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Hail Columbia!
Following the Revolutionary War, Americans were obsessed with politics and the newspapers that reported it. Music made front page news and brought men to blows. Hail Columbia! is the compelling story of of how Americans ranging from presidents to craftsmen cultivated music to fuel heatedpartisan debates over the future of the young republic during this a crucial period in the nation's history. Through music, they debated the meaning of liberty, the nature of the republic, and Americans' proper place within it. Using music for both propaganda and protest, they called for allegianceto a new federal government, spread utopian visions of worldwide revolution, blasted infringements on American fr...
Umm Kulthum
How an extraordinary woman shaped her career and legacy through war In 1967 Egypt and the Arab world suffered a devastating defeat by Israel in the Six-Day War. Though long past the age at which most singers would have retired, the sexagenarian Egyptian singer Umm Kulthum launched a multifaceted response to the defeat that not only sustained her career, but also expanded her international fame and shaped her legacy. By examining biographies, dramas, monuments, radio programming practices, and recent recordings, Laura Lohman delves into Umm Kulth m's role in fashioning her image and the conflicting ways that her image and music have been interpreted since her death in 1975.
Music and the Play of Power in the Middle East, North Africa and Central Asia
What is it about the history, geographical position and cultures of the Middle East, North Africa and Central Asia that has made music such a potent and powerful agent? This volume presents the first direct look at the complex relationship between music and power across a range of musical genres and countries. Discourses of power in the region centre on some of the most contested social issues, most notably in relation to nationhood, gender and religion. Individual chapters examine the ways in which music serves as a forum for playing out issues of power, ideology, resistance and subversion. How does music become a space for promoting - or conversely, resisting or subverting - particular ide...
2015 U.S. Higher Education Faculty Awards, Vol. 1
Created by professors for professors, the Faculty Awards compendium is the first and only university awards program in the United States based on faculty peer evaluations. The Faculty Awards series recognizes and rewards outstanding faculty members at colleges and universities across the United States. Voting was not open to students or the public at large.
Tracks on the Trail
From Bill Clinton playing his saxophone on The Arsenio Hall Show to Barack Obama referencing Jay-Z’s song “Dirt Off Your Shoulder,” politicians have used music not only to construct their personal presidential identities but to create the broader identity of the American presidency. Through music, candidates can appear relatable, show cultural competency, communicate values and ideas, or connect with a specific constituency. On a less explicit level, episodes such as Clinton’s sax-playing and Obama’s shoulder brush operate as aural and visual articulations of race and racial identity. But why do candidates choose to engage with race in this manner? And why do supporters and detract...
Togo Mizrahi and the Making of Egyptian Cinema
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. In this book, Deborah A. Starr recuperates the work of Togo Mizrahi, a pioneer of Egyptian cinema. Mizrahi, an Egyptian Jew with Italian nationality, established himself as a prolific director of popular comedies and musicals in the 1930s and 1940s. As a studio owner and producer, Mizrahi promoted the idea that developing a local cinema industry was a project of national importance. Togo Mizrahi and the Making of Egyptian Cinema integrates film analysis with film history to tease out the cultural and political implications of Mizrahi’s work. His movies, Starr argues, subvert dominant notions of race, gender, and nationality through their playful—and queer—use of masquerade and mistaken identity. Taken together, Mizrahi’s films offer a hopeful vision of a pluralist Egypt. By reevaluating Mizrahi’s contributions to Egyptian culture, Starr challenges readers to reconsider the debates over who is Egyptian and what constitutes national cinema.
Woman's Record
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