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Lee Foster Hartman
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Season of Infamy
“A valuable account of what one significant and perceptive Frenchman experienced during the protracted disgrace of France as a vassal state of Nazi Germany.” —Publishers Weekly In 1939, the 65-year-old French political economist Charles Rist was serving as advisor to the French government and consultant to the international banking and business world. As France anxiously awaited a German invasion, Rist traveled to America to negotiate embargo policy. Days after his return to Paris, the German offensive began and with it the infamous season of occupation. Retreating to his villa in Versailles, Rist turned his energies to the welfare of those closest to him, while in his diary he began to observe the unfolding of the war. Here the deeply learned Rist investigates the causes of the disaster and reflects on his country’s fate, placing the behavior of the “people” and the “elite” in historical perspective. Though well-connected, Rist and his family and friends were not exempt from the perils and tragedies of war, as the diary makes clear. Season of Infamy presents a distinctive, closely-observed view of life in France under the occupation.
The Western Paradox
“This book is the fascinating record of DeVoto’s crusade to save the West from itself. . . . His arguments, insights, and passion are as relevant and urgent today as they were when he first put them on paper.”—Arthur M. Schlesinger, Jr., from the Foreword Bernard DeVoto (1897-1955) was, according to the novelist Wallace Stegner, “a fighter for public causes, for conservation of our natural resources, for freedom of the press and freedom of thought.” A Pulitzer Prize-winning historian, DeVoto is best remembered for his trilogy, The Year of Decision: 1846, Across the Wide Missouri, and The Course of Empire. He also wrote a column for Harper’s Magazine, in which he fulminated abou...
Loving Faster than Light
In November 1919, newspapers around the world alerted readers to a sensational new theory of the universe: Albert Einstein’s theory of relativity. Coming at a time of social, political, and economic upheaval, Einstein’s theory quickly became a rich cultural resource with many uses beyond physical theory. Media coverage of relativity in Britain took on qualities of pastiche and parody, as serious attempts to evaluate Einstein’s theory jostled with jokes and satires linking relativity to everything from railway budgets to religion. The image of a befuddled newspaper reader attempting to explain Einstein’s theory to his companions became a set piece in the popular press. Loving Faster t...
Companion to Literature
Praise for the previous edition:Booklist/RBB "Twenty Best Bets for Student Researchers"RUSA/ALA "Outstanding Reference Source"" ... useful ... Recommended for public libraries and undergraduates."
Groenhagen Family History
The history of the Groenhagen families in Ostfriesland, Germany, and the United States. Groenhagen Family History covers Harm Siebelts Groenhagen�s (Groenhagen's second great-grandfather) descendants to the present and his ancestors back to Geert Garrels (the family didn�t use the surname Groenhagen until about 1811), who was born about 1640. The book also discusses Geert Garrels� descendants in Illinois, Kansas, Minnesota, South Dakota, and Germany. Groenhagen�s book also covers Harm Tammen Groenhagen�s descendants to the present and his ancestors back to Garrelt Nonnen, who was born before 1685. Garrelt Nonnen�s descendants can be found in Illinois, Iowa, Kansas, and Germany. Groenhagen Family History includes a chapter on genetic genealogy. Using DNA testing, Groenhagen is finally able to answer the question regarding whether or not he is related to Harm Tammen Groenhagen and his descendants.
Harper's New Monthly Magazine
Important American periodical dating back to 1850.
Catalogue
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Eugene O’Neill’s One-Act Plays
Eugene O'Neill, Nobel Laureate in Literature and Pulitzer Prize winner, is widely known for his full length plays. However, his one-act plays are the foundation of his work - both thematically and stylistically, they telescope his later plays. This collection aims to fill the gap by examining these texts, during what can be considered O'Neill's formative writing years, and the foundational period of American drama. A wide-ranging investigation into O'Neill's one-acts, the contributors shed light on a less-explored part of his career and assist scholars in understanding O'Neill's entire oeuvre.
