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You'll Forget This Ever Happened
Mississippi, 1967. It’s the Summer of Love, yet unwed mothers’ maternity homes are flourishing, secret closed adoptions are routine, and many young women still have no voice. In You’ll Forget This Ever Happened, Laura Engel takes us back to the Deep South during the turbulent 1960s to explore the oppression of young women who have committed the socially unacceptable crime of becoming pregnant without a ring on their finger. After being forced to give up her newborn son for adoption, Engel lives inside a fortress of silent shame for fifty years—but when her secret son finds her and her safe world is cracked open, those walls crumble. Are you still a mother even if you have not raised ...
Fashioning Celebrity
This volume takes a new approach to the study of late eighteenth-century British actresses by examining the significance of leading actresses’ autobiographical memoirs, portraits, and theatrical roles together as significant strategies for shaping their careers. In an era when acting was considered a suspicious profession for women, eighteenth-century actresses were “celebrities” in a society obsessed with fashion, gossip, and intrigue. Fashioning Celebrity: Eighteenth-Century British Actresses and Strategies for Image Making, by Laura Engel, considers the lives and careers of four actresses: Sarah Siddons, Mary Robinson, Mary Wells, and Fanny Kemble. Using conventions of the era’s p...
Things that Go
Poetry. Framed by a retelling of the Biblical story of Lot's wife, who looked back on the destruction of her city and was transformed into a monument of its destruction, Laura Eve Engel's muscular poems enact a long, unblinking look at symbols of American progress--trains, buildings, the vast American west--to strain against the notion of looking as passive. These poems suggest a constant and powerful movement forward as an antidote to the current moment, and to the heart's timeless struggles with itself. This ambitious debut wrestles with the ethics of love and loss, and bears witness to our collective experience of limitless looking, reminding us that "the future is coming / and we're all in it."
Russia in Flames
Laura Engelstein, one of the greatest scholars of Russian history, has written a searing and defining account of the Russian Revolution, the fall of the old order, and the creation of the Soviet state.
The Machinery of School Internationalisation in Action
Drawing on scholarship from the field of internationalisation in higher education and other theoretical influences in education policy, comparative education and sociology of education, this edited collection offers a much-needed extension of discussion and research into the compulsory schooling context. In this book, established and emerging scholars provide an authoritative set of conceptual tools for researchers in the field of internationalisation of compulsory schooling. It provides an overview of the current knowledge base and ways in which future research could engage with gaps in understandings. Through detailed case studies of the multiple forms of internationalisation present within schools and schooling systems, the volume considers why and how processes of internationalisation are shaping compulsory schooling today. This book will offer scholars and educators a clearer, more coherent set of conceptual frameworks within which to position their work in sociology of education, and international and comparative education, helping to develop a more comprehensive understanding of the many ways compulsory schooling is being internationalised, and with what consequences.
Austen, Actresses and Accessories
This interdisciplinary project draws on a wealth of sources (visual, material, literary and theatrical) to examine Austen's depiction of female performance, display and desire through her deployment of a culturally and symbolically charged accessory: the muff.
Carrying All Before Her
Carrying All Before Her recovers the stories of six eighteenth-century celebrity actresses who performed during pregnancy, melding public and private, persona and person, domestic and professional labor and helping to shape wider social, medical, and political conversations about gender, sexuality, pregnancy, and motherhood. Their stories deepen our understanding of celebrity, repertory, and theatre's connection to a wider social world, and challenge notions of women's agency and power in and beyond the professional theatre.
Globalizing Cultural Studies
The contributors to Globalizing Cultural Studies: Ethnographic Interventions in Theory, Method, and Policy take as their central topic the problematic status of «the global» within cultural studies in the areas of theory, method, and policy, and particularly in relation to the intersections of language, power, and identity in twenty-first century, post-9/11 culture(s). Writing against the Anglo-centric ethnographic gaze that has saturated various cultural studies projects to date, contributors offer new interdisciplinary, autobiographical, ethnographic, textual, postcolonial, poststructural, and political economic approaches to the practice of cultural studies. This edited volume foregrounds twenty-five groundbreaking essays (plus a provocative foreword and an insightful afterword) in which the authors show how globalization is articulated in the micro and macro dimensions of contemporary life, pointing to the need for cultural studies to be more systematically engaged with the multiplicity and difference that globalization has proffered.
Stage Mothers
Stage Mothers explores the connections between motherhood and the theater both on and off stage throughout the long eighteenth century. Although the realities of eighteenth-century motherhood and representations of maternity have recently been investigated in relation to the novel, social history, and political economy, the idea of motherhood and its connection to the theatre as a professional, material, literary, and cultural site has received little critical attention. The essays in this volume, spanning the period from the Restoration to Regency, address these forgotten maternal narratives, focusing on: the representation of motherhood as the defining female role; the interplay between an...
Castration and the Heavenly Kingdom
Of the many sects that broke from the official Russian Orthodox church in the eighteenth century, one was universally despised. Its members were peasants from the Russian heartland skilled in the arts of animal husbandry who turned their knives on themselves to become "eunuchs for the kingdom of heaven's sake." Convinced that salvation came only with the literal excision of the instruments of sin, they were known as Skoptsy (the self-castrated). Their community thrived well into the twentieth century, when it was destroyed in the Stalinist Terror.In a major feat of historical reconstruction, Laura Engelstein tells the sect's astonishing tale. She describes the horrified reactions to the sect...
