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Esthétique et philosophie de l'art
Cet ouvrage présente un panorama historique et thématique de la pensée esthétique occidentale. La réflexion philosophique s'y intègre dans le concert des multiples approches dont l'art et l'expérience du beau, du sublime ou encore de la mimèsis peuvent faire l'objet. Un dialogue approfondi avec la littérature artistique, la critique et les sciences de l'art apparaît, en effet, comme un axe nécessaire de l'approche philosophique elle-même, dont la dynamique propre oriente néanmoins l'ensemble ici proposé. Le volume se structure en deux parties. La première, la plus importante par le nombre de pages, retrace la genèse historique des grands concepts esthétiques de la tradition ...
Object Fantasies
In the modern lexicon, ‘object’ refers to an entity that is materially constituted, spatially defined, and functionally determined. In contrast, the Latin word ‘fantasia’ has, since antiquity, referred to an apparition or the ability to imagine something that could be equally an object, an image, or a concept. This tension prompts further inquiry into the interrelations and differences between the experience of tangible objects (their perception and handling) and the creation of new objects (their conception and formation). What correlations exist between object fantasies, the self-consciousness of subjects, and the concrete and imagined conditions of human beings’ social lives? By addressing this question, this interdisciplinary book opens new perspectives in the field of object studies.
Bulletin
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Le Rouleau de cuivre de la grotte 3 de Qumrân (3Q15) (2 vols.)
This book in two volumes gives the status quaestionis of the Qumran Copper Scroll, fifty years after its discovery. The first part of volume one, amply illustrated with graphics and images, gives the technical expertise of its state of preservation together with the proposals for treatment developed by the laboratory EDF-Valectra for its restoration-conservation. The production of a facsimile by means of galvanoplasty and digitalized images is explained. The second part of volume one gives a largely renewed edition of the engraved Hebrew text with an up-to-date commentary, French and English translations, and indices. The second volume of nearly 400 plates publishes photographs and X-Rays of each segment before and after treatment, as well as the reproduction by means of galvanoplasty and digitalized images.
Beyond Given Knowledge
The effort to go beyond given knowledge in different domains – artistic, scientific, political, metaphysical – is a characteristic driving force in modernism and the avant-gardes. Since the late 19th century, artists and writers have frequently investigated their medium and its limits, pursued political and religious aims, and explored hitherto unknown physical, social and conceptual spaces, often in ways that combine these forms of critical inquiry into one and provoke further theoretical and methodological innovations. The fifth volume of the EAM series casts light on the history and actuality of investigations, quests and explorations in the European avant-garde and modernism from the...
Le français pour et par le plaisir, l'esthétique et l'épanouissement personnel
Ce sixième volume des Actes du Congrès mondial de la FIPF, qui a eu lieu à Liège en 2016, présente une trentaine d'articles concernant l'enseignement de la langue française. Ces articles font réfléchir à l'épanouissement personnel des apprenants, au plaisir d'apprendre en français et d'apprendre le français. Ce volume retient des contributions qui permettent d'identifier et d'exploiter les représentations positives associées à la langue française et les pratiques mises en oeuvre pour son apprentissage.
The Turn of the Century
Rewritten versions of contributions to an international conference held at the University of Antwerp in May 1992. Starting point for the conference was the vagueness of the very terms 'modernism' and 'modernity'. In the first section a group of comparatists address the theoretical and terminological problems of modernism. Practical readings of modernist writers; discussions of different modernist movements; and, the work of critics who have contributed to debates about modernism make up the second section. The third section looks at the problem of modernism from an interartistic and interdisciplinary perspective.
Dialogues between Media
Comparative Literature is changing fast with methodologies, topics, and research interests emerging and remerging. The fifth volume of ICLA 2016 proceedings, Dialogues between Media, focuses on the current interest in inter-arts studies, as well as papers on comics studies, further testimony to the fact that comics have truly arrived in mainstream academic discourse. "Adaptation" is a key term for the studies presented in this volume; various articles discuss the adaptation of literary source texts in different target media - cinematic versions, comics adaptations, TV series, theatre, and opera. Essays on the interplay of media beyond adaptation further show many of the strands that are woven into dialogues between media, and thus the expanding range of comparative literature.
Le Corbusier - Œuvre complète Volume 2: 1929-1934
This exceptional Complete Works edition documents the enormous spectrum in the oeuvre of one of the most influential architects of the 20th Century. Published between 1929 and 1970, in close collaboration with Le Corbusier himself, and frequently reprinted ever since, the eight volumes comprise an exhaustive and singular survey of his work.
