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The readiness of families such as this to write directly, rather than to dictate through secretaries, makes the literary outcome more personal and intimate, more expressive of inner feelings and shared sensibility. In consequence, the letters carry their own truth across the ages."
From the exemplary to the notorious to the obscure, this comprehensive and innovative encyclopedia showcases the worthy women of early modern England. Poets, princesses, or pirates, the women found in these pages are indeed worth knowing and this volume will introduce many female figures to even the most established scholars in the field. The book is well illustrated and liberally sprinkled with quotations either by or about the women in the text.
When was feminism born - in the 1960s, or in the 1660s? For England, one might answer: the early decades of the seventeenth century. James I was King of England, and women were expected to be chaste, obedient, subordinate, and silent. Some, however, were not, and these are the women who interest Barbara Lewalski - those who, as queens and petitioners, patrons and historians and poets, took up the pen to challenge and subvert the repressive patriarchal ideology of Jacobean England. Setting out to show how these women wrote themselves into their culture, Lewalski rewrites Renaissance history to include some of its most compelling - and neglected - voices. As a culture dominated by a powerful Q...
"The eighty-three documents presented here, varied in length and character, are not all concerned with Suffolk, but they are all connected with the eventful lives of Sir Thomas (later Viscount) Savage and his wife Elizabeth Savage (later Countress Rivers), who married in 1602 and whose homes included Melford Hall." "Thomas and Elizabeth both inherited considerable estates in Suffolk, Essex and Cheshire. Within a tight circle of aristocratic Catholics, they became prominent servants of the royal family during the reigns of James I and Charles I. After Thomas's death in 1635, Elizabeth remained an intimate of the queen, but her two houses of St. Osyth's and Melford Hall were sacked in 1642, and she remained chronically short of money up to her death in 1651." "The central document is a remarkable inventory of 1635-6, taken after Thomas died, listing the contents of Melford Hall in Suffolk, Rocksavage in Cheshire and a town house on Tower Hill in London."--BOOK JACKET.
Readings in Renaissance Women's Drama is the most complete sourcebook for the study of this growing area of inquiry. It brings together, for the first time, a collection of the key critical commentaries and historical essays - both classic and contemporary - on Renaissance women's drama. Specifically designed to provide a comprehensive overview for students, teachers and scholars, this collection combines: * this century's key critical essays on drama by early modern women by early critics such as Virginia Woolf and T.S. Eliot * specially-commissioned new essays by some of today's important feminist critics * a preface and introduction explaining this selection and contexts of the materials * a bibliography of secondary sources Playwrights covered include Joanna Lumley, Elizabeth Cary, Mary Sidney, Mary Wroth and the Cavendish sisters.
In the first in-depth study of how gender determined perceptions and experiences of illness in early modern England, Olivia Weisser invites readers into the lives and imaginations of ordinary seventeenth- and eighteenth-century Britons. Drawing on a wide range of sources, including personal diaries, medical texts, and devotional literature, this unique cultural history enters the sickrooms of a diverse sampling of men and women, from a struggling Manchester wigmaker to the diarist Samuel Pepys. The resulting stories of sickness offer unprecedented insight into what it was like to live, suffer, and inhabit a body in England more than three centuries ago.