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Cruising World
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Cruising World
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Laura Stephen
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AACR 2017 Proceedings: Abstracts 1-3062
The AACR Annual Meeting highlights the best cancer science and medicine from institutions all over the world. Attendees are invited to stretch their boundaries, form collaborations, attend sessions outside their own areas of expertise, and learn how to apply exciting new concepts, tools, and techniques to their own research. Part A contains abstracts 1-3062 accepted for the 2017 meeting.
The Hidden Houses of Virginia Woolf and Vanessa Bell
Looking at the 'hidden houses' of both Virginia Woolf and Vanessa Bell in conjunction with their letters and diaries, this book provides a glimpse into the upper-middle class world of the time, as well as providing a portrait of one of the most enduring and enigmatic writers of the 20th century.
Artist and Attic
Artists and Attic sees the relationship between architecture and literature as a concrete reflection of nineteenth century ideology creating an iconic picture of women's position in society and literature during that period. In the Victorian house, the attic is hidden and neglected, yet to a woman artist, it is a space of her own to produce a text of her own. The author presents the neglected attic as related to the neglected woman and the limited space symbolizes the confinement of woman and the woman writer, yet obtaining this space of her own becomes the central concern to women and women writers. This book explores the function of the attic in nineteenth century British and American women's writing, as it is given meaning and life by the writers. To many of the women, the attic created a paradoxical image of their seclusion, but also of their own poetic space for freedom in creation. Many of the writers see the attic as a retreat to escape from patriarchal oppression and a place to seek social identity.
The Flight of the Mind
In this major new book on Virginia Woolf, Caramagno contends psychobiography has much to gain from a closer engagement with science. Literary studies of Woolf's life have been written almost exclusively from a psychoanalytic perspective. They portray Woolf as a victim of the Freudian "family romance," reducing her art to a neurotic evasion of a traumatic childhood. But current knowledge about manic-depressive illness—its genetic transmission, its biochemistry, and its effect on brain function—reveals a new relationship between Woolf's art and her illness. Caramagno demonstrates how Woolf used her illness intelligently and creatively in her theories of fiction, of mental functioning, and of self structure. Her novels dramatize her struggle to imagine and master psychic fragmentation. They helped her restore form and value to her own sense of self and lead her readers to an enriched appreciation of the complexity of human consciousness.
