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Kunstmuseum Stuttgart, Architektur
Documents the design and construction of the Kunstmuseum Stuttgart by Hascher Jehle Architektur, which opened in Mar. 2005.
Kunstmuseum Stuttgart
Samling af moderne international malerkunst i Kunstmuseum Stuttgart
The complete travel guide for Stuttgart
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Look at the People! (Bilingual Edition)
The search for "the face of the era" how typology influenced art of the Weimar Republic and beyond In Weimar Germany, portraits by New Objectivity artists such as Otto Dix, George Grosz, Jeanne Mammen and Hanna Nagel were a testimony to the fascination with "types." This volume explores their relevance from the 1920s to the present day, underscoring the dilemma of stereotyping individuals.
Concrete art
This survey of about 200 works from the Teufel collection provides an overview of postwar Concrete art, with a speciality in Eastern European, Italian and French artists such as Zdenek Skora, Antonio Calderara and Aurélie Nemours. Alongside these are the "Swiss greats"--Max Bill, Richard Paul Lohse--plus works by Bridget Riley.
Neue Formen
Fritz Winter: New Forms~ISBN 3-7757-1722-6 U.S. $48.00 / Hardcover, 9 x 11 in. / 144 pgs / 200 color. ~Item / April / Art
Art and Resistance in Germany
In light of the recent rise of right-wing populism in numerous political contexts and in the face of resurgent nationalism, racism, misogyny, homophobia, and demagoguery, this book investigates how historical and contemporary cultural producers have sought to resist, confront, confound, mock, or call out situations of political oppression in Germany, a country which has seen a dramatic range of political extremes during the past century. While the current turn to nationalist populism is global, it is perhaps most disturbing in Germany, given its history with its stormy first democracy in the interwar Weimar Republic; its infamous National Socialist (Nazi) period of the 1930s and 1940s; and i...
Renoir
Wie kaum ein anderer Künstler hat Pierre-Auguste Renoir unser Verständnis von den stimmungsvollen Figurenbildern des Impressionismus geprägt. Sein Gemälde La fin du déjeuner, das sich seit 1910 im Städel Museum in Frankfurt befindet, ist nun Ausgangspunkt für eine weitreichende Auseinandersetzung mit einer für ihn zeitlebens bedeutenden Inspirationsquelle: dem Rokoko. Galt diese Malerei nach der französischen Revolution als frivol und unmoralisch, so erlebte sie im 19. Jahrhundert eine Renaissance und war zu Lebzeiten Renoirs überaus präsent. Dieser umfangreiche Band erscheint anlässlich der großangelegten Ausstellung des Städel Museums und untersucht Renoirs facettenreiche Traditionsverbundenheit ausgehend von erhellenden Gegenüberstellungen seiner Kunst mit Werken des 18. Jahrhunderts sowie von Zeitgenossen.
Artistic Heritage in a Changing Pacific
“The great value of [this work] is the uniformly high quality of papers and their revelation of contemporary trends in Oceanic art research.” —Ethnoarts
