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To really understand God, you have to understand atheism. Atheism and Christianity are often placed at polar opposite ends of a spectrum, forever in stark conflict with each other. In The Aesthetics of Atheism, Kutter Callaway and Barry Taylor propose a radical alternative: atheism and theism need each other. In fact, atheism offers profound and necessary theological insights into the heart of Christianity itself. To get at these truths, Callaway and Taylor dive into the aesthetic dimensions of atheism, using everything from Stranger Things to Damien Hirst's controversial sculptures to the music of David Bowie, Nick Cave, and Leonard Cohen. This journey through contemporary culture and its imagination offers readers a deeper understanding of theology, culture, and how to engage faith in a chaotic and complex world where God is present in the most unexpected place: atheism.
Should all Christians be married? Kutter Callaway considers why marriage, which is a blessing from God, shouldn't be expected or required of all Christians. Through an examination of Scripture, cultural analysis, and personal accounts, he reflects on how our narratives have limited our understanding of marriage and obscured our view of the life-giving and kingdom-serving roles of single people in the church.
Films are the lingua franca of western culture; for decades they have provided viewers with a universal way of understanding the human experience. And film music, Kutter Callaway demonstrates, has such a profound effect on the human spirit that it demands theological reflection. By engaging scores from the last decade of popular cinema, Callaway reveals how a musically aware approach to film can yield novel insights into the presence and activity of God in contemporary culture. And, through conversations with these films and their filmmakers, viewers can gain a new understanding of how God may be speaking to modern society through film and its transcendent melodies.
A comprehensive study of theology and film that explores how the Christian faith is portrayed in film throughout history.
Winner of the William James Book Award Winner of the Eleanor Maccoby Book Award “A landmark in our understanding of human development.” —Paul Harris, author of Trusting What You’re Told “Magisterial...Makes an impressive argument that most distinctly human traits are established early in childhood and that the general chronology in which these traits appear can...be identified.” —Wall Street Journal Virtually all theories of how humans have become such a distinctive species focus on evolution. Becoming Human looks instead to development and reveals how those things that make us unique are constructed during the first seven years of a child’s life. In this groundbreaking work,...
This book winsomely explores the significance of theology and the Christian faith for the practice of psychology. The authors demonstrate how psychology and the Christian faith can be brought together in a mutually enriching lived practice, helping students engage in psychology in a theologically informed way. Each chapter includes introductory takeaways, questions for reflection and discussion, and resources for further study and reading.
Three media experts guide the Christian moviegoer into a theological conversation with movies in this up-to-date, readable introduction to Christian theology and film. Building on the success of Robert Johnston's Reel Spirituality, the leading textbook in the field for the past 17 years, Deep Focus helps film lovers not only watch movies critically and theologically but also see beneath the surface of their moving images. The book discusses a wide variety of classic and contemporary films and is illustrated with film stills from favorite movies.
The trailers for Star Wars: The Force Awakens made a strong impression on fans. Many were excited by what they saw as a return to the spirit of George Lucas's 1977 creation. Others--including several white supremacy groups--were upset and offended by key differences, most notably the shift away from a blond, blue-eyed, male protagonist. When the film was finally released, reactions similarly seemed to hinge on whether or not The Force Awakens renewed the "mythic" aspects of the original trilogy in ways that fans approved of. The Myth Awakens examines the religious implications of this phenomenon, considering the ways in which myth can function to reinforce "traditional" social and political values. In their analyses the authors of this book reflect on fan responses in relation to various elements of (and changes to) the Star Wars canon--including toys, video games, and novels, as well as several of the films. They do so using a variety of critical tools, drawing from studies of gender, race, psychology, politics, authority, music, ritual, and memory.
Techno-Sapiens gathers together leading scholars of technology, theology, and religion in order to explore the ways in which modern technology is neither solely a dehumanizing force in the world nor a mere instrument for evangelizing the world, but rather the very means by which incarnation happens—the media in and through which humans love the (digital) other. The essays explore the question of how technology encourages and/or inhibits the human capacity to love our neighbor through asking the following questions: Who is my (digital) neighbor? How does social media in particular allow us to love our (digital) neighbor? How does one become a (digital) neighbor?
The Theological Implications of Digital Culture This informed theology of communication and media analyzes how we consume new media and technologies and discusses the impact on our social and religious lives. Combining expertise in religion online, theology, and technology, the authors synthesize scholarly work on religion and the internet for a nonspecialist audience. They show that both media studies and theology offer important resources for helping Christians engage in a thoughtful and faith-based critical evaluation of the effect of new media technologies on society, our lives, and the church.