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Afrodiasporic Identities in Germany
Aminata Camara, Maya K., Lafia T., Oxana Chi and Layla Zami are middle-class, highly educated women in Germany and come from families of mixed African European heritages. This ethnographic study traces the coming of age as person of African descent in Germany born in the 1980s with a focus on the city of Frankfurt. Silvia Wojczewski follows the paths of five women and shows how the practice of travelling is used as a way to connect to transnational families and to an Afrodiasporic heritage. Zooming in on five lives, she reveals the ways in which class, diaspora and kinship relations influence how the women understand themselves and their position in the world.
Contemporary PerforMemory
Contemporary PerforMemory looks at dance works created in the 21st century by choreographers identifying as Afro-European, Jewish, Black, Palestinian, and Taiwanese-Chinese-American. It explores how contemporary dance-makers engage with historical traumas such as the Shoah and the Maafa to reimagine how the past is remembered and how the future is anticipated. The new idea of perforMemory arises within a lively blend of interdisciplinary theory, interviews, performance analysis, and personal storytelling. Scholar and artist Layla Zami traces unexpected pathways, inviting the reader to move gracefully across disciplines, geographies, and histories. Featuring insightful interviews with seven international artists: Oxana Chi, Zufit Simon, André M. Zachery, Chantal Loïal, Wan-Chao Chang, Farah Saleh, and Christiane Emmanuel.
We Collect Together in a Net
Literary Nonfiction. Art. LGBTQIA Studies. Edited by Rachel Valinsky. A net contains and disperses, locating our entanglements in the world. Artist Kerry Downey's first major publication, WE COLLECT TOGETHER IN A NET, assembles a series of fourteen full color reproductions of new monotypes alongside commissioned texts by writers Jaime Shearn Coan, Jeanne Vaccaro, Ryan Lee Wong, and Layla Zami. Through Chine-collé, embossment, rubbing, and sanding, these works on paper bring attention to the materiality and transformative potential of paper as a substrate, drawing parallels between paper's surface and our skin. Like a net, skin's porousness acts as a threshold between the personal and the social, the psychological and the embodied.
Feminist Freedom Warriors
Born out of an engagement with anti-racist feminist struggles as women of color from the Global South, Feminist Freedom Warriors (FFW) is a project showcasing cross-generational histories of feminist activism addressing economic, anti-racist, social justice, and anti-capitalist issues across national borders. This feminist reader is a companion to the FFW video archive project that is currently available online. Using text and images, the book presents short narratives from the women featured in the FFW project and illustrates the intersecting struggles for justice in the fight against oppression. These are stories of sister-comrades, whose ideas, words, actions, and visions of economic and social justice continue to inspire a new generation of women activists.
Routinen im Tanz
Gerade in der Kunst haben Routinen kein gutes Renommee: zu starr, zu einengend, zu langweilig - so zumindest die weit verbreitete These. Dabei sind sich die stabilisierenden Kräfte von Routinen und die innovative Instabilität künstlerischer Praxis näher als oft vermutet. Die Beiträger*innen widmen sich zum einen der produktiven Kraft und zum anderen den krisenhaften Momenten von eingeübten, gewohnheitsmäßigen Praktiken in Tanz und Performance. Dabei nehmen sie Routinen in der Ausbildung, in künstlerischer Praxis und Wissenschaft sowie im Kontext digitaler Formate und postkolonialer Ansätze in den Blick - und zeichnen so ein Bild des Tanzes im Spannungsfeld von Stabilisierung und Veränderung.
Black Lives Under Nazism
In a little-known chapter of World War II, Black people living in Nazi Germany and occupied Europe were subjected to ostracization, forced sterilization, and incarceration in internment and concentration camps. In the absence of public commemoration, African diaspora writers and artists have preserved the stories of these forgotten victims of the Third Reich. Their works illuminate the relationship between creative expression and wartime survival and the role of art in the formation of collective memory. This groundbreaking book explores a range of largely overlooked literary and artistic works that challenge the invisibility of Black wartime history. Emphasizing Black agency, Sarah Phillips...
Exceptional Experiences
Looking at encounters that can puncture or jolt us, this volume uses art as a lens through which to register and understand exceptional experiences. The volume also includes the fieldworker’s experience of unexpected events that can lead to key understandings, as well as revelatory moments that happen during artistic creation and while looking at art. By exploring exceptional experiences through art, the volume asks probing questions for anthropology. In recognizing that art is all-encompassing – including, as it does, narrative, performance, dance and images – Exceptional Experiences situates itself within a number of conversations on methodological and conceptual issues in anthropology and beyond.
Responding to Human Trafficking
Signed into law in 2000, the Trafficking Victims Protection Act (TVPA) defined the crime of human trafficking and brought attention to an issue previously unknown to most Americans. But while human trafficking is widely considered a serious and despicable crime, there has been far less consensus as to how to approach the problem—owing in part to a pervasive emphasis on forced prostitution that overshadows repugnant practices in other labor sectors affecting vulnerable populations. Responding to Human Trafficking examines the ways in which cultural perceptions of sexual exploitation and victimhood inform the drafting, interpretation, and implementation of U.S. antitrafficking law, as well a...
Embodied Avatars
"Tracing a dynamic genealogy of performance from the nineteenth century to the twenty-first, McMillian contends that black women artists practiced a purposeful self-objectification, transforming themselves into art objects. In doing so, these artists raised new ways to ponder the intersections of art, performance, and black female embodiment."--Back cover.
Czech Feminisms
Sixteen essays “apply the intersectional theory in an inspiring way in the analysis of gender issues in the past and in contemporary Czech society” (Aspasia). In this wide-ranging study of women’s and gender issues in the pre- and post-1989 Czech Republic, contributors engage with current feminist debates and theories of nation and identity to examine the historical and cultural transformations of Czech feminism. This collection of essays by leading scholars, artists, and activists, explores such topics as reproductive rights, state socialist welfare provisions, Czech women’s NGOs, anarchofeminism, human trafficking, LGBT politics, masculinity, feminist art, among others. Foregroundi...
