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Guillaume de Machaut
  • Language: en
  • Pages: 680

Guillaume de Machaut

  • Type: Book
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  • Published: 2013-08-21
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  • Publisher: Routledge

First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Guillaume de Machaut
  • Language: en
  • Pages: 696

Guillaume de Machaut

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

A Performer's Guide to Medieval Music
  • Language: en
  • Pages: 618

A Performer's Guide to Medieval Music

A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.

Controlling Readers
  • Language: en
  • Pages: 349

Controlling Readers

Guillaume de Machaut (1300-1377) was the master poet of fourteenth-century France. He established models for much of the vernacular poetry written by subsequent generations, and he was instrumental in institutionalizing the lay reader. In particular, his longest and most important work, the Voir dit, calls attention to the coexistence of public and private reading practices through its intensely hybrid form: sixty-three poems and ten songs invite an oral performance, while forty-six private prose letters as well as elaborate illustration and references to it's own materiality promote a physical encounter with the book. In Controlling Readers, Deborah McGrady uses Machaut's corpus as a case s...

The Motet in the Late Middle Ages
  • Language: en
  • Pages: 777

The Motet in the Late Middle Ages

A unique capacity of measured polyphony is to give precisely fixed places not only to musical notes, but also to individual words in relation to them and each other. The Motet in the Late Middle Ages offers innovative approaches to the equal partnership of music and texts in motets of the fourteenth century and beyond, showcasing the imaginative opportunities afforded by this literal kind of intertextuality, and yielding a very different narrative from the common complaint that different simultaneous texts make motets incomprehensible. As leading musicologist Margaret Bent asserts, they simply require a different approach to preparation and listening. In this book, Bent examines the words an...

The Cambridge Companion to French Music
  • Language: en
  • Pages: 441

The Cambridge Companion to French Music

This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.

A Companion to Guillaume de Machaut
  • Language: en
  • Pages: 435

A Companion to Guillaume de Machaut

  • Type: Book
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  • Published: 2012-08-27
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  • Publisher: BRILL

This collection provides a comprehensive reading of Machaut’s literary and musical corpus that privileges his engagement with contemporary political, ethical, and aesthetic concerns of late medieval culture as well as his reception by artists and thinkers, medieval and modern.

Machaut's Music
  • Language: en
  • Pages: 314

Machaut's Music

Guillaume de Machaut was the foremost poet-composer of his time. Studies look at all aspects of his prodigious output.

The Modern Invention of Medieval Music
  • Language: en
  • Pages: 358

The Modern Invention of Medieval Music

A challenging book which questions how much is really known about the way medieval music sounded.

Guillaume de Machaut
  • Language: en
  • Pages: 384

Guillaume de Machaut

At once a royal secretary, a poet, and a composer, Guillaume de Machaut was one of the most protean and creative figures of the late Middle Ages. Rather than focus on a single strand of his remarkable career, Elizabeth Eva Leach gives us a book that encompasses all aspects of his work, illuminating it in a distinctively interdisciplinary light. The author provides a comprehensive picture of Machaut's artistry, reviews the documentary evidence about his life, charts the different agendas pursued by modern scholarly disciplines in their rediscovery and use of specific parts of his output, and delineates Machaut's own poetic and material presentation of his authorial persona. Leach treats Macha...