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Reading Greek Tragedy
  • Language: en
  • Pages: 322

Reading Greek Tragedy

An advanced critical introduction to Greek tragedy for those who do not read Greek. Combines the best contemporary scholarly analysis of the classics with a wide knowledge of contemporary literary studies in discussing the masterpieces of Athenian drama.

Jerusalem
  • Language: en
  • Pages: 369

Jerusalem

Jerusalem is the site of some famous religious monuments in the world, from the Dome of the Rock to the Church of the Holy Sepulchre to the Western Wall of the Temple. This work takes you on a tour through the history of this image-filled and ideology-laden city--from the bedrock of the Old City to the towering roofs of the Holy Sepulchre.

Sophocles and the Language of Tragedy
  • Language: en
  • Pages: 303

Sophocles and the Language of Tragedy

Written by one of the best-known interpreters of classical literature today, Sophocles and the Language of Tragedy presents a revolutionary take on the work of this great classical playwright and on how our understanding of tragedy has been shaped by our literary past. Simon Goldhill sheds new light on Sophocles' distinctive brilliance as a dramatist, illuminating such aspects of his work as his manipulation of irony, his construction of dialogue, and his deployment of the actors and the chorus. Goldhill also investigates how nineteenth-century critics like Hegel, Nietzsche, and Wagner developed a specific understanding of tragedy, one that has shaped our current approach to the genre. Finally, Goldhill addresses one of the foundational questions of literary criticism: how historically self-conscious should a reading of Greek tragedy be? The result is an invigorating and exciting new interpretation of the most canonical of Western authors.

The Poet's Voice
  • Language: en
  • Pages: 388

The Poet's Voice

A study of ancient Greek poetry analysing the question: what is a poet?

A Very Queer Family Indeed
  • Language: en
  • Pages: 344

A Very Queer Family Indeed

The family that wrote itself -- Sensation! -- Wooing mother -- Bringing up the subject -- Fifty ways to say I hate my father -- Tell the truth, my boy -- A map of biographical urges -- To write a life -- Women in love -- Graphomania -- Being queer -- What's in a name? -- Though wholly pure and good -- He never married -- All London is agog -- Carnal affections -- Be a man, my boy -- "It's not unusual . . ." -- The god of our fathers -- It will be worth dying -- The deeper self that can't decide -- Our father -- Secret history -- Writing the history of the church -- Building history -- Forms of worship -- Capturing the Bensons -- Not I

How to Stage Greek Tragedy Today
  • Language: en
  • Pages: 255

How to Stage Greek Tragedy Today

Space and concept -- The chorus -- The actor's role -- Tragedy and politics : what's Hecuba to him? -- Translations : finding a script -- Gods, ghosts, and Helen of Troy

The Christian Invention of Time
  • Language: en
  • Pages: 517

The Christian Invention of Time

With trademark flair, Simon Goldhill shows how Christianity transformed humanity's relationship with time in ways that resonate today.

The Temple of Jerusalem
  • Language: en
  • Pages: 205

The Temple of Jerusalem

Destroyed nearly 2000 years ago, the Temple of Jerusalem—cultural memory, symbol, and site—remains one of the most powerful, and most contested, buildings in the world. This structure, imagined and re-imagined, reconsidered and reinterpreted over two millennia, emerges in all its historical, cultural, and religious significance in this account.

Rethinking Revolutions Through Ancient Greece
  • Language: en
  • Pages: 275

Rethinking Revolutions Through Ancient Greece

Publisher description

Who Needs Greek?
  • Language: en
  • Pages: 340

Who Needs Greek?

Does Greek matter? To whom and why? This interdisciplinary study focuses on moments when passionate conflicts about Greek and Greek-ness have erupted in both the modern and the ancient worlds. It looks at the Renaissance, when men were burned at the stake over biblical Greek, at violent Victorian rows over national culture and the schooling of a country, at the shocking performances of modernist opera - and it also examines the ancient world and its ideas of what it means to be Greek, especially in the first and second centuries CE. The book sheds light on how the ancient and modern worlds interrelate, and how fantasies and deals, struggles and conflicts have come together under the name of Greece. As a contribution to theatre studies, Renaissance and Victorian cultural history, and to the understanding of ancient writing, this book takes reception studies in an exciting alternative direction.