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Death and Rebirth in Late Antiquity
  • Language: en

Death and Rebirth in Late Antiquity

Memorialized in art, sculpture, epigraphy, and of course texts, the theme of death and rebirth became a central focus of the Christian religion as it developed in late antiquity. This book provides a deep examination of the theme of death and rebirth from various points of vie...

Christ the Miracle Worker in Early Christian Art
  • Language: en
  • Pages: 215

Christ the Miracle Worker in Early Christian Art

Artistic representations were of significant value to early Christian communities. In Christ the Miracle Worker in Early Christian Art, Lee Jefferson argues that images provided visual representations of vital religious and theological truths crucial to the faithful and projected concepts beyond the limitations of the written and spoken word. Images of Christ performing miracles or healings functioned as advertisements for Christianity and illustrated the nature of Christ. Using these images of Christ, Jefferson examines the power of art, its role in fostering devotion, and the deep connection between art and its elucidation of pivotal theological claims.

The Art of Empire
  • Language: en
  • Pages: 368

The Art of Empire

In recent years, art historians such as Johannes Deckers (Picturing the Bible, 2009) have argued for a significant transition in fourth- and fifth-century images of Jesus following the conversion of Constantine. Broadly speaking, they perceive the image of a peaceful, benevolent shepherd transformed into a powerful, enthroned Jesus, mimicking and mirroring the dominance and authority of the emperor. The powers of church and state are thus conveniently synthesized in such a potent image. This deeply rooted position assumes that ante-pacem images of Jesus were uniformly humble while post-Constantinian images exuded the grandeur of power and glory. The Art of Empire contends that the art and imagery of Late Antiquity merits a more nuanced understanding of the context of the imperial period before and after Constantine. The chapters in this collection each treat an aspect of the relationship between early Christian art and the rituals, practices, or imagery of the Empire, and offer a new and fresh perspective on the development of Christian art in its imperial background.

Death and Rebirth in Late Antiquity
  • Language: en

Death and Rebirth in Late Antiquity

  • Categories: Art

Memorialized in art, sculpture, epigraphy, and of course texts, the theme of death and rebirth became a central focus of the Christian religion as it developed in late antiquity. This book provides a deep examination of the theme of death and rebirth from various points of view to see how deeply ensconced it was in religious piety.

Death and Rebirth in Late Antiquity
  • Language: en

Death and Rebirth in Late Antiquity

"Memorialized in art, sculpture, epigraphy, and of course texts, the theme of death and rebirth became a central focus of the Christian religion as it developed in late antiquity. This book provides a deep examination of the theme of death and rebirth from various points of view to see how deeply ensconced it was in religious piety"--

The Art of Empire
  • Language: en
  • Pages: 356

The Art of Empire

  • Type: Book
  • -
  • Published: 2015
  • -
  • Publisher: Unknown

In recent years, art historians such as Johannes Deckers (Picturing the Bible, 2009) have argued for a significant transition in fourth- and fifth-century images of Jesus following the conversion of Constantine. Broadly speaking, they perceive the image of a peaceful, benevolent shepherd transformed into a powerful, enthroned Jesus, mimicking and mirroring the dominance and authority of the emperor. The powers of church and state are thus conveniently synthesized in such a potent image. This deeply rooted position assumes that ante-pacem images of Jesus were uniformly humble while post-Constantinian images exuded the grandeur of power and glory. The Art of Empire contends that the art and imagery of Late Antiquity merits a more nuanced understanding of the context of the imperial period before and after Constantine. The chapters in this collection each treat an aspect of the relationship between early Christian art and the rituals, practices, or imagery of the empire, and offer a new and fresh perspective on the development of Christian art in its imperial background.

Ancient Christian Worship
  • Language: en
  • Pages: 466

Ancient Christian Worship

An Important Study on the Worship of the Early Church This introduction to the origins of Christian worship illuminates the importance of ancient liturgical patterns for contemporary Christian practice. Andrew McGowan takes a fresh approach to understanding how Christians came to worship in the distinctive forms still familiar today. Deftly and expertly processing the bewildering complexity of the ancient sources into lucid, fluent exposition, he sets aside common misperceptions to explore the roots of Christian ritual practices--including the Eucharist, baptism, communal prayer, preaching, Scripture reading, and music--in their earliest recoverable settings. Now in paper.

Understanding Early Christian Art
  • Language: en
  • Pages: 322

Understanding Early Christian Art

Surveying the content and character of early Christian iconography from the third to the sixth century CE, this substantially revised and updated new edition of Understanding Early Christian Art makes the critical tools of art historians accessible to students. It opens by discussing a series of questions pertaining to the evidence itself and how scholars through the centuries have regarded this material as expressing and transmitting aspects of the developing faith and practice of early adherents of Christianity. It considers possible sources for the various motifs and the complex relationship between words and images, as well as the importance of studying visual and material culture alongs...

Observations on the Writings of Thomas Jefferson
  • Language: en
  • Pages: 252

Observations on the Writings of Thomas Jefferson

  • Type: Book
  • -
  • Published: 1832
  • -
  • Publisher: Unknown

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Mr. Jefferson and the Giant Moose
  • Language: en
  • Pages: 179

Mr. Jefferson and the Giant Moose

In the years after the Revolutionary War, the fledgling republic of America was viewed by many Europeans as a degenerate backwater, populated by subspecies weak and feeble. Chief among these naysayers was the French Count and world-renowned naturalist Georges-Louis Leclerc de Buffon, who wrote that the flora and fauna of America (humans included) were inferior to European specimens. Thomas Jefferson—author of the Declaration of Independence, U.S. president, and ardent naturalist—spent years countering the French conception of American degeneracy. His Notes on Virginia systematically and scientifically dismantled Buffon’s case through a series of tables and equally compelling writing on...