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Francis Pegahmagabow was an aboriginal leader who served his nation in time of war as a high-kill snipper and his people in time of peace as a fighter all the way. In wartime he volunteered to be a warrior. In peacetime, he had no option.
When the Blackfoot Indians were confined to reservations in the late nineteenth century, their pictographic representations of warfare kept alive the rituals associated with war, which were essential facets of Blackfoot culture. Their war ethic served as a unifying force among the four tribes of the Blackfoot nation—Siksika, Blood, and North and South Piegan. In this visually stunning survey, L. James Dempsey, a member of the Blood tribe, plumbs the breadth and depth of warrior representational art. He has mined archival resources and museum collections and interviewed many tribal members to provide a uniquely Native perspective on the importance of warrior art in Blackfoot history and cul...
The first comprehensive examination and comparison of the indigenous peoples of the five British dominions during the First World War.
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