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Ludwig Bemelmans
An inaugural title in a new series showcasing the most significant illustrators of the modern era, this book explores the work of Ludwig Bemelmans. Recognized most widely as the creator and illustrator of the beloved children’s classic Madeline, Ludwig Bemelmans (1898–1962) also wrote and illustrated a number of other children’s books, novels, short stories, and travel books. His illustrations were frequently featured on the cover of the New Yorker throughout the 1940s and 1950s. As an artist, Bemelmans documented life as it went on around him, all the while inventing stories and characters from his vivid imagination and lively personality. His illustrations for the Madeline series are...
Out of the Ordinary
This is a unique look at a group of international artists who place craft at the heart of their practice, transforming everyday subjects and ordinary materials into works that are out of the ordinary. The book features unusual works including the ephemeral ice and chocolate jewellery of Naomi Filmer, the almost hidden installations by Yoshihiro Suda, thread and lace-work of Anne Wilson and scrap metal sculptures by Olu Amoda. These innovative artists show that craft is a fundamental concern across many disciplines, and that the redirection of materials and traditional techniques and use of scale achieves extraordinary outcomes.
Memory Palace
"Commissioned by the Victoria and Albert Museum, London, Memory Palace forms the basis for an innovative exhibition in partnership with Sky Arts Ignition that explores the relationship between the written word and its visual interpretation. This volume includes preliminary drawings by 20 leading typographers, illustrators and graphic designers whose work features in the exhibition, alongside a contextual essay by the curators, Laurie Britton Newell and Ligaya Salazar, and a graphic story by Robert Hunter"--Printed wrapper on bottom board.
Out of the Ordinary
Fifteen-year-old Molly thinks of herself as ordinary. Yet, extraordinarily, Molly is chosen as caregiver for a unique foster child: Floris, refugee from (an earlier English) parallel world. An impressive first novel with a thought-provoking plot in which fantasy intensifies subtle insights into ordinary existence.--Kirkus Reviews (pointer review).
From Passions to Emotions
Today there is a thriving 'emotions industry' to which philosophers, psychologists and neuroscientists are contributing. Yet until two centuries ago 'the emotions' did not exist. In this path-breaking study Thomas Dixon shows how, during the nineteenth century, the emotions came into being as a distinct psychological category, replacing existing categories such as appetites, passions, sentiments and affections. By examining medieval and eighteenth-century theological psychologies and placing Charles Darwin and William James within a broader and more complex nineteenth-century setting, Thomas Dixon argues that this domination by one single descriptive category is not healthy. Overinclusivity of 'the emotions' hampers attempts to argue with any subtlety about the enormous range of mental states and stances of which humans are capable. This book is an important contribution to the debate about emotion and rationality which has preoccupied western thinkers throughout the eighteenth and nineteenth centuries and has implications for contemporary debates.
Radical Happiness
Why are we so obsessed by the pursuit of happiness? With new ways to measure contentment we are told that we have a right to individual joy. But at what cost? In an age of increasing individualism, we have never been more alone and miserable. But what if the true nature of happiness can only be found in others? In Radical Happiness, leading feminist thinker Lynne Segal believes that we have lost the art of radical happiness- the art of transformative, collective joy. She shows that only in the revolutionary potential of coming together it is that we can come to understand the powers of flourishing. Radical Happiness is a passionate call for the re-discovery of the political and emotional joy that emerge when we learn to share our lives together.
What We Wore
Filled with images selected from the personal photo albums of the British public, What We Wore provides a visual timeline of UK fashion since the 1950s. In What We Wore, crowdsourced family and amateur photos come together to create a makeshift style history of Britain. Taking readers into homes, onto city streets, into shops, and out to nightclubs and holiday spots, this book features a combination of original images and intriguing personal anecdotes that document changes in British fashion and style. The book encompasses the worlds of Mods, punks, ravers, grime kids, and everything in between, with photos submitted by everyday British people as well as celebrities, including Tracey Emin, J...
Miroslav Sasek
An introduction to Miroslav Šašek, the world-famous creator of the This Is series of children’s books, which provided a generation of kids with stylish and humorous illustrated books on the world’s great cities. Czech artist Miroslav Šašek (1916–1980) is celebrated for his pioneering approach to narrative nonfiction picture books, particularly his bestselling This Is series, which began with This is Paris in 1959 and eventually totaled eighteen books. With their distinct visual vocabulary, this witty collection of travel guides illustrating life and culture in a variety of cities and countries around the world from a child’s perspective, became immensely popular and garnered many...
Railways
Exquisite drawings of locomotives, carriages, and stations offering unparalleled insight into the design and operation of the British railway system.
Moonlight Travellers
Bringing together two formidable talents for the first time, this literary and artistic collaboration on the theme of night travel features original artwork by Quentin Blake and text by Will Self. This breakthrough publication promises both to excite and haunt the reader’s imagination. Quentin Blake, the so-called Godfather of Illustration, combines his talents with novelist Will Self, “one of the most manically imaginative writers at work today” (Financial Times). The result is a book of irresistible appeal to literature and art lovers alike. Blake’s watercolors relate, with dark, fantastical humor, the experience of journeying across unknown landscapes in the dead of night. Accompanying this artistic narrative is an equally evocative text from the ever-brilliant mind of Will Self. With characteristic sharpness and wit, Self melds fact, fiction, and memory to transport the reader in the most radical way, departing on unexpected trajectories in response to Blake’s visual romp through time and space. Together, word and image connect with our deepest sensibilities in Moonlight Travellers as we journey through the landscapes and dreamscapes of night.
