the notion of independence. 00Galeria Wschodnia was founded back in 1984 on the initiative of, among others, Jerzy Grzegorski and Adam Klimczak, who took over a flat in Wschodnia Str. No. 29 from and Panthalon Theatre Company run by ...
Certain Fragments
What is the relationship between performance and play? Between performance and technology? Between performance and death? Certain Fragments is an extraordinary exploration of what lies at the heart of contemporary theatre. Written by the artistic director of Forced Entertainment, acknowledged to be Britains most brilliant experimental theatre company (Guardian), Certain Fragments investigates the processes of devising performance, the role of writing in an interdisciplinary theatre, and the influence of the city on contemporary art practice. Tim Etchells unique and provocative voice shifts from intimate anecdote to critical analysis and back again. And as in his theatre-making so in his book: with Certain Fragments Etchells disrupts traditional notions of creative, academic, and intellectual work. The book is an exciting and radical fusion of story-telling and criticism. It also makes available, for the first time, four seminal Forced Entertainment texts by Etchells.
Salt of the Earth
The classic pacifist novel by a major Polish writer, who was nominated for the Nobel Prize 'Only the villages are asleep, the eternal reservoir of all kinds of soldiery, the inexhaustible source of physical strength' The villagers of the Carpathian mountains lead a simple life at the beginning of the twentieth century - much as they have always done. They are isolated and remote, and the advances of the outside world have not touched them. Among them - Piotr, a bandy-legged peasant, whose 'entire life involved carrying things'. A notional subject of the Austro-Hungarian Empire, all he wants in life is an official railway cap, a cottage with a mouse-trap and cheese, and a bride with a dowry. But then the First World War comes to the mountains, and Piotr is drafted into the army. Unwilling, uncomprehending, the bewildered Piotr is forced to fight a war he does not understand - against his national as well as his personal interest. In a new translation, authorised by the author's daughter, Salt of the Earth is a strongly pacifist novel inspired by the Odyssey, about the consequences of war on ordinary men.
Perception, Empathy, and Judgment
In Perception, Empathy, and Judgment Arne Johan Vetlesen focuses on the indispensable role of emotion, especially the faculty of empathy, in morality. He contends that moral conduct is severely threatened once empathy is prevented from taking part in an interplay with cognitive faculties (such as abstraction or imagination) in acts of moral perception and judgment. Drawing on developmental psychology, especially British "object relations" theory, to illuminate the nature and functioning of empathy, Vetlesen shows how moral performance is constituted by a sequence involving perception, judgment, and action, with an interplay between the agent's emotional (empathic) and cognitive faculties occ...
Working with Affect in Feminist Readings
Working with Affect in Feminist Readings: Disturbing Differences explores the place and function of affect in feminist knowledge production, investigating what it means to work with and through affect, as well as the kinds of ethical and methodological challenges that this involves.
Afterimages of life
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Self and Emotional Life
Adrian Johnston and Catherine Malabou defy theoretical humanities' deeply-entrenched resistance to engagements with the life sciences. Rather than treat biology and its branches as hopelessly reductive and politically suspect, they view recent advances in neurobiology and its adjacent scientific fields as providing crucial catalysts to a radical rethinking of subjectivity. Merging three distinct disciplines—European philosophy from Descartes to the present, Freudian-Lacanian psychoanalysis, and affective neuroscience—Johnston and Malabou triangulate the emotional life of affective subjects as conceptualized in philosophy and psychoanalysis with neuroscience. Their experiments yield diffe...
Emotions
Emotions: A Brief History investigates the history of emotions across cultures as well as the evolutionary history of emotions and of emotional development across an individual’s life span. In clear and accessible language, Keith Oatley examines key topics such as emotional intelligence, emotion and the brain, and emotional disorders. Throughout, he interweaves three themes: the changes that emotions have undergone from the past to the present, the extent to which we are able to control our emotions, and the ways in which emotions help us discern the deeper layers of ourselves and our relationships.
