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Death and Rebirth in Late Antiquity
Death and rebirth was of vital importance to early Christians in late antiquity. In late antiquity, death was all encompassing. Mortality rates were high, plague and disease in urban areas struck at will, and one lived on the knife’s edge regarding one’s health. Religion filled a crucial role in this environment, offering an option for those who sought cure and comfort. Following death, the inhumed were memorialized, providing solace to family members through sculpture, painting, and epigraphy. This book offers a sustained interdisciplinary treatment of death and rebirth, a theme that early Christians (and scholars) found important. By analysing the theme of death and rebirth through various lenses, the contributors deepen our understanding of the early Christian funerary and liturgical practices as well as their engagement with other groups in the Empire.
Christ the Miracle Worker in Early Christian Art
Artistic representations were of significant value to early Christian communities. In Christ the Miracle Worker in Early Christian Art, Lee Jefferson argues that images provided visual representations of vital religious and theological truths crucial to the faithful and projected concepts beyond the limitations of the written and spoken word. Images of Christ performing miracles or healings functioned as advertisements for Christianity and illustrated the nature of Christ. Using these images of Christ, Jefferson examines the power of art, its role in fostering devotion, and the deep connection between art and its elucidation of pivotal theological claims.
Death and Rebirth in Late Antiquity
Memorialized in art, sculpture, epigraphy, and of course texts, the theme of death and rebirth became a central focus of the Christian religion as it developed in late antiquity. This book provides a deep examination of the theme of death and rebirth from various points of view to see how deeply ensconced it was in religious piety.
Understanding Early Christian Art
Surveying the content and character of early Christian iconography from the third to the sixth century CE, this substantially revised and updated new edition of Understanding Early Christian Art makes the critical tools of art historians accessible to students. It opens by discussing a series of questions pertaining to the evidence itself and how scholars through the centuries have regarded this material as expressing and transmitting aspects of the developing faith and practice of early adherents of Christianity. It considers possible sources for the various motifs and the complex relationship between words and images, as well as the importance of studying visual and material culture alongs...
Ancient Christian Worship
An Important Study on the Worship of the Early Church This introduction to the origins of Christian worship illuminates the importance of ancient liturgical patterns for contemporary Christian practice. Andrew McGowan takes a fresh approach to understanding how Christians came to worship in the distinctive forms still familiar today. Deftly and expertly processing the bewildering complexity of the ancient sources into lucid, fluent exposition, he sets aside common misperceptions to explore the roots of Christian ritual practices--including the Eucharist, baptism, communal prayer, preaching, Scripture reading, and music--in their earliest recoverable settings. Now in paper.
Mr. Jefferson and the Giant Moose
Capturing the essence of the origin and evolution of the so-called "degeneracy debates," over whether the flora and fauna of America (including Native Americans) were naturally weaker and feebler than species elsewhere in the world, this book chronicles Thomas Jefferson's efforts to counter French conceptions of American degeneracy, culminating in his sending of a stuffed moose to Buffon
The Jefferson Bible
Jefferson regarded Jesus as a moral guide rather than a divinity. In his unique interpretation of the Bible, he highlights Christ's ethical teachings, discarding the scriptures' supernatural elements, to reflect the deist view of religion.
Jesus > Religion
Abandon dead, dry, religious rule-keeping and embrace the promise of being truly known and deeply loved. Jefferson Bethke burst into the cultural conversation with a passionate, provocative poem titled "Why I Hate Religion, But Love Jesus." The 4-minute video became an overnight sensation, with 7 million YouTube views in its first 48 hours (and 23+ million in a year). Bethke's message clearly struck a chord with believers and nonbelievers alike, triggering an avalanche of responses running the gamut from encouraged to enraged. In his New York Times bestseller Jesus > Religion, Bethke unpacks similar contrasts that he drew in the poem--highlighting the difference between teeth gritting and gr...
Nature and Imagination in Ancient and Early Modern Roman Art
This volume uses the art of Rome to help us understand the radical historical break between the fundamental ancient pre-supposition that there is a natural world or cosmos situating human life, and the equally fundamental modern emphasis on human imagination and its creative power. Rome’s unique art history reveals a different side of the battle between ancients and moderns than that usually raised as an issue in the history of science and philosophy. The book traces the idea of a cosmos in pre-modern art in Rome, from the reception of Greek art in the Roman republic to the construction of the Pantheon, to early Christian art and architecture. It then sketches the disappearance of the pres...
Building the Body of Christ
In Building the Body of Christ, Daniel C. Cochran argues that monumental Christian art and architecture played a crucial role in the formation of individual and communal identities in late antique Italy. The ecclesiastical buildings and artistic programs that emerged during the fourth and fifth centuries not only reflected Christianity’s changing status within the Roman Empire but also actively shaped those who used them. Emphasizing the importance of materiality and the body in early Christian thought and practice, Cochran shows how bishops and their supporters employed the visual arts to present a Christian identity rooted in the sacred past but expressed in the present through church un...
