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Portmeirion
This English-language book reflects the undemanding concepts of Portmeirion � Sir Clough Williams-Ellis, the gifted creator of the village, himself described his intentions as being of a 'gay, light-opera sort of approach'. Rob Piercy � who has grown up in the area � has created a personal, light-hearted insight into his Portmeirion. (Welsh-language version also available: 9781845273781
Under Celtic Skies
Pembrokeshire, set out on the south-western tip of Wales, is famous for its wide open spaces, beautiful scenery, collection of historic buildings and monuments and its stunning coastline. The work of photographer Kersten Howard, the book explores both inland and coastal Pembrokeshire through a new collection of 50 images in both full-colour and black and white.
Kyffin Williams
Kyffin Williams is the culmination of four years of research at two centres for Kyffin Williams's art, the National Library of Wales, Aberystwyth, and Oriel Mon, Anglesey. Dr. Qing Chao Ma's illuminating new study incorporates Kyffin Williams's full range; his inspirational landscapes and seascapes in oil, his delicate watercolours, his distinctive linocuts and his mesmeric portraits. With her particular expertise, the author also draws comparisons between the work of Williams and Chinese art, linking him to other artistic traditions and establishing his rightful place in the worldwide art community. Combined with a rigorous biographical account on the life which informed the work and a rich variety of illustrations, Kyffin Williams is an invaluable contribution to the study and appreciation of one of Wales's foremost artists.'No other artist and author has collated so many diverse examples of Sir Kyffin's art in one publication with such coherence. This is a book put together with great care and purpose and written from the heart.' David Meredith, Sir Kyffin Williams Trust
Charles Burton
For six decades Charles Burton has been one of the major figures of art in Wales. Born in 1929, he grew up amid the poverty of the pre-war Rhondda. Even as a student he was a central figure in the influential Rhondda Group, his work was purchased for public collections and he won the Gold Medal of the National Eisteddfod. Carel Weight described him as "one of the most lively" of a Royal College generation that included Frank Auerbach, Peter Blake, Fred Cuming and Leon Kossof. He was a charismatic head of painting at Liverpool College of Art when it was a hub of pop culture in the 1960s. Since returning to Wales in 1970 he has continued to produce works of brilliant serenity.0This book presents for the first time the full breadth of Charles Burton's career, from the vigour of his earliest Valleys landscapes through paintings made in Egypt during National Service to his cool abstracts and expressive heads of the 1960s and the elegant perfection of his still lifes, interiors and landscapes of the last four decades.
The Colour of Saying
This volume celebrates the life and work of Mary Lloyd Jones, an artist whose life and vision is rooted in the landscape and history of Wales. The six essays examine different facets of Mary Lloyd Jones paintings and life.
Thomas Jones, Pencerrig
The biography of Welsh eighteenth-century landscape painter, traveler, and country squire Thomas Jones (1742-1803) from Radnorshire, including useful notes, bibliography, and index.
Benton End Remembered
"When Cedric Morris and Arthur Lett-Haines opened The East Anglian School of Painting and Drawing in Dedham, Essex, in 1937 they were both established artists with international reputations...Their idea was to set up an art school which would provide an alternative to the formal courses offered by the art schools in the metropolis. The aim, as expressed in the school's brochure, was to provide 'an environment where students can work together with more experienced artists in a common endeavour to produce sincere painting.' The emphasis was on encouraging freedom of invention, enthusiasm, and enjoyment, with the assumption that the student 'believes himself to have a clear idea of creative work and requires help only in its production'...The extracts which form the text of this book are based largely on conversations with our contributors which took place during the years 1998 and 1999. Articles, extracts from an autobiography and a diary are also included. They comprise the affectionate memories of a few of those who knew and loved Benton End and its two gifted and hospitable hosts." -- from the Introduction.
