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A subtle and sometimes disturbing account of how technology has impacted upon human culture. The Bright Labyrinth is a subtle and sometimes disturbing account of how technology has impacted upon human culture. Offering a theoretical map for the future development of communication design, The Bright Labyrinth draws upon architecture and film, avant-garde art and critical theory, military strategy and machine intelligence to guide the reader through the Digital Regime that has shaped a century of human creativity and thought. Inside The Bright Labyrinth you will encounter Edison's talking dolls, the dream archi- tecture of world fairs and movie sets, Japanese comic books, early super- computers, sex researchers, zombies, assassins, monsters and ghosts. Ken Hollings reveals how our relationship with media and machines is far more dynamic, unstable and stimulating than we have previously allowed ourselves to believe. The Digital Regime throws long shadows over our past; and it is only by looking deeply into these shadows that we can begin to understand the rapid changes taking place all around us.
Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages. Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geo...
Exposing the limitations of conventional approaches to the engineering and regulation of technology, Vanderburg suggests that the solution lies in a preventive strategy that situates technological growth in its human, societal, and biospheric contexts.
Fascinated with the heritage of ancient Greece, early modern intellectuals cultivated a deep interest in its language, the primary gateway to this long-lost culture, rehabilitated during the Renaissance. Inspired by the humanist battle cry “To the sources!” scholars took a detailed look at the Greek source texts in the original language and its different dialects. In so doing, they saw themselves confronted with major linguistic questions: Is there any order in this immense diversity? Can the Ancient Greek dialects be classified into larger groups? Is there a hierarchy among the dialects? Which dialect is the oldest? Where should problematic varieties such as Homeric and Biblical Greek be placed? How are the differences between the Greek dialects to be described, charted, and explained? What is the connection between the diversity of the Greek tongue and the Greek homeland? And, last but not least, are Greek dialects similar to the dialects of the vernacular tongues? Why (not)? This book discusses and analyzes the often surprising and sometimes contradictory early modern answers to these questions.
Applies postmodern theory to the working assumptions and consequent practices of therapy in various disciplines, from clinical psychology to schooling.
No longer distributed to depository libraries in tangible format (per ANTS-v9-#09)
Part One This monumental edition, in two volumes, presents a full record of commentary, both textual and interpretive, on the best known and most widely studied part of Chaucer's work, The General Prologue of The Canterbury Tales. Part One A contains a critical commentary, a textual commentary, text, collations, textual notes, an appendix of sources for the first eighteen lines of The General Prologue, and a bibliographical index. Because most explication of The General Prologue is directed to particular points, details, and passages, the present edition has devoted Part One B to the record of such commentary. This volume, compiled by Malcolm Andrew, also includes overviews of commentary on coherent passages such as the portraits of the pilgrims.
The discovery and deciphering of Europe’s earliest known written language is recounted with “almost nail-biting suspense” in this prize-winning account (Booklist, starred review). In 1900, famed archaeologist Arthur Evans uncovered the ruins of Knossos, a sophisticated Bronze Age civilization that flowered on Crete 1,000 years before Greece’s Classical Age. The massive discovery included a cache of ancient tablets, Europe’s earliest written records. For half a century, the meaning of the inscriptions, and even the language in which they were written, would remain an enigma. Award–winning New York Times journalist Margalit Fox follows this intellectual mystery from the Bronze Age Aegean to a legendary archeological dig at the turn of the twentieth century, and on to the brilliant decipherers who finally cracked the code in the 1950s. These include Michael Ventris, the amateur linguist who deciphered the script but met with a sudden, mysterious death that may have been a direct consequence of his findings; and Alice Kober, the unsung heroine of the story whose painstaking work allowed Ventris to crack the code. Winner of the William Saroyan International Prize for Writing
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