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Christianity, Philosophy, and Roman Power
Rethinks Rome's Christianisation as a crisis of knowledge propelled by Constantine, with Emperor Julian as its key interpreter and catalyst.
Unrest in the Roman Empire
Despite Roman claims to have brought peace, unrest was widespread in the Roman empire. Revolts, protests and piracy were common occurrences. How did contemporaries relate to and make sense of such phenomena? This volume gathers eleven contributions by specialists in the various literatures and modes of thinking that flourished in the empire between the second century BCE and the fifth century CE - including Graeco-Roman historiography and philosophy, Jewish prophecy, Christian apology and the writings of the Tannaitic rabbis - to investigate these questions. Each contribution analyses the discourses by which the diverse authors of these texts understood instances of unrest. Together the contributions expand our understanding of the varied politics that pervaded the Roman empire. They highlight the intellectual labour at every level of society that went to (re)making this imperial formation throughout its long history.
Articulating Resistance under the Roman Empire
This book explores the many strategies by which elite Greeks and Romans resisted the cultural and political hegemony of the Roman Empire in ways that avoided direct confrontation or simple warfare. By resistance is meant a range of responses including 'opposition', 'subversion', 'antagonism', 'dissent', and 'criticism' within a multiplicity of cultural forms from identity-assertion to polemic. Although largely focused on literary culture, its implications can be extended to the world of visual and material culture. Within the volume a distinguished group of scholars explores topics such as the affirmation of identity via language choice in epigraphy; the use of genre (dialogue, declamation, biography, the novel) to express resistant positions; identity negotiation in the scintillating and often satirical Greek essays of Lucian; and the place of religion in resisting hegemonic power.
Traditional and Cosmic Gods in Later Plato and the Early Academy
This book sheds new light on Plato's cosmology in relation to Greek religion by examining the contested distinction between the traditional and cosmic gods. A close reading of the later dialogues shows that the two families of gods are routinely deployed to organise and structure Plato's accounts of the origins of the universe and of humanity and its social institutions, and to illuminate the moral and political ideals of philosophical utopias. Vilius Bartninkas argues that the presence of the two kinds of gods creates a dynamic, yet productive, tension in Plato's thinking which is unmistakable and which is not resolved until the works of his students. Thus the book closes by exploring how the cosmological and religious ideas of Plato's later dialogues resurfaced in the Early Academy and how the debates initiated there ultimately led to the collapse of this theological distinction.
Fashioning the Future in Roman Greece
Fashioning the Future in Roman Greece: Memory, Monuments, Texts uses literature, inscriptions, art, and architecture to explore the relationship of elite Greeks of the Roman imperial period to time. This wide-ranging work challenges conventional thinking about the temporal positioning of imperial Greece and the so-called 'Second Sophistic', which holds that it was obsessed above all with the Classical past. Instead, the volume establishes that imperial Greek temporality was far more complex than scholarship has previously allowed by detailing how contemporary cultural output used the past to position itself within tradition but was crafted to speak to the future. At the same time, the book e...
The Christian Invention of Time
With trademark flair, Simon Goldhill shows how Christianity transformed humanity's relationship with time in ways that resonate today.
Classical Philology and Theology
Explores for the first time the deep and significant interactions between classical philology and theology.
The Solitary Sphere in the Age of Virgil
The Solitary Sphere in the Age of Virgil uses an enriched tripartite model of Roman culture-touching not only the public and the private, but also the solitary-in order to present a radical re-interpretation of Latin literature and of the historical causes of this third sphere's relative invisibility in scholarship. By connecting Cosmos and Imperium to the Individual, the solitary sphere was not so much a way of avoiding politics, as a political education in itself. As re-imagined by literature in this age literature, this sphere was an essential space for the formation of the new Roman citizen of the Augustan revolution, and was behind many of the notable features of the literary revolution...
Against the Death Penalty
In 1764, a Milanese aristocrat named Cesare Beccaria created a sensation when he published On Crimes and Punishments. At its centre is a rejection of the death penalty as excessive, unnecessary, and pointless. Beccaria is deservedly regarded as the founding father of modern criminal law reform, yet he was not the first to argue for the abolition of the death penalty. This book presents the first English translation of the Florentine aristocrat Giuseppe Pelli's critique of capital punishment, written three years before Beccaria's treatise, but lost for more than two centuries in the Pelli family archives. The book examines the contrasting arguments of the two abolitionists, who drew from different intellectual traditions.
Reconstructing Satyr Drama
The origins of satyr drama, and particularly the reliability of the account in Aristotle, remains contested, and several of this volume’s contributions try to make sense of the early relationship of satyr drama to dithyramb and attempt to place satyr drama in the pre-Classical performance space and traditions. What is not contested is the relationship of satyr drama to tragedy as a required cap to the Attic trilogy. Here, however, how Aeschylus, Sophocles, and Euripides (to whom one complete play and the preponderance of the surviving fragments belong) envisioned the relationship of satyr drama to tragedy in plot, structure, setting, stage action and language is a complex subject tackled b...
