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Compiled by comic artist ILYA, whose stories are published in the US (Marvel, DC, Dark Horse), Japan (Kodansha) and Europe, The Mammoth Book of Cult Comics brings together for the first time in a single volume lost classics from recent decades of underground and independent British and American comic strip art. It includes the miraculous-in-the-mundane diary comics of John Welding (Goathland), and Paul O’Connell’s chilling yet darkly funny cut-ups, The Sound of Drowning. Also Through the Habitrails, the little-known masterpiece by Jeff Nicholson. A chance to catch up on previously unseen hidden gems.
Uncertainty is central to the governance of citizenship, but in ways that erase, even deny, this uncertainty. This book investigates uncertain citizenship from the unique vantage point of ‘citizenisation’: twenty-first-century integration and naturalisation measures that make and unmake citizens and migrants, while indefinitely holding many applicants for citizenship in what Fortier calls the ‘waiting room of citizenship’. Fortier’s distinctive theory of citizenisation foregrounds how the full achievement of citizenship is a promise that is always deferred: if migrants and citizens are continuously citizenised, so too are they migratised. Citizenisation and migratisation are intima...
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In Sensing Sound Nina Sun Eidsheim offers a vibrational theory of music that radically re-envisions how we think about sound, music, and listening. Eidsheim shows how sound, music, and listening are dynamic and contextually dependent, rather than being fixed, knowable, and constant. She uses twenty-first-century operas by Juliana Snapper, Meredith Monk, Christopher Cerrone, and Alba Triana as case studies to challenge common assumptions about sound—such as air being the default medium through which it travels—and to demonstrate the importance a performance's location and reception play in its contingency. By theorizing the voice as an object of knowledge and rejecting the notion of an a ...
What is it like to be an artist? Drawing on interviews with professional artists, this book takes the reader inside the creative process. The author, an artist and a psychotherapist, uses psychoanalytic theory to shed light on fundamental questions such as the origin of new ideas and the artist’s state of mind while working. Based on interviews with 33 professional artists, who reflect on their experiences of creating new works of art, as well as her own artistic practice, Patricia Townsend traces the trajectory of the creative process from the artist’s first inkling or ‘pre-sense’, through to the completion of a work, and its release to the public. Drawing on psychoanalytic theory, ...
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The Bloomsbury Handbook of Sound Art explores and delineates what Sound Art is in the 21st century. Sound artworks today embody the contemporary and transcultural trends towards the post-apocalyptic, a wide sensorial spectrum of sonic imaginaries as well as the decolonization and deinstitutionalization around the making of sound. Within the areas of musicology, art history, and, later, sound studies, Sound Art has evolved at least since the 1980s into a turbulant field of academic critique and aesthetic analysis. Summoning artists, researchers, curators, and critics, this volume takes note of and reflects the most recent shifts and drifts in Sound Art--rooted in sonic histories and implying future trajectories.
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