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It’s Madness examines Korea’s years under Japanese colonialism, when mental health first became defined as a medical and social problem. As in most Asian countries, severe social ostracism, shame, and fear of jeopardizing marriage prospects compelled most Korean families to conceal the mentally ill behind closed doors. This book explores the impact of Chinese traditional medicine and its holistic approach to treating mental disorders, the resilience of folk illnesses as explanations for inappropriate and dangerous behaviors, the emergence of clinical psychiatry as a discipline, and the competing models of care under the Japanese colonial authorities and Western missionary doctors. Drawing upon unpublished archival as well as printed sources, this is the first study to examine the ways in which “madness” was understood, classified, and treated in traditional Korea and the role of science in pathologizing and redefining mental illness under Japanese colonial rule.
This volume contains a selection of papers presented at the Third Annual Southern California Japanese/Korean Linguistics Conference, held at San Diego State University. The papers discuss aspects of discourse and language acquisition, syntax and semantics, and phonology. The contributors include Taegoo Chung, Yoko Collier-Sanuki, Haruko Minegishi Cook, Kaoru Jorie, Hiroto Hoshi, Shoichi Iwasaki, Hee-Bok Jung, Kyu-hyun Kim, Yookyung Kim, Isatsugu Kitahara, Christopher Manning, William McClure, Shigeru Miyagawa, Junko Mori, Kei Nakamura, Myungkwan Park, Wendy Snyder, Keunwon Sohn, Susan Strauss, Natsuko Tsujimura, Shuichi Yatabe, and Alexander Vovin. Soonja Choi is associate professor of linguistics and oriental languages at San Diego State University.
Most of the innovative and exciting work done by East Asian pragmaticians on their languages, past and present alike, is written and published in local languages. As a result, research published in and about a particular East Asian language has been largely unavailable to those who do not speak the language. The contributors seek to present a comprehensive survey of existing outputs of pragmatics research on three major East Asian languages (Chinese, Japanese and Korean). The survey concentrates on a number of core pragmatic topics such as speech acts, deixis, discourse markers, conversation analysis, discourse analysis, and face/(im)politeness. To complement and compare with the picture of research work published in the local languages, the volume also includes a survey of internationally published, English-mediated articles and books studying the regional languages or contrasting them with other languages. A rivetting discourse on pragmatics research, it will be a valuable read for students and scholars alike.
A wide-ranging analysis of modern South Korean cinema.
I prefer going the hard way, if it means going together with you. Choi Siwon loves Cho Kyuhyun, but he always sees Cho Kyuhyun as the difficult choice he couldn’t really point his finger to, until the day when he lost the option. --- A fanfiction about Super Junior Siwon and Kyuhyun
During the 1950s, thousands of mixed race children were born to US servicemen and local Korean women in US-occupied South Korea. Assumed to be the progeny of camptown women--or military prostitutes--their presence created a major problem for the image of US democracy in the world at a time when the nation was vying for Cold War allegiances abroad. As mixed race children became a discernible population around US military encampments in South Korea, communists seized upon the image of those left behind by their GI fathers as evidence of US imperialism, irresponsibility, and immorality in the Third World. Aware of this and keen to redeem the image of America's intervention in Asia, US citizens ...
Oppression and violence are often cited as the pivotal aspects of modern dictatorships, but it is the collusion of large majorities that enable these regimes to function. The desire for a better life and a powerful national, if not imperial community provide the basis for the many forms of people's cooperation explored in this volume.
"Between 1876 and 1945, thousands of Japanese civilians—merchants, traders, prostitutes, journalists, teachers, and adventurers—left their homeland for a new life on the Korean peninsula. Although most migrants were guided primarily by personal profit and only secondarily by national interest, their mundane lives and the state’s ambitions were inextricably entwined in the rise of imperial Japan. Despite having formed one of the largest colonial communities in the twentieth century, these settlers and their empire-building activities have all but vanished from the public memory of Japan’s presence in Korea. Drawing on previously unused materials in multi-language archives, Jun Uchida ...
As the first detailed English-language book on the subject, Korean Horror Cinema introduces the cultural specificity of the genre to an international audience, from the iconic monsters of gothic horror, such as the wonhon (vengeful female ghost) and the gumiho (shapeshifting fox), to the avenging killers of Oldboy and Death Bell. Beginning in the 1960s with The Housemaid, it traces a path through the history of Korean horror, offering new interpretations of classic films, demarcating the shifting patterns of production and consumption across the decades, and introducing readers to films rarely seen and discussed outside of Korea. It explores the importance of folklore and myth on horror film...
"There is absolutely nothing remotely like this book in the history of late imperial women. [An] immensely important book."--Gail Hershatter, author of Women in China's Long Twentieth Century "A masterful work."--Lynn Hunt, coeditor of Beyond the Cultural Turn