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Start Making Movies
This ebook guide will show you how to make great short films and videos. Making a short movie can seem like a big challenge. What equipment should you buy? How do you tell stories with film? How can you make sure your movie makes sense? Start Making Movies takes you step-by-step through what you need to know. Starting with the basics, the book explains the filmmaking process, what you need, and how to plan, shoot and edit your movie. You’ll learn about the different kinds of shot you can use; lenses and focus; light, colour and movement; and how to combine images and sound to tell your story. Start Making Movies is written in clear, easy-to-understand language by experienced film teacher Tom Barrance. It’s packed with photos, screenshots, film stills and diagrams. Extras include story ideas, a detailed glossary, and links to online short films and planning templates.
Filmarbeit im DaF-Unterricht und ihr Status an Gymnasien in der Slowakei
Audiovisuelle Inhalte dominieren im Medienkonsum heutiger Jugendlicher. Sinnvoll eingesetzt können sie auch dazu beitragen, den Unterricht von Deutsch als Fremdsprache (DaF) attraktiver und effektiver zu gestalten. Das Buch setzt sich zum einen das Ziel, den DaF- Didaktiker*innen und Akteur*innen in der Bildungspolitik die Potenziale der Anwendung von filmischen Inhalten und deren tatsächliche Nutzung in der aktuellen Unterrichtspraxis aufzuzeigen. Zum anderen will es zum kreativen Einsatz von audiovisuellen Medien inspirieren. Nach filmanalytischen Grundlagen werden die Grundbegriffe der Medienpädagogik erläutert, wobei die Förderung von Filmkompetenz im Rahmen des Fremdsprachenunterri...
Art of the Cut
This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There ...
The Filmmaker's Eye
This is the only book that combines conceptual and practical instruction on creating polished and eloquent images for film and video with the technical know-how to achieve them. Loaded with hundreds of full-color examples, The Filmmaker's Eye is a focused, easy-to-reference guide that shows you how to become a strong visual storyteller through smart, effective choices for your shots. This book has struck a chord worldwide and is being translated into several languages After a short introduction to basic principles, a variety of shots are deconstructed in the following format: - Why It Works: an introduction to a particular type of shot - How It Works: callouts point out exactly how the shot works the way it does--the visual rules and technical aspects in action - Technical Considerations: the equipment and techniques needed to get the shot. - Breaking the Rules: examples where the "rules" are brilliant subverted
GCSE Film Studies for WJEC
Shows what examiners are looking for in the GCSE coursework and in the exam. This resource provides coverage of the specification so that teachers can deliver the course with confidence and students can approach assessment fully prepared. It includes activities and case studies throughout to engage students with this subject.
Becoming Film Literate
Though movies have remained our foremost cultural pastime for over 100 years, many of us still know very little about the tools used to create them. In this groundbreaking new book, Vincent LoBrutto provides an enjoyable and accessible education in the art of cinema: using 50 landmark films spanning the history of the medium, LoBrutto illustrates such important concepts as editing, production design, cinematography, sound, screen acting, narrative structure, and various genres, nationalities, and film eras. Each concept is illustrated by the selection of a film that epitomizes its use, so that readers will learn about film authorship in Citizen Kane, multiplot narrative in Nashville, widescr...
On the Track
Offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors cover everything from timing, cuing, and recording through balancing the composer's vision with the needs of the film.
Len Lye
Len Lye: A Biography tells for the first time the story of a unique, charismatic artist who was an innovator in many areas - film, kinetic sculpture, painting, photography and poetry. Born in New Zealand in 1901, Len Lye gained an international reputation in the arts and had friendships with many famous people - including Dylan Thomas, Robert Graves, Gertrude Stein, John Grierson, Norman McLaren, Oskar Fischinger, John Cage, Robert Creeley, Laura Riding, Stan Brakhage, and the artists of the New York School. A colorful bohemian, Lye lived in London from 1926 to 1944 (where he made highly original hand-painted films for John Grierson's GPO Film Unit), then moved to New York for the last 36 years of his life. Describing Len Lye as a 'trailblazer' and a 'one-man modern art movement' in Sight & Sound, Ian Francis also celebrated this superb biography as 'the definitive piece of Lye scholarship'.
The Fundamentals of Film Making
The Fundamentals of Film-Making provides an overview of the collaborative process of film-making. The book maps out the practical, technical and creative aspects involved, sets out the division of labour, and explains how each individual role combines to influence the final piece. The three primary stages of film production – pre-production, production and post-production – are covered through chapters dealing with each of the major departments: script; production; direction; production design; cinematography; sound and post-production. The book concludes with an examination of film analysis, providing context and connections between film theory and practice.
Think Outside the Box Office
As the digital revolution has democratised film production, a new hybrid model of distribution is the way independent filmmakers can take control of their own distribution. This approach is not just DIY or Web-based - it combines the best techniques from each distribution arena, old and new. In Think Outside the Box Office, Reiss explains audience identification and targeting, negotiating split-rights agreements, the new role of film festivals and more.
