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A Performer's Guide to Medieval Music
A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.
Ethnomusicology
This booklet hardly needs a preface; the contents, I think. speak for themselves.It contains a short and carefully brought up to date resume of all that I. as a private University Lecturer in Amsterdam. have tried to teach my pupils. It is intended as a general introduction to ethnomusicology, before going on to the study of the forms of separate music-cultures. I sincerely hope that those, who wish to teach themselves and to qualify in this branch of knowledge, will find a satisfactory basis for selftuition in the matter here brought together. Regarding the possibility of a new edition, any critical remarks or infor mation as to possible desiderata would be very gratefully received. J.K. PR...
Supplement to the third edition of Ethnomusicology
Since the appearance of the third edition of 'Ethnomusicology', still more titles have come to my knowledge, all issued before September 1958. The reader will find them in this Supplement. I have used this opportunity to add some more synopses of training possibilities for ethnomusicologists, together with an additional selective list of recordings issued, as far as I know, in 1958. Finally I may express my gratitude to Messrs. Nijhoff who gave me the opportunity to improve my endeavor to give a practically exhaustive survey of what has been published in the field of ethnomusicology up to August 31, 1958. Amsterdam, December 14, 1959. J.K. v CONTENTS Preface . . . . . . . . . . . . . . . . ....
Erich Schmid
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Haydn and the Classical Variation
Sisman aims to demonstrate that it was Haydn's prophetic innovations that truly created the Classical variation. Her analysis reflects both the musical thinking of the Classical period and contemporary critical interests. The book offers a revaluation of t
Fontes Artis Musicae
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Guillaume de Machaut and Reims
Table of contents
Western Plainchant
Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations....
