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Bibliographic Formats and Standards
Describes the manual, Bibliographic Formats and Standards, 2nd. ed., a revised guide to machine-readable cataloging records in the WorldCat. Describes conventions. Describes and provides an example of input standards tables. Addresses revisions of the manual as well as ordering and distribution. Includes acknowledgements. Provides a link to the table of contents.
From the Bowery to Broadway
This fascinating tour of Broadway's beginnings and the early days of the American popular theater features revealing anecdotes about a who's who of early Broadway, including Helen Hayes, Richard Rodgers, Lorenz Hart, and Fredric March--all discoveries of Lew Fields. 50 halftone illustrations.
Pick Yourself Up
In a career that spanned nearly five decades, Dorothy Fields penned the words to more than four hundred songs, among them mega-hits such as "On the Sunny Side of the Street," "I Can't Give You Anything But Love," "The Way You Look Tonight," and "If My Friends Could See Me Now." While Fields's name may be known mainly to connoisseurs, her contributions to our popular culture--indeed, our national consciousness--have been remarkable. In Pick Yourself Up, Charlotte Greenspan offers the most complete, serious treatment of Fields's life and work to date, tracing her rise to prominence in a male-dominated world.
The World of the American West
The World of the American West is an innovative collection of original essays that brings the world of the American West to life, and conveys the distinctiveness of this diverse, constantly changing region. Twenty scholars incorporate the freshest research in the field to take the history of the American West out of its timeworn "Cowboys and Indians" stereotype right up into the major issues being discussed today, from water rights to the presence of the defense industry. Other topics covered in this heavily illustrated, highly accessible volume include the effects of leisure and tourism, western women, politics and politicians, Native Americans in the twentieth century, and of course, oil. With insight both informative and unexpected, The World of the American West offers perspectives on the latest developments affecting the modern American West, providing essential reading for all scholars and students of the field so that they may better understand the vibrant history of this globally significant, ever-evolving region of North America.
The Cambridge History of American Theatre
The second volume of the authoritative, multi-volume Cambridge History of American Theatre, first published in 1999, begins in the post-Civil War period and traces the development of American theatre up to 1945. It covers all aspects of theatre from plays and playwrights, through actors and acting, to theatre groups and directors. Topics examined include vaudeville and popular entertainment, European influences, theatre in and beyond New York, the rise of the Little Theatre movement, changing audiences, modernism, the Federal Theatre movement, scenography, stagecraft, and architecture. Contextualising chapters explore the role of theatre within the context of American social and cultural history, and the role of American theatre in relation to theatre in Europe and beyond. This definitive history of American theatre includes contributions from the following distinguished academics - Thomas Postlewait, John Frick, Tice L. Miller, Ronald Wainscott, Brenda Murphy, Mark Fearnow, Brooks McNamara, Thomas Riis, Daniel J. Watermeier, Mary C. Henderson, and Warren Kliewer.
Jewish and Christian Views on Bodily Pleasure
At the beginning of the Common Era, Jewish renewal movements, including Jesus’ ministry, had similar views: embracing moderate ascetic behavior. Over the next three centuries, however, they moved in opposite directions. Christianity came to firmly privilege anti-pleasure views and female lifelong virginity while the Babylonian Talmud strongly embraced positive views on bodily pleasures and female sexuality. The books most distinguishing feature is that it is the first time that one book contrasts in detail the evolution of Christian and Jewish ascetic beliefs. More than other books, it systematically presents the critical role played by Babylonian Jewry: how they became the center of world...
Hillbilly
In this pioneering work of cultural history, historian Anthony Harkins argues that the hillbilly-in his various guises of "briar hopper," "brush ape," "ridge runner," and "white trash"-has been viewed by mainstream Americans simultaneously as a violent degenerate who threatens the modern order and as a keeper of traditional values of family, home, and physical production, and thus symbolic of a nostalgic past free of the problems of contemporary life. "Hillbilly" signifies both rugged individualism and stubborn backwardness, strong family and kin networks but also inbreeding and bloody feuds. Spanning film, literature, and the entire expanse of American popular culture, from D. W. Griffith t...
Bernard Shaw on the American Stage
Bernard Shaw on the American Stage is the first comprehensive study of the production of Bernard Shaw’s plays in America. During his lifetime (1856-1950), Shaw was America’s most popular living playwright; productions of his plays were outnumbered only by Shakespeare. Forty-four of Shaw’s plays were staged in America before his death, eight more posthumously. Eleven of the productions were world premieres. Bernard Shaw on the American Stage tells the story of the fifty-two premieres, which, apart from a few fragments, is his total dramatic oeuvre. The book also includes, again for the first time, production data and concise overviews of dozens of the most notable American revivals of the plays, from the 1890s to the beginning of the 2020 pandemic. Illustrations—production photographs, programmes, theatre buildings, playbills, actors’ studio portraits— inform the study throughout.
