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A new collection ablaze with urgency and radiant inquiry from a 2015 finalist for the Trillium Book Award for Poetry A demand and promise; an obligation and challenge; a protest and call: I have to live. Juiced on the ecstasy of self-belief: I have to live. A burgeoning erotics of psychic boldness: I have to live. In which sensitivity is recognized as wealth: I have to live. Trumpeting the forensic authority of the heart: I have to live. This is original ancient poetry. It fashions a universe from its mouth.
Siren, Kateri Lanthier's astonishing second book, calls us to attention. In her search for what she calls "compelling melancholy," Lanthier's new poems not only draw on the ghazal's history as love poetry but remind readers of the dangerous and alluring quality of the ancient form itself. The siren was a lethal yet seductive figure, and that sense of power--and as well as her fast-taking bemusement at her own reputation--is present in lines that marry unnerving dream logic to emotional fearlessness. Siren is an uncompromising achievement: an original style at once mysterious, witty and musical that refines and clarifies the world in consistently surprising ways." Call it playing with fire. Call it connect-the-dots lightning."
Undiscovered Countryis filled with soulful accomplished writing in a variety of lyrical modes, including the long poem. When someone we love dies, what we miss are their presences and particulars. In this new book Rempel journeys through the grieving process, exploring death and loss, and the "dark night of the soul"; through the filters of the geographies and seasons of northern BC. What he finds is an "undiscovered country." Even the bright clouds in spring or the colours of fall, or an afternoon with his daughter, offer an opportunity for the poet to contemplate his existence and rework his worldview. In this new country, he finds a measure of hope, even in the darkest night; like a moon, illuminating a road by the river.
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For more than a decade, a group of feminist writers in the League of Canadian Poets, self-dubbed the Feminist Caucus, have been meeting to wrestle with issues of language and gender, to share revelations and convictions and poems, and to reaffirm their place in the community of people who spend much of their lives working to end the violence of language and the silencing of voices that corrupt our society.
Each year the League of Canadian Poets sponsors the prestigious National Poetry Contest. From the thousands of entries received, the judges choose three prize winners and a list of honourable mentions. The annual anthology publishes the finest poetry of the year.First prize winner is Susan M. Stenson of Victoria, BC, for her poem "When You Say Infidelity." Second prize winner is Peter Richardson of Morin Heights, Quebec, for "Dig." Third prize winner is Brent MacLaine of Charlottetown, PEI, for "Southward to Kissimmee." Other well known poets include Bert Almon, Antonia Banyard, Diane Brebner, Cathy Ford and Jay Ruzesky. Also included are the winners of the 1999 special competition for Canadian elementary and secondary school students.Vintage 1999 is an ideal introduction to the vitality and diversity of the Canadian poetry community. Previous editions have been adopted widely for use in schools, colleges and universities.