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Feminist Theory, Women's Writing
No detailed description available for "Feminist Theory, Women's Writing".
Women's Writing in English
Taking as its guiding emblem Christine de Pizan's metaphor of a city of ladies, this volume refuses to treat the medieval woman writer as an anomaly, a lone genius who somehow managed to transcend the limitations of her sex. It insists that women have always participated fully, if not equally, with men in the creation of culture, even during the Middle Ages, and it examines the record of women's cultural participation in medieval England. Women's Writing in English: Medieval England examines women's writing not only in traditional genres such as poetry, drama, and romance, but in a variety of genres which are often excluded from literary canons including medical treatises, correspondence, and the visionary and devotional genres in which women wrote most prolifically.
Performing Feminisms
A valuable, provoking, important addition to any theatre scholar or practitioner's library, especially since feminist theory is a relative newcomer to the world of theatre.
The Norton Anthology of Theory and Criticism
More comprehensive and up-to-date than ever before
Cinematic Illuminations
This engaging new study analyzes cinematic treatments of the Middle Ages within a diverse range of popular and artistic films. At a time when students have more experience with watching movies than with reading and evaluating literature and history, Cinematic Illuminations harnesses the power of popular culture to make accessible a period that often seems forbidding and remote. From The Seventh Seal and The Lion in Winter to Monty Python and the Holy Grail, the authors examine the ways in which the twentieth century has reimagined medieval times. Such analysis brings to life for students the literature, poetry, history, and art of the Middle Ages. Drawing from current critical approaches to ...
Medieval Texts and Contemporary Readers
This collection brings together twelve original essays by prominent medievalists which address problems posed by contemporary literary and cultural theory. Taken together, the essays call into question the view that contemporary criticism has little to say about medieval literature and that medieval studies should remain isolated from the issues of contemporary criticism. The contributors apply a variety of critical methodologies to explore issues in textuality, intertextuality, and the role of the reader in works of medieval writers as diverse as Chaucer, Dante, Christine de Pizan, Anselm, and Talavera. Incorporating critical approaches such as deconstructionism, Marxism, feminism, new-historicism and reader-response criticism, the essays place these writers and their texts within a wider realm of cultural reference that embraces philosophy, religion, rhetoric, history, politics, and anthropology.
King Arthur and the Myth of History
"The few full-length studies of the Morte D'Arthur and other Arthurian texts published in the past 15 years have rarely reached and sustained the level of theoretical and interpretive sophistication found here. King Arthur and the Myth of History ought to have quite an impact on Arthurian studies, in part because Finke and Shichtman take medieval Arthurian literature--particularly what passes for history and chronicle--very seriously, on its own terms, in its different cultural contexts."--Kathleen Kelly, Northeastern University King Arthur and the Myth of History considers why, in the 12th century, tales of a 6th-century British king who achieved immortality in an apparently hopeless strugg...
Violence Against Women in Medieval Texts
This volume brings together specialists from different areas of medieval literary study to focus on the role of habits of thought in shaping attitudes toward women during the Middle Ages. The essays range from Old English literature to the Spanish Inquisition and encompass such genres as romance, chronicles, hagiography, and legal documents.
Chaucer's Wife of Bath's Prologue and Tale
The Chaucer Bibliography series aims to provide annotated bibliographies for all of Chaucer's work. This book summarizes 20th-century commentaries on Chaucer's "Wife of Bath's Prologue" and "Tale."
Empire of Magic
Drawing upon feminist and gender theory, as well as cultural analyses of race, class and colonialism, this book revises our understanding of the literary genre of medieval romance. It argues that the romance genre arose in the 12th century as a cultural response to the trauma of war.
